This double CD makes an excellent introduction to two great works even if other individual recordings might be preferable. This is particularly true of the Mozart in that although the ladies are peerless vocally, Barenboim's conducting is quite heavy and neither Gedda - typically somewhat pinched and throaty at times - nor Fischer-Dieskau - too light and woolly of tone for the bass-baritone required - is ideal.
Three attractive and lively concertos by two exact 18th-century contemporaries (they were both born in 1739) the Viennese Dittersdorf and the Bohemian Vanhal who on at least one occasion played string quartets with Mozart and Haydn. (Haydn and Dittersdorf played violins; Mozart played viola; Vanhal the cello.) This seems to be the only recorded pairing of the two Dittersdorf concertos.
This is a very fine set of Mozart's "complete" wind concertos, though Deutsche Grammophon does not make that claim, to their credit. The Flute Concerto #2 is not here, though that work is simply a lazy reworking of the Oboe Concerto. Some fragments for horn are also missing, though we get the Andante for Flute. The Orpheus Chamber Orchestra plays very well throughout, with instrumentals carefully and beautifully balanced.