Released not long after Warren Zevon announced that he was suffering from terminal cancer, perhaps some could argue that the single-disc Genius: The Best of Warren Zevon exploits his tragedy by recycling his catalog. The argument holds no water, because not only is it worth celebrating the work of this singer/songwriter, but his catalog was calling out for a collection like this. Although there was the double-disc set I'll Sleep When I'm Dead and a 1986 hits collection, there was no set produced during the CD era that chronicled not just his heyday, but his late-'80s comeback while cherrypicking highlights from the '90s. This does exactly that over the course of a generous, sharply selected 22 tracks. Given the space, it's inevitable that some great songs are missing, but if you're looking for a comprehensive overview, turn to the two-disc set. If you're looking for an introduction or simply a stellar selection of highlights, this suits the bill perfectly.
The New York Times has praised violinist Miranda Cuckson’s “undeniable musicality,” while Gramophone has declared her “an artist to be reckoned with.” Born in Australia and educated in America, she makes her ECM New Series debut – alongside pianist Blair McMillen – with three 20th-century milestones: the Hungarian Béla Bartók’s Violin Sonata No. 2 (1922), the Russian Alfred Schnittke’s Violin Sonata No. 2 “Quasi una Sonata” (1968) and the Pole Witold Lutoslawski’s Partita for Violin and Piano (1984).