Bill Evans Box Flac

Bill Evans - The Complete Bill Evans on Verve (1997) [18CD Box Set] {Verve} [repost]

Bill Evans - The Complete Bill Evans on Verve (1997) [18CD Box Set] {Verve}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 7.02 Gb | MP3 @320 -> 2.88 Gb
Full Artwork @ 600 dpi (jpg) -> 151 Mb | 5% repair rar
© 1997 Verve / PolyGram | 314 527 953-2
Jazz / Post Bop / Modal Music / Piano

THE COMPLETE BILL EVANS ON VERVE is an 18-disc, 269-track box set featuring every track that Bill Evans recorded for Verve between 1962 and 1969, including 98 previously-unreleased tracks. It includes a 160-page, full-color book. THE COMPLETE BILL EVANS ON VERVE was nominated for a 1998 Grammy Award for Best Recording Package - Boxed and for Best Historical Album. The 18 CDs in this exhaustive set provide a comprehensive picture of Bill Evans from 1962 to 1969, a period when the pianist was both consolidating his fame and sometimes taking his music into untested waters, from unaccompanied piano to symphony orchestra. His work with multitracked solo piano, originally released as Conversations with Myself and the later Further Conversations with Myself, was the most remarkable new format for his introspective music. It gave Evans a way to be all the pianists he could be at once–combining densely chordal, harmonically oblique parts with surprising, rhythmic punctuation and darting, exploratory runs.
Bill Evans - The Definitive Rare Albums Collection 1960-1966 (2017) [4CDs]{Enlightenment}

Bill Evans - The Definitive Rare Albums Collection 1960-1966 (2017) [4CDs]{Enlightenment}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 1.68GB + 5% Recovery
Genre: Jazz

Hugely acclaimed for his remarkable grasp of melody, harmony and interpretation, Bill Evans has earned his reputation as one of the most influential pianists and composers in jazz history. Classically trained from an early age, Evans initially made a name for himself working with other famous figures of the jazz genre, including George Russell, Cannonball Adderley, Chet Baker and Miles Davis, and his playing was a key feature on the latter s legendary Kind Of Blue (Columbia, 1959). By the early 1960s, Bill Evans began focussing on leading his own groups, primarily trios. Over the rest of his career, he put out a staggering body of work, including the classic albums Sunday At The Village Vanguard and Waltz For Debby (both Riverside, 1961). He received 31 Grammy nominations during his lifetime, taking away nine awards in total, and earned himself a place in the Down Beat Jazz Hall Of Fame.
Ted Rosenthal - The 3 B's: Plays the Music of Bud Powell, Bill Evans, Beethoven (2002)

Ted Rosenthal - The 3 B's: Plays the Music of Bud Powell, Bill Evans, Beethoven (2002)
EAC | FLAC | Image (Cue&Log) ~ 219 Mb | Mp3 (CBR320) ~ 157 Mb | Scans included
Hard Bop, Post-Bop, Piano Jazz | Label: Playscape | # PSR#080199 | 00:58:55

With this subtly provocative solo recital, Ted Rosenthal merges three very different streams of piano history, putting his personal stamp on all of them. He pays homage to Bill Evans with "I Loves You Porgy," "Turn out the Stars," and "Waltz for Debby," playing the last in 5/4 but reverting to 4/4 only on his second solo chorus. The Bud Powell portion is more extensive, consisting of "Tempus Fugit," "Wail," "I'll Keep Loving You," "Celia," "Parisian Thoroughfare," and, in another 5/4 interpretation, the closing "Tea for Two." Last but not least, Rosenthal unveils his improvisational approach to Beethoven with the latter two movements of the "Pathetique" sonata, as well as the third movement of "Opus 109," which inspires a full nine minutes of spirited invention. In Rosenthal's hands all this music sounds as though it sprang from the same muse, and that's the sign of a skilled, imaginative artist.
Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {OJC Remasters Complete Series rel 2011 - item 06of33}

Cannonball Adderley with Bill Evans - Know What I Mean? (1961) {OJC Remasters Complete Series rel 2011 - item 06of33}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 341 Mb | MP3 @320 -> 137 Mb
Full Artwork @ 600 dpi (png) -> 531 Mb | 5% repair rar | 24bit remastering
© 1961, 2011 Riverside / Concord | 0888072326910
Jazz / Hard Bop / Saxophone / Piano

An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
Bill Evans - Trio 64 (1964) [Japanese Limited SHM-SACD 2012] PS3 ISO + Hi-Res FLAC

Bill Evans - Trio 64 (1964) [Japanese Limited SHM-SACD 2012]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 35:23 minutes | Scans included | 1,06 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 809 MB[/center

Bill Evans - The Riverside Collection (2015)  Music

Posted by Pisulik at March 14, 2017
Bill Evans - The Riverside Collection (2015)

Bill Evans - The Riverside Collection (2015)
EAC Rip | FLAC (Tracks) +cue, log - 1 GB | 03:20:32
Jazz | Label: Not Now Music | Release Year: 2015

Evans, born in New Jersey in 1929, was by far the most individual and influential pianist to emerge during the 'hard bop' era of late-Fifties jazz. He created his own niche and, rather than try to fit into any particular style himself, allowed his own to fit in with others should they be interested. Evans was one of very few white musicians who most (though not all) black musicians were willing to accommodate. Enjoy 5 of his original jazz albums from the Riverside years from this superb 5 disc collection: "Waltz For Debby", "Moon Beams", "How My Heart Sings!", "Interplay" and "Know What I Mean?".

Bill Evans (Sax) - Petite Blonde (1992) {Lipstick Records}  Music

Posted by ruskaval at March 4, 2017
Bill Evans (Sax) - Petite Blonde (1992) {Lipstick Records}

Bill Evans (Sax) - Petite Blonde (1992) {Lipstick Records}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 360 Mb | MP3 @320 -> 147 Mb
Full Artwork @ 300 dpi (png) -> 47 Mb | 5% repair rar
© 1992 Lipstick Records | LIP 89012 2
Jazz / Post Bop

A live recording with cuts from two concerts in Germany, it was recorded live to 24-track and later remixed for an amazing sound quality for a live album. Evans expands on the style of the late Miles Davis and the album is sometimes reminiscent stylistically of We Want Miles, but it has an individual touch due to the contributions from the different bandmembers. It's one of those rare live albums that is really enjoyable even if you were not at one of the shows. This album was voted Best Album of the Month by several large German publications.
The Teddy Wilson Trio & Gerry Mulligan Quartet & Bill Evans - At Newport (1957) {2016 Japan Verve 60th Rare Albums Series}

The Teddy Wilson Trio & Gerry Mulligan Quartet & Bill Evans - At Newport (1957) {2016 Japan Verve 60th Rare Albums SHM-CD Reissue Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 154 Mb | MP3 @320 -> 123 Mb
Full Artwork @ 600 dpi (jpg) -> 56 Mb | 5% repair rar
© 1957, 2016 Verve / Universal Japan | UCCV-9631 | Mono
Jazz / Bop / Cool

Verve 60th Anniversary Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. Two different sides of Verve Records in the 50s – one modern, one a bit more traditional – and both represented in live material from the Newport Jazz Festival in 1957! Side one features a stunning live performance from pianist Teddy Wilson – working in a tight trio with Milt Hinton on bass and Spec Powell on drums – and really blowing away any conceptions we might have had about Wilson being aging or flowery at the time. Instead, he's got a sharp edge and command of the keys that's amazing – and which almost seems to have a bit more bite than usual in this concert setting.
Bill Evans - Live at Art d'Lugoff's Top Of The Gate (2012/2017) [DSD128 + Hi-Res FLAC]

Bill Evans - Live at Art d'Lugoff's Top Of The Gate (2012/2017)
DSD128 (.dsf) 1 bit/5,6 MHz | Time - 89:50 minutes | 4,61 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 89:50 min | 1,57 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Live at Art D’Lugoff’s Top of the Gate, a previously unreleased recording captured over a half century ago consists of two blistering sets recorded at the legendary venue in October, 1968. Digitally remastered from the original tapes, the album features one of jazz’s most prominent trios – pianist Bill Evans, drummer Marty Morell and bassist Eddie Gomez.

Bill Evans - The Complete Riverside Recordings (12CDs, 1991)  Music

Posted by Discograf_man at Jan. 19, 2017
Bill Evans - The Complete Riverside Recordings (12CDs, 1991)

Bill Evans - The Complete Riverside Recordings (12CDs, 1991)
Bop, Post Bop, Cool Jazz | MP3 CBR 320 kbps | 1.82 GB
Label: Riverside Record | Release Year: 1991

William John Evans, known as Bill Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980), was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Unlike many other jazz musicians of his time, Evans never embraced new movements like jazz fusion or free jazz.