Bill Evans Jimmy Hall

Bill Evans & Jim Hall - Intermodulation (1966) {2003 Japan Jazz The Best Series 24bit Remaster UCCU-5143}

Bill Evans & Jim Hall - Intermodulation (1966) {2003 Japan Jazz The Best Series 24bit Remaster UCCU-5143}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 129 Mb | MP3 @320 -> 76 Mb
Full Artwork @ 300 dpi (png) -> 41 Mb | 5% repair rar | 24bit remaster
© 1966, 2003 Verve / Universal Japan | UCCU-5143 | Verve LP V6-8655
Jazz / Post Bop / Modal Music / Piano / Guitar

A magnificent follow up to the Undercurrent album from the team of Bill Evans and Jim Hall – and like that one, a set that features amazing interplay between piano and guitar! Hall's guitar has never sounded better – and in the airy company of Evans, it takes on many of the same qualities as on his famous late 50s recordings in the Jimmy Guiffre trio. Bill's work is great too – almost more tonally focused than before, with perfectly chosen notes that resonate beautifully in this very spare space. Titles include "Jazz Samba", "All Across The City", "Angel Face", and "Turn Out The Stars".
Bill Evans & Jim Hall - Undercurrent (King Records, Japan) Vinyl rip in 24 Bit/96 Khz + CD-format

Bill Evans & Jim Hall - Undercurrent (1962)
Vinyl rip in 24-bit/96kHz + 16-bit/44kHz | FLAC (Tracks) , artworks | Stereo | 576 Mb, 133 Mb | 5% RAR Recovery
Styles: Jazz, Post Bop, Modal Music| Filesonic + FilePost
United Artist Records - King Records Japan (1976)

Undercurrent has long been considered one of the classic piano/guitar duo sessions, pairing Bill Evans with Jim Hall.
Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}

Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 204 Mb
Full Artwork @ 300 dpi (jpg) -> 42 Mb
© 2002 Capitol / Blue Note | 7243 5 38228 2 8 | 24-bit remaster
Jazz / Post Bop / Modal Music


Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}

Undercurrent has long been considered one of the classic piano/guitar duo sessions, pairing Bill Evans with Jim Hall. These studio dates were a jump start for Evans' career, which he had placed on hold after the unexpected death of his bassist, Scott LaFaro, a few days following their historic Village Vanguard recordings were made. First reissued on CD in 1988, this 2002 edition features the same music, but remixed with gorgeous 24-bit sound and the songs re-sequenced into their original LP configuration, with the alternate takes and initially unissued tracks following them. An added bonus is the removal of the graphics from the striking cover photo, as well as the inclusion of a photo of Evans and Hall taken at one of the two sessions. The seamless way they swap between lead and supporting roles throughout gems such as the waltz-time "Skating in Central Park" adds to the overall appeal of the disc. Though the master take of "My Funny Valentine" has a smoother introduction, the alternate has more intriguing interplay between the two men. The other selections are every bit as masterful. Although Evans and Hall would later do a follow-up duo session for Verve, this memorable CD is the one to acquire first.
Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster} [re-up]

Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 224 Mb | MP3 @320 -> 135 Mb
Full Artwork @ 600 dpi (jpg) -> 130 Mb | 5% repair rar
© 2002 Capitol / Blue Note | 7243 5 38228 2 8 | 24-bit remaster
Jazz / Post Bop / Modal Music

Undercurrent has long been considered one of the classic piano/guitar duo sessions, pairing Bill Evans with Jim Hall. These studio dates were a jump start for Evans' career, which he had placed on hold after the unexpected death of his bassist, Scott LaFaro, a few days following their historic Village Vanguard recordings were made. First reissued on CD in 1988, this 2002 edition features the same music, but remixed with gorgeous 24-bit sound and the songs re-sequenced into their original LP configuration, with the alternate takes and initially unissued tracks following them.

Bill Evans& Jim Hall &Eddie Gomez "2 IN 1" 1966/1975  

Posted by greywolff at Sept. 15, 2007
Bill Evans& Jim Hall &Eddie Gomez "2 IN 1" 1966/1975

Bill Evans with Jim Hall "Intermodulation "
Bill Evans with Eddie Gomez "Montreaux, Vol. 3 "
Jazz | APE+Cue+Cover@MP3-320+Cue+Cover | APE@259Mb | MP3@320@171Mb
Total Time - 75 min

Bill Evans - The Complete Riverside Recordings (12CDs, 1991)  Music

Posted by Discograf_man at Jan. 19, 2017
Bill Evans - The Complete Riverside Recordings (12CDs, 1991)

Bill Evans - The Complete Riverside Recordings (12CDs, 1991)
Bop, Post Bop, Cool Jazz | MP3 CBR 320 kbps | 1.82 GB
Label: Riverside Record | Release Year: 1991

William John Evans, known as Bill Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980), was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Unlike many other jazz musicians of his time, Evans never embraced new movements like jazz fusion or free jazz.

Bill Evans - The Last Trio Live '80 (2006)  Music

Posted by robi62 at Dec. 24, 2016
Bill Evans - The Last Trio Live '80 (2006)

Bill Evans - The Last Trio Live '80 (2006)
Video: NTSC, MPEG-2 at 7 958 kb/s, 720 x 576 at 29.970 fps | Audio: PCM 2 channels at 1 536 kb/s, 48.0 kHz
Genre: Jazz | Label: Voa | Copy: Untouched | Release Date: 2 May 2006 | Runtime: 43 min. | 2,90GB (DVD5)

William John "Bill" Evans , August 16, 1929 - September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Bill Evans - The Complete Bill Evans on Verve (1997) [18CD Box Set] {Verve} [repost]

Bill Evans - The Complete Bill Evans on Verve (1997) [18CD Box Set] {Verve}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 7.02 Gb | MP3 @320 -> 2.88 Gb
Full Artwork @ 600 dpi (jpg) -> 151 Mb | 5% repair rar
© 1997 Verve / PolyGram | 314 527 953-2
Jazz / Post Bop / Modal Music / Piano

THE COMPLETE BILL EVANS ON VERVE is an 18-disc, 269-track box set featuring every track that Bill Evans recorded for Verve between 1962 and 1969, including 98 previously-unreleased tracks. It includes a 160-page, full-color book. THE COMPLETE BILL EVANS ON VERVE was nominated for a 1998 Grammy Award for Best Recording Package - Boxed and for Best Historical Album. The 18 CDs in this exhaustive set provide a comprehensive picture of Bill Evans from 1962 to 1969, a period when the pianist was both consolidating his fame and sometimes taking his music into untested waters, from unaccompanied piano to symphony orchestra. His work with multitracked solo piano, originally released as Conversations with Myself and the later Further Conversations with Myself, was the most remarkable new format for his introspective music. It gave Evans a way to be all the pianists he could be at once–combining densely chordal, harmonically oblique parts with surprising, rhythmic punctuation and darting, exploratory runs.
Bill Evans - The Complete Fantasy Recordings (1989) [9CD BoxSet] {Fantasy}

Bill Evans - The Complete Fantasy Recordings (1989) [9CD BoxSet] {Fantasy}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.9 Gb | MP3 @320 -> 1.56 Gb
Artwork (PNG) -> 63 Mb | 5% repair rar
© 1989 Fantasy / ZYX Music | FCD-1012-2
Jazz / Post Bop / Modal Music / Piano

Bill Evans' Fantasy recordings of 1973-1979 have often been underrated in favor of his earlier work but, as this remarkable nine-CD set continually shows, the influential pianist continued to grow as a musician through the years while holding on to his original conception and distinctive sound. The collection has all of the 98 selections recorded at Evans' 11 Fantasy sessions, including nine numbers from a previously unreleased 1976 concert with his trio. In addition, Evans' appearance on Marian McPartland's Piano Jazz radio program is tacked on as a bonus and it is actually among McPartland's finest shows, a fascinating hour of discussion and music with Evans.
Bill Evans, Warne Marsh, Lee Konitz, Paul Motian - Live At The Half Note (1959, 1976) [2CD] {Jazz Lips Music 2008}

Bill Evans, Warne Marsh, Lee Konitz, Jimmy Garrison, Paul Motian - Live At The Half Note (1959, 1976) [2CD] {Jazz Lips Music 2008}
EAC rip (secure mode) | FLAC+CUE+LOG -> 772 Mb | MP3 @320 -> 324 Mb
Full Artwork @ 300 dpi (png) -> 28 Mb | 5% repair rar
© 2008 Jazz Lips Music | JL 760
Jazz / Cool / Post Bop / Piano / Saxophone

This 2 CD set contains all known complete tunes by the the all-star quintet at New York's Half Note club on Feburary 24 & March 3. 1959. A bonus album has been added feautering both Warne Marsh and Lee Konitz in a quartet setting with Peter Ind and Al Levitt. It was recorded live in London March 15. 1976. This import version of Live at the Half Note with Lee Konitz, Warne Marsh, and Bill Evans has not only all the tunes of the domestic version, but a whole other wonderful album, the Konitz/Marsh London Concert, included as well! Also, extensive notes in the booklet give helpful background information.
RIP Paul Motian: 1931-2011