Bill Evans Escape

Bill Evans - Escape (1996) {Cream}  

Posted by tiburon at Oct. 25, 2015
Bill Evans - Escape (1996) {Cream}

Bill Evans - Escape (1996) {Cream}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 478MB + 5% Recovery
Genre: Smooth Jazz, Jazz-Funk, Jazz Rap

From Miles Davis' Doo-Bop to albums by Greg Osby and Steve Coleman, much of the "jazz/rap fusion" released has been more hip-hop than jazz – essentially, hip-hop with jazz overtones. Bill Evans, however, has featured rappers in much the way a hard bopper would feature a singer – on "Reality" and the poignant, reggae-influenced "La Di Da," rapper Ahmed Best successfully interacts with an actual, spontaneous, improvisatory band instead of merely pre-recorded tracks. Best's rapping style – a cerebral approach akin to De La Soul and A Tribe Called Quest instead of more hardcore rappers like Tupac Shakur and Ice-T – is well-suited to this challenging and complex jazz-fusion setting.
Bill Evans - Some Other Time (1968/2016) [Official Digital Download DSD 128]

Bill Evans - Some Other Time: The Lost Session From The Black Forest (1968/2016)
DSF tracks 2CH, 1bit/5.64MHz | Digital Booklet | 7.4GB + 5% Recovery
Studio Master, Official Digital Download, 2xHD

Some Other Time: The Lost Session From the Black Forest is a newly unearthed studio session from the iconic pianist Bill Evans featuring bassist Eddie Gomez and drummer Jack DeJohnette. Recorded on June 20, 1968, nearly 10 years after the legendary Kind of Blue sessions with Miles Davis and a mere five days after the trio's incredible Grammy award-winning performance at the Montreux Jazz Festival, this is truly a landmark discovery for jazz listeners worldwide. Available in deluxe 2-CD and limited edition 2-LP sets, and containing over 90 minutes of music, this is the only studio album in existence of the Bill Evans trio with Gomez and DeJohnette. Some Other Time was recorded by the legendary MPS Records founder and producer Hans Georg Brunner-Schwer along with writer/producer Joachim-Ernst Berendt at the MPS studios in the Black Forest (Villingen, Germany).
Bill Evans With Jeremy Steig - What's New (1969) {2014 Japan Universal 100 Series UCCU-99047}

Bill Evans With Jeremy Steig - What's New (1969) {2014 Japan Universal 100 Series UCCU-99047}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 267 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 600 dpi (jpg) -> 99 Mb | 5% repair rar
© 1969, 2014 Verve Records / Universal Japan | UCCU-99047
Jazz / Post Bop / Modal Music / Piano / Flute

This LP has the debut of drummer Marty Morell with Bill Evans and bassist Eddie Gomez, and this particular trio would retain the same personnel for six productive years. Actually, this is a quartet set with guest flutist Jeremy Steig, whose playing recalls Herbie Mann's recording (Nirvana) with Evans back in the early '60s. Both flutists were always open to the influences of pop and rock, although in both of their collaborations with Evans, the music is very much on the pianist's turf. With the exception of Evans' "Time Out for Chris" and the "Spartacus Love Theme," the songs performed on this date would fit securely in the Miles Davis repertoire of the late '50s. Steig is in particularly fine form on the program which includes tunes such as "Straight No Chaser," "Autumn Leaves," and "So What."

Bill Evans - Rise Above (2016) {Vansman}  Music

Posted by tiburon at Aug. 17, 2016
Bill Evans - Rise Above (2016) {Vansman}

Bill Evans - Rise Above (2016) {Vansman}
EAC 1.1 | FLAC Image level 6 | Cue+Log | Full Scans 600dpi | 433MB + 5% Recovery
MP3 CBR 320 Kbps | 175MB + 5% Recovery
Genre: Jazz, Fusion, R&B

After 10 years of touring and breaking new ground with Bill Evans Soulgrass, Bill introduced the“Bill Evans Band” in the Fall of 2015 , a hard hitting montage of Jazz, Rock, instrumental and vocals. The “Bill Evans Band” is the next step for Bill. The evolution. Evans conducts the band and drives it with his saxophone as well as singing the lead vocals. With Dave Anderson on Bass and Bryan Baker on Guitar/Vocals, the “Bill Evans Band” is a seamless blend of Jazz, Rock and Groove.
Bill Evans Trio - Everybody Digs Bill Evans (2010) {Analogue Productions 45rpm 180g} 24-bit/96kHz Vinyl Rip plus CD Version

Bill Evans Trio - Everybody Digs Bill Evans
Part of Bill Evans Riverside Recordings Box Set

Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u & Tech Log, no cue | HQ Artwork
882 MB (24/96) + 261 MB (CD) | RAR 5% recovery | DR Analysis | Jazz | 1958
Analogue Productions ~ APJ-018 (2010)
45rpm Double LP mastered by Kevin Gray ~ Pressed in Germany

is the second record album by jazz musician Bill Evans, released in 1958. It was a trio date, recorded with Sam Jones and Philly Joe Jones.
Bill Evans - The Bill Evans Album (1971) 24-Bit/96-kHz Vinyl Rip

Bill Evans - The Bill Evans Album
Vinyl Rip in 24-Bit/96-kHz | FLAC tracks | Full Scan Covers | MU, FS | 947 MB 3% recovery
1971 | Genre: Jazz | Label: Columbia | 30855 | US pressing
Rated 4 out of 5 star by All Music Guide

Bill Evans made his debut on electric piano, usually playing it in conjunction with his acoustic piano. Joined by bassist Eddie Gomez and drummer Marty Morell, Evans performs seven of his stronger originals including "Funkallero," "The Two Lonely People," "Re: Person I Knew," "T.T.T." and "Waltz for Debby." Although not as distinctive on the electric keyboard as he was on the acoustic counterpart, Evans sounds inspired by its possibilities and is heard in top creative form throughout the date.
( Scott Yanow - AllMusic Guide )

Bill Evans (Sax) – The Alternative Man (1985) (Japan)  

Posted by janwal46 at April 11, 2010
Bill Evans (Sax) – The Alternative Man (1985) (Japan)

Bill Evans (Sax) – The Alternative Man (1985) (Japan)
Blue Note Japan| 1985 | Jazz Rock Fusion | EAC RIP | FLAC+CUE+LOG+HQ-Covers (400Dpi) | 324Mb+10Mb

No relation to the other Bill Evans, this saxophonist has an adventurous spirit and strong improvising skills despite his utilization of a rapper on some records. Evans started on piano before switching to tenor. He moved to New York in 1978 and was with Miles Davis during most of 1981-1984. He also played with John McLaughlin's short-lived, re-formed Mahavishnu Orchestra in the mid-'80s, was with Elements from 1982 on, and has recorded as a leader for Lipstick, including with his 1990s group Petite Blonde. Subsequent solo dates include 1995's Escape, 1997's Starfish & the Moon, and 1999's Touch.

Bill Evans (Saxophone) - Escape  

Posted by karfaks at Sept. 12, 2008
Bill Evans (Saxophone) - Escape

Bill Evans (Saxophone) - Escape
FLAC | 488 Mb | 1996
genre: fusion
Bill Evans - Momentum, Vol. 2 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}

Bill Evans - Momentum, Vol. 2 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 272 Mb | MP3 @320 -> 116 Mb
Full Artwork @ 600 dpi (png) -> 225 Mb | 5% repair rar
© 1972, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6392
Jazz / Post Bop / Modal Music / Piano Trio

Reissue with the latest remastering. Features original cover artwork. Magical live material from Bill Evans in the early 70s – a double-length collection that showcases a time when Evans had an especially fluid, open touch on the keys of the piano! The group here features the great trio with Eddie Gomez on bass and Marty Morell on drums – and unlike some other live Evans albums of this nature, which tend to mike the piano more than the rhythm, this one really has all three points of the trio coming out strongly together – especially Gomez' wonderfully rich, round tones on the bass.
Bill Evans - Momentum, Vol. 1 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}

Bill Evans - Momentum, Vol. 1 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 252 Mb | MP3 @320 -> 102 Mb
Full Artwork @ 600 dpi (png) -> 222 Mb | 5% repair rar
© 1972, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6391
Jazz / Post Bop / Modal Music / Piano Trio

Reissue with the latest remastering. Features original cover artwork. Magical live material from Bill Evans in the early 70s – a double-length collection that showcases a time when Evans had an especially fluid, open touch on the keys of the piano! The group here features the great trio with Eddie Gomez on bass and Marty Morell on drums – and unlike some other live Evans albums of this nature, which tend to mike the piano more than the rhythm, this one really has all three points of the trio coming out strongly together – especially Gomez' wonderfully rich, round tones on the bass.