Bill Evans Jimmy Hall

Bill Evans & Jim Hall - Intermodulation (1966) {2003 Japan Jazz The Best Series 24bit Remaster UCCU-5143}

Bill Evans & Jim Hall - Intermodulation (1966) {2003 Japan Jazz The Best Series 24bit Remaster UCCU-5143}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 129 Mb | MP3 @320 -> 76 Mb
Full Artwork @ 300 dpi (png) -> 41 Mb | 5% repair rar | 24bit remaster
© 1966, 2003 Verve / Universal Japan | UCCU-5143 | Verve LP V6-8655
Jazz / Post Bop / Modal Music / Piano / Guitar

A magnificent follow up to the Undercurrent album from the team of Bill Evans and Jim Hall – and like that one, a set that features amazing interplay between piano and guitar! Hall's guitar has never sounded better – and in the airy company of Evans, it takes on many of the same qualities as on his famous late 50s recordings in the Jimmy Guiffre trio. Bill's work is great too – almost more tonally focused than before, with perfectly chosen notes that resonate beautifully in this very spare space. Titles include "Jazz Samba", "All Across The City", "Angel Face", and "Turn Out The Stars".
Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster} [re-up]

Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 224 Mb | MP3 @320 -> 135 Mb
Full Artwork @ 600 dpi (jpg) -> 130 Mb | 5% repair rar
© 2002 Capitol / Blue Note | 7243 5 38228 2 8 | 24-bit remaster
Jazz / Post Bop / Modal Music

Undercurrent has long been considered one of the classic piano/guitar duo sessions, pairing Bill Evans with Jim Hall. These studio dates were a jump start for Evans' career, which he had placed on hold after the unexpected death of his bassist, Scott LaFaro, a few days following their historic Village Vanguard recordings were made. First reissued on CD in 1988, this 2002 edition features the same music, but remixed with gorgeous 24-bit sound and the songs re-sequenced into their original LP configuration, with the alternate takes and initially unissued tracks following them.
Bill Evans & Jim Hall - Undercurrent (King Records, Japan) Vinyl rip in 24 Bit/96 Khz + CD-format

Bill Evans & Jim Hall - Undercurrent (1962)
Vinyl rip in 24-bit/96kHz + 16-bit/44kHz | FLAC (Tracks) , artworks | Stereo | 576 Mb, 133 Mb | 5% RAR Recovery
Styles: Jazz, Post Bop, Modal Music| Filesonic + FilePost
United Artist Records - King Records Japan (1976)

Undercurrent has long been considered one of the classic piano/guitar duo sessions, pairing Bill Evans with Jim Hall.
Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}

Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 204 Mb
Full Artwork @ 300 dpi (jpg) -> 42 Mb
© 2002 Capitol / Blue Note | 7243 5 38228 2 8 | 24-bit remaster
Jazz / Post Bop / Modal Music


Bill Evans & Jim Hall - Undercurrent (1962) {2002 Blue Note Remaster}

Undercurrent has long been considered one of the classic piano/guitar duo sessions, pairing Bill Evans with Jim Hall. These studio dates were a jump start for Evans' career, which he had placed on hold after the unexpected death of his bassist, Scott LaFaro, a few days following their historic Village Vanguard recordings were made. First reissued on CD in 1988, this 2002 edition features the same music, but remixed with gorgeous 24-bit sound and the songs re-sequenced into their original LP configuration, with the alternate takes and initially unissued tracks following them. An added bonus is the removal of the graphics from the striking cover photo, as well as the inclusion of a photo of Evans and Hall taken at one of the two sessions. The seamless way they swap between lead and supporting roles throughout gems such as the waltz-time "Skating in Central Park" adds to the overall appeal of the disc. Though the master take of "My Funny Valentine" has a smoother introduction, the alternate has more intriguing interplay between the two men. The other selections are every bit as masterful. Although Evans and Hall would later do a follow-up duo session for Verve, this memorable CD is the one to acquire first.

Bill Evans& Jim Hall &Eddie Gomez "2 IN 1" 1966/1975  

Posted by greywolff at Sept. 15, 2007
Bill Evans& Jim Hall &Eddie Gomez "2 IN 1" 1966/1975

Bill Evans with Jim Hall "Intermodulation "
Bill Evans with Eddie Gomez "Montreaux, Vol. 3 "
Jazz | [email protected]+Cue+Cover | [email protected] | [email protected]@171Mb
Total Time - 75 min
Lee Konitz - Lee Konitz Meets Jimmy Giuffre ft. Bill Evans (1951-59) [2CD] {1996 Verve Remaster} [repost]

Lee Konitz - Lee Konitz Meets Jimmy Giuffre ft. Bill Evans (1951-59) [2CD] {1996 Verve Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 769 Gb | MP3 @320 -> 349 Mb
Full Artwork @ 300 dpi (jpg) -> 56 Mb | 5% repair rar
© 1996 Verve / PolyGram | 527 780-2
Jazz / Cool / Bop / Saxophone

This unusual two-CD set not only reissues the original LP of the same name but three other rare Verve LP's from the 1950's. Altoist Lee Konitz (on "An Image") is showcased during a set of adventurous Bill Russo arrangements for an orchestra and strings in 1958, pops up on half of Ralph Burns' underrated 1951 classic Free Forms (the most enjoyable of the four sets) and meets up with baritonist Jimmy Giuffre, whose arrangements for five saxes (including the great tenor Warne Marsh) and a trio led by pianist Bill Evans are sometimes equally influenced by classical music and bop.
Bill Evans - Some Other Time (1968/2016) [Official Digital Download DSD 128]

Bill Evans - Some Other Time: The Lost Session From The Black Forest (1968/2016)
DSF tracks 2CH, 1bit/5.64MHz | Digital Booklet | 7.4GB + 5% Recovery
Studio Master, Official Digital Download, 2xHD

Some Other Time: The Lost Session From the Black Forest is a newly unearthed studio session from the iconic pianist Bill Evans featuring bassist Eddie Gomez and drummer Jack DeJohnette. Recorded on June 20, 1968, nearly 10 years after the legendary Kind of Blue sessions with Miles Davis and a mere five days after the trio's incredible Grammy award-winning performance at the Montreux Jazz Festival, this is truly a landmark discovery for jazz listeners worldwide. Available in deluxe 2-CD and limited edition 2-LP sets, and containing over 90 minutes of music, this is the only studio album in existence of the Bill Evans trio with Gomez and DeJohnette. Some Other Time was recorded by the legendary MPS Records founder and producer Hans Georg Brunner-Schwer along with writer/producer Joachim-Ernst Berendt at the MPS studios in the Black Forest (Villingen, Germany).
Bill Evans With Jeremy Steig - What's New (1969) {2014 Japan Universal 100 Series UCCU-99047}

Bill Evans With Jeremy Steig - What's New (1969) {2014 Japan Universal 100 Series UCCU-99047}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 267 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 600 dpi (jpg) -> 99 Mb | 5% repair rar
© 1969, 2014 Verve Records / Universal Japan | UCCU-99047
Jazz / Post Bop / Modal Music / Piano / Flute

This LP has the debut of drummer Marty Morell with Bill Evans and bassist Eddie Gomez, and this particular trio would retain the same personnel for six productive years. Actually, this is a quartet set with guest flutist Jeremy Steig, whose playing recalls Herbie Mann's recording (Nirvana) with Evans back in the early '60s. Both flutists were always open to the influences of pop and rock, although in both of their collaborations with Evans, the music is very much on the pianist's turf. With the exception of Evans' "Time Out for Chris" and the "Spartacus Love Theme," the songs performed on this date would fit securely in the Miles Davis repertoire of the late '50s. Steig is in particularly fine form on the program which includes tunes such as "Straight No Chaser," "Autumn Leaves," and "So What."
Bill Evans - Momentum, Vol. 2 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}

Bill Evans - Momentum, Vol. 2 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 272 Mb | MP3 @320 -> 116 Mb
Full Artwork @ 600 dpi (png) -> 225 Mb | 5% repair rar
© 1972, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6392
Jazz / Post Bop / Modal Music / Piano Trio

Reissue with the latest remastering. Features original cover artwork. Magical live material from Bill Evans in the early 70s – a double-length collection that showcases a time when Evans had an especially fluid, open touch on the keys of the piano! The group here features the great trio with Eddie Gomez on bass and Marty Morell on drums – and unlike some other live Evans albums of this nature, which tend to mike the piano more than the rhythm, this one really has all three points of the trio coming out strongly together – especially Gomez' wonderfully rich, round tones on the bass.
Bill Evans - Momentum, Vol. 1 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}

Bill Evans - Momentum, Vol. 1 (1972) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 252 Mb | MP3 @320 -> 102 Mb
Full Artwork @ 600 dpi (png) -> 222 Mb | 5% repair rar
© 1972, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6391
Jazz / Post Bop / Modal Music / Piano Trio

Reissue with the latest remastering. Features original cover artwork. Magical live material from Bill Evans in the early 70s – a double-length collection that showcases a time when Evans had an especially fluid, open touch on the keys of the piano! The group here features the great trio with Eddie Gomez on bass and Marty Morell on drums – and unlike some other live Evans albums of this nature, which tend to mike the piano more than the rhythm, this one really has all three points of the trio coming out strongly together – especially Gomez' wonderfully rich, round tones on the bass.