There’s always been a wonderful, symphonic bombast that’s gone with the heroes of space operas, probably no more notably then when John Williams re-launched the old-school sound of the Big Hollywood Orchestra with 1977’s STAR WARS. Yet as he made a new generation of sci-fi fans imagine they were Luke Skywalker, Han Solo or Princess Leia Organa, there was a group of earthbound heroes with names like Alan Shepard, John Glenn and Gus Grissom who needed to get their Hollywood due, not to mention the swirling strings and brass that would come with it. The composer who would help elevate them to icon status would be Bill Conti, whose main theme for 1983’s THE RIGHT STUFF became the soundtrack equivalent of “Entrance of the Gladiators” – music that defined pride, bravery and duty with no small measure of rousing excitement. Here that patriotic vibe is played under a slow-motion shot of astronauts marching towards the fearsome wonder of space itself, a classic cinema image that would be riffed on in every film from RESERVOIR DOGS to ARMAGEDDON.
The rare sequel that improves upon its predecessor, Rocky II expands on the uplifting approach exemplified by Bill Conti's immortal "Gonna Fly Now" to create a score that's both more cohesive and more emotional. Writer/director/star Sylvester Stallone affords Conti a wider emotional berth this time around, allowing for poignant, melancholy themes like "Vigil" alongside fist-pumping anthems like the climactic "Overture" – as before, Conti employs little more than solo piano, a small string ensemble, and a potent brass section, and it's to the composer's enormous credit that he can forge such larger-than-life music from relatively few instrumental elements. "Gonna Fly Now" even reappears, this time with a children's choir in tow, and sounds better than ever. Not even Frank Stallone's "Two Kinds of Love" can torpedo this one.
Composer Bill Conti's iconic score for Sylvester Stallone's tale of over-the-hill Philadelphia boxer Rocky Balboa ranks as one of the most memorable and instantly recognizable pieces of film music ever applied to celluloid. The first Rocky is still the best, with classic cues like "Going the Distance," "Fanfare for Rocky," the "Final Bell" and "Gonna Fly Now" – the latter was actually a hit single – eschewing the myriad of questionable AOR songs that would end up cluttering future installments.
Released in 1976, Naked & Warm is the fifth studio album by American R&B singer Bill Withers and his second for Columbia Records.
William John Evans, known as Bill Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980), was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Unlike many other jazz musicians of his time, Evans never embraced new movements like jazz fusion or free jazz.