Bill Evans Jimmy Hall

Bill Evans & Jim Hall - Intermodulation (1966) {2003 Japan Jazz The Best Series 24bit Remaster UCCU-5143}

Bill Evans & Jim Hall - Intermodulation (1966) {2003 Japan Jazz The Best Series 24bit Remaster UCCU-5143}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 129 Mb | MP3 @320 -> 76 Mb
Full Artwork @ 300 dpi (png) -> 41 Mb | 5% repair rar | 24bit remaster
© 1966, 2003 Verve / Universal Japan | UCCU-5143 | Verve LP V6-8655
Jazz / Post Bop / Modal Music / Piano / Guitar

A magnificent follow up to the Undercurrent album from the team of Bill Evans and Jim Hall – and like that one, a set that features amazing interplay between piano and guitar! Hall's guitar has never sounded better – and in the airy company of Evans, it takes on many of the same qualities as on his famous late 50s recordings in the Jimmy Guiffre trio. Bill's work is great too – almost more tonally focused than before, with perfectly chosen notes that resonate beautifully in this very spare space. Titles include "Jazz Samba", "All Across The City", "Angel Face", and "Turn Out The Stars".
Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster} [re-up]

Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 224 Mb | MP3 @320 -> 135 Mb
Full Artwork @ 600 dpi (jpg) -> 130 Mb | 5% repair rar
© 2002 Capitol / Blue Note | 7243 5 38228 2 8 | 24-bit remaster
Jazz / Post Bop / Modal Music

Undercurrent has long been considered one of the classic piano/guitar duo sessions, pairing Bill Evans with Jim Hall. These studio dates were a jump start for Evans' career, which he had placed on hold after the unexpected death of his bassist, Scott LaFaro, a few days following their historic Village Vanguard recordings were made. First reissued on CD in 1988, this 2002 edition features the same music, but remixed with gorgeous 24-bit sound and the songs re-sequenced into their original LP configuration, with the alternate takes and initially unissued tracks following them.
Bill Evans & Jim Hall - Undercurrent (King Records, Japan) Vinyl rip in 24 Bit/96 Khz + CD-format

Bill Evans & Jim Hall - Undercurrent (1962)
Vinyl rip in 24-bit/96kHz + 16-bit/44kHz | FLAC (Tracks) , artworks | Stereo | 576 Mb, 133 Mb | 5% RAR Recovery
Styles: Jazz, Post Bop, Modal Music| Filesonic + FilePost
United Artist Records - King Records Japan (1976)

Undercurrent has long been considered one of the classic piano/guitar duo sessions, pairing Bill Evans with Jim Hall.

Bill Evans& Jim Hall &Eddie Gomez "2 IN 1" 1966/1975  Music

Posted by greywolff at Sept. 15, 2007
Bill Evans& Jim Hall &Eddie Gomez "2 IN 1" 1966/1975

Bill Evans with Jim Hall "Intermodulation "
Bill Evans with Eddie Gomez "Montreaux, Vol. 3 "
Jazz | APE+Cue+Cover@MP3-320+Cue+Cover | APE@259Mb | MP3@320@171Mb
Total Time - 75 min
Eliane Elias - Something For You - Eliane Elias Sings & Plays Bill Evans (2007) (Repost)

Eliane Elias - Something For You - Eliane Elias Sings & Plays Bill Evans (2007)
EAC Rip | FLAC (image+.cue, log) ~ 317.08 Mb | 63:10 | Scans included
Ethnic Jazz, Contemporary Jazz, Vocal Jazz | Country: Brazil | Label: Blue Note Records (50999 5 11795 26)

Eliane Elias' return to the Blue Note label after a decade working elsewhere is a triumph. This salute to the late pianist Bill Evans, one of her favorite players, explores a number of songs he recorded, including both standards and originals. Evans' bassist from his final trio, Marc Johnson, is not only a long-time collaborator with Elias but also her husband; drummer Joey Baron rounds out the band. While Elias is influenced by Evans' playing style, his arrangements are only a launching pad for her approach to each tune; never does she sound like an obvious Evans clone. Her lush take of "My Foolish Heart" features Johnson on the late Scott LaFaro's bass (the talented Evans sideman who died in a 1961 car wreck just ten days after recording the landmark sets with the pianist at the Village Vanguard).
Miles Davis - Rare Unreleased Broadcasts with John Coltrane, Sonny Rollins and Bill Evans (1952-1958) {Yadeon 502}

Miles Davis - Rare Unreleased Broadcasts with John Coltrane, Sonny Rollins and Bill Evans (1952-1958) {Yadeon 502}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 361 Mb | MP3 @320 -> 153 Mb | Artwork | 5% repair rar
© 1952-1958 Yadeon Canada | 502
Jazz / Bop / Cool / Trumpet

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz musician, trumpeter, bandleader, and composer. Widely considered one of the most influential musicians of the 20th century, Miles Davis was, together with his musical groups, at the fore front of several major developments in jazz music, including BeBop, Cool Jazz, Hard Bop, Modal Jazz, and Jazz Fusion.

Bill Evans Trio - At Newport 1967 & 1976 (2014)  Music

Posted by SuniR at Sept. 16, 2017
Bill Evans Trio - At Newport 1967 & 1976 (2014)

Bill Evans Trio - At Newport 1967 & 1976 (2014)
Mp3 CBR320 kbps | 71:07 min | 203 Mb (5% Rec.) | Scans included
Jazz | Label: Oceanic Records

This release presents two splendid never before released live performances by the great Bill Evans taped at the Newport Jazz Festival in 1967 and 1976.

Bill Evans - Another Time The Hilversum Concert (2017)  Music

Posted by pyatak at Sept. 7, 2017
Bill Evans - Another Time The Hilversum Concert (2017)

Bill Evans - Another Time The Hilversum Concert (2017)
EAC | FLAC (tracks+.cue, log) | 47:26 minutes | 275 MB
Jazz | Label: Resonance Records

'Another Time: The Hilversum Concert' is a rare, never-before-issued recording of the legendary Bill Evans trio featuring Eddie Gomez on bass and Jack DeJohnette on drums, captured live at the Netherlands Radio Union Studios in Hilversum on June 22, 1968.

The Bill Evans Trio - On a Monday Evening (Live) (2017)  Music

Posted by SERTiL at Aug. 24, 2017
The Bill Evans Trio - On a Monday Evening (Live) (2017)

The Bill Evans Trio - On a Monday Evening (Live)
EAC Rip | FLAC (tracks)+cue, log, m3u, front cover | 46:43 min | 167 MB
Label: Fantasy ‎– 0888072019713 | Tracks: 08 | Rls.date: 2017
Jazz

Bill Evans, one of the most influential of jazz pianists, died in 1981. He left a legacy. The brilliant shine of his artistry gained widespread recognition in 1959 with his contribution to Miles Davis classic Kind Of Blue (Columbia Records, 1959), and surged into stellar territory with the release of his own Sunday At The Village Vanguard (Riverside Records, 1961), a trio outing featuring bassist Scott LaFaro and drummer Paul Motian. The interactivity and equality of input of that particular ensemble—as opposed to the drummer and bassist serving as unobtrusive accompanists for the pianist—changed the trajectory of the future of piano trios.
Bill Evans - The Definitive Rare Albums Collection 1960-1966 (2017) [4CDs]{Enlightenment}

Bill Evans - The Definitive Rare Albums Collection 1960-1966 (2017) [4CDs]{Enlightenment}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 1.68GB + 5% Recovery
Genre: Jazz

Hugely acclaimed for his remarkable grasp of melody, harmony and interpretation, Bill Evans has earned his reputation as one of the most influential pianists and composers in jazz history. Classically trained from an early age, Evans initially made a name for himself working with other famous figures of the jazz genre, including George Russell, Cannonball Adderley, Chet Baker and Miles Davis, and his playing was a key feature on the latter s legendary Kind Of Blue (Columbia, 1959). By the early 1960s, Bill Evans began focussing on leading his own groups, primarily trios. Over the rest of his career, he put out a staggering body of work, including the classic albums Sunday At The Village Vanguard and Waltz For Debby (both Riverside, 1961). He received 31 Grammy nominations during his lifetime, taking away nine awards in total, and earned himself a place in the Down Beat Jazz Hall Of Fame.