Bill Evans Box Flac

The Teddy Wilson Trio & Gerry Mulligan Quartet & Bill Evans - At Newport (1957) {2016 Japan Verve 60th Rare Albums Series}

The Teddy Wilson Trio & Gerry Mulligan Quartet & Bill Evans - At Newport (1957) {2016 Japan Verve 60th Rare Albums SHM-CD Reissue Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 154 Mb | MP3 @320 -> 123 Mb
Full Artwork @ 600 dpi (jpg) -> 56 Mb | 5% repair rar
© 1957, 2016 Verve / Universal Japan | UCCV-9631 | Mono
Jazz / Bop / Cool

Verve 60th Anniversary Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. Two different sides of Verve Records in the 50s – one modern, one a bit more traditional – and both represented in live material from the Newport Jazz Festival in 1957! Side one features a stunning live performance from pianist Teddy Wilson – working in a tight trio with Milt Hinton on bass and Spec Powell on drums – and really blowing away any conceptions we might have had about Wilson being aging or flowery at the time. Instead, he's got a sharp edge and command of the keys that's amazing – and which almost seems to have a bit more bite than usual in this concert setting.
Bill Evans - Live at Art d'Lugoff's Top Of The Gate (2012/2017) [DSD128 + Hi-Res FLAC]

Bill Evans - Live at Art d'Lugoff's Top Of The Gate (2012/2017)
DSD128 (.dsf) 1 bit/5,6 MHz | Time - 89:50 minutes | 4,61 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 89:50 min | 1,57 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Live at Art D’Lugoff’s Top of the Gate, a previously unreleased recording captured over a half century ago consists of two blistering sets recorded at the legendary venue in October, 1968. Digitally remastered from the original tapes, the album features one of jazz’s most prominent trios – pianist Bill Evans, drummer Marty Morell and bassist Eddie Gomez.

Bill Evans - The Complete Riverside Recordings (12CDs, 1991)  Music

Posted by Discograf_man at Jan. 19, 2017
Bill Evans - The Complete Riverside Recordings (12CDs, 1991)

Bill Evans - The Complete Riverside Recordings (12CDs, 1991)
Bop, Post Bop, Cool Jazz | MP3 CBR 320 kbps | 1.82 GB
Label: Riverside Record | Release Year: 1991

William John Evans, known as Bill Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980), was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Unlike many other jazz musicians of his time, Evans never embraced new movements like jazz fusion or free jazz.
Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {1987, Reissue, Remastered} Re-post / New Rip

Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {1987, Reissue, Remastered}
EAC Rip | FLAC (Img) + Cue + Log ~ 298 Mb | MP3 CBR320 ~ 129 Mb
Scans (PNG, 300 dpi) ~ 55 Mb | RAR 5% Recovery
Jazz, Hard Bop | Riverside Records #RLP-9433 / Original Jazz Classics #OJCCD-105-2

Depending on the nature of the person involved, success either dictates more and more compulsive activity, or else it permits relaxation. With Cannonball Adderley, the latter certainly appears to be the case; and this album can, among other things, serve as a testimonial to the truth of this impression. Adderley is undeniably a successful, widely-acclaimed artist, and it may seem to some that his success came quickly. But it is more in the nature of what one night-club comic once referred to bitterly as "my overnight success after fifteen years." To recap briefly, Cannonball came up to New York in the mid-'5Os with a thorough background as a player…
Bill Evans With Jeremy Steig - What's New (1969) {2014 Japan Universal 100 Series UCCU-99047}

Bill Evans With Jeremy Steig - What's New (1969) {2014 Japan Universal 100 Series UCCU-99047}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 267 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 600 dpi (jpg) -> 99 Mb | 5% repair rar
© 1969, 2014 Verve Records / Universal Japan | UCCU-99047
Jazz / Post Bop / Modal Music / Piano / Flute

This LP has the debut of drummer Marty Morell with Bill Evans and bassist Eddie Gomez, and this particular trio would retain the same personnel for six productive years. Actually, this is a quartet set with guest flutist Jeremy Steig, whose playing recalls Herbie Mann's recording (Nirvana) with Evans back in the early '60s. Both flutists were always open to the influences of pop and rock, although in both of their collaborations with Evans, the music is very much on the pianist's turf. With the exception of Evans' "Time Out for Chris" and the "Spartacus Love Theme," the songs performed on this date would fit securely in the Miles Davis repertoire of the late '50s. Steig is in particularly fine form on the program which includes tunes such as "Straight No Chaser," "Autumn Leaves," and "So What."
Bill Evans - Momentum, Vol. 2 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}

Bill Evans - Momentum, Vol. 2 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 272 Mb | MP3 @320 -> 116 Mb
Full Artwork @ 600 dpi (png) -> 225 Mb | 5% repair rar
© 1972, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6392
Jazz / Post Bop / Modal Music / Piano Trio

Reissue with the latest remastering. Features original cover artwork. Magical live material from Bill Evans in the early 70s – a double-length collection that showcases a time when Evans had an especially fluid, open touch on the keys of the piano! The group here features the great trio with Eddie Gomez on bass and Marty Morell on drums – and unlike some other live Evans albums of this nature, which tend to mike the piano more than the rhythm, this one really has all three points of the trio coming out strongly together – especially Gomez' wonderfully rich, round tones on the bass.
Bill Evans - Momentum, Vol. 1 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}

Bill Evans - Momentum, Vol. 1 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 252 Mb | MP3 @320 -> 102 Mb
Full Artwork @ 600 dpi (png) -> 222 Mb | 5% repair rar
© 1972, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6391
Jazz / Post Bop / Modal Music / Piano Trio

Reissue with the latest remastering. Features original cover artwork. Magical live material from Bill Evans in the early 70s – a double-length collection that showcases a time when Evans had an especially fluid, open touch on the keys of the piano! The group here features the great trio with Eddie Gomez on bass and Marty Morell on drums – and unlike some other live Evans albums of this nature, which tend to mike the piano more than the rhythm, this one really has all three points of the trio coming out strongly together – especially Gomez' wonderfully rich, round tones on the bass.

Bill Evans - The Brilliant (1980) {Timeless Records SJP 329}  Music

Posted by ruskaval at Aug. 30, 2016
Bill Evans - The Brilliant (1980) {Timeless Records SJP 329}

Bill Evans - The Brilliant (1980) {Timeless Records SJP 329}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 253 Mb | MP3 @320 -> 118 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar
© 1980, 1996 Timeless Records | SJP 329
Jazz / Modal Music / Post Bop / Piano Trio

The music on this live CD is much better played than expected, for pianist Bill Evans would pass away on the following September 15. Recorded at San Francisco's Keystone Korner during his last engagement, Evans (along with bassist Marc Johnson and drummer Joe LaBarbera) still seems in surprisingly prime form on four originals (including "Letter to Evan" and "Bill's Hit Tune"), three obscurities, and the "Theme from M.A.S.H." Hopefully, the music from this well-documented gig will eventually be released completely and in chronological order, for the highly influential pianist shows no obvious sign of decline during the highly intuitive post-bop performance.
Bill Evans - Re: Person I Knew (1974) {2012 Japan SHM-CD Mini LP 24-96 Remaster}

Bill Evans - Re: Person I Knew (1974) {2012 Japan SHM-CD Mini LP 24-96 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 244 Mb | MP3 @320 -> 117 Mb
Full Artwork @ 600 dpi (png) -> 224 Mb | 5% repair rar | 24-96 remaster
© 2012 Fantasy / Concord / Universal Japan | UCCO-90134
Jazz / Post Bop / Modal Music / Piano

Cardboard sleeve (mini LP) reissue from Bill Evans featuring the high-fidelity SHM-CD format (compatible with standard CD players) and the latest 24bit/96kHz digital remastering. Part of a 5-album Bill Evans SHM-CD cardboard sleeve reissue series featuring albums "I Will Say Goodbye," "Alone (Again)," "Intuition," "Re: Person I Knew," and "Jazzhouse." The Village Vanguard and Bill Evans have been linked in jazz history since the pianist's first trio recorded Sunday at the Village Vanguard and Waltz for Debby at the club in 1961. Evans returned often, and was later asked by owner Max Gordon to select the house piano. These eight tracks were recorded during the 1974 visit that also produced Since We Met, and offer an accurate sampling of his club sets of the time–a mix of old favorites and newer material, including five Evans originals and a budding interpretation of a Herbie Hancock tune.
Bill Evans Trio - Lund 1975 & Helsinki 1970 (2009) {Jazz Lips Music}

Bill Evans Trio - Lund 1975 & Helsinki 1970 (2009) {Jazz Lips Music}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 317 Mb | MP3 @320 -> 174 Mb
Full Artwork @ 600 dpi (jpg) -> 50 Mb | 5% repair rar
© 2009 Jazz Lips Music | JL768
Jazz / Post Bop / Piano

This release presents two rare performances by Bili Evans in Northern Europe. The initial three tuner, appearing here on CD for the first time ever, were recorded during an informai visit to the house of Finnish composer Ilkka Kuusisto in Helsinki, Finland. The rest of the tracks present a hard to find concert in Lund, Sweden, previously available only on a limited Japanese edition.