Best of U.k

The third and final record by the progressive rock trio U.K. was recorded during a 1979 concert in Japan, although it was not released until after the group disbanded; by this time the group featured bassist and lead vocalist John Wetton with ex-Zappa sidemen Eddie Jobson (keyboards and electric violin) and drummer Terry Bozzio. "Night After Night" serves a driving opener, followed by "Rendezvous 6:02," primarily a feature for Jobson's keyboard wizardry. The instrumental "Alaska" is a bit bombastic on the scale of Emerson, Lake & Palmer, though the hard-rocking "In the Dead of Night" makes up for it. Jobson switches to violin for the high-energy closer, "Caesar's Palace Blues" (which is not actually a blues). This is easily the best of U.K.'s rather small discography…

The debut album from amalgamated progsters John Wetton, Bill Bruford, Eddie Jobson, and Allan Holdsworth has the edge over both Danger Money and Night After Night because of the synthesis of melody and rhythm that is inflicted through nearly every one of the eight tracks. While not as commercial sounding as Wetton's 1980s supergroup Asia, U.K. mustered up a progressive air by the use of intelligent keyboard and percussion interplay without sounding mainstream. Jobson's work with the electric violin and assorted synthesizers adds to an already profound astuteness carried by Wetton. Former Yes and Genesis drummer Bill Bruford is just as important behind the kit, making his presence felt on numbers like "Thirty Years" and "Nevermore."…

There are already so many "best-of" collections of Gerry & the Pacemakers – including previous releases from EMI, Capitol, and Collectables – that this double-CD set from EMI's U.K. division probably won't seem very impressive or important. Actually, very little of the band's history is left out, at least in terms of the various facets of their music – the hits are all present, along with a brace of engaging B-sides and LP and EP tracks that greatly broaden the range of music at hand. The quartet's best-known songs are well-crafted pop/rock in a Merseybeat mode, but they had a harder side as well, and even traded in some R&B and country sounds, and those aspects are represented here in between the hits. Some listeners who like their more rocking sides, such as "Jambalaya," "Maybellene" or "Pretend," may not appreciate the presence of such string-laden pop as "Walk Hand in Hand" or "Girl on a Swing," but this is a valid representation of their sound. And the sound is optimal, to put it mildly, with lots of presence on all of the instruments.

The multidimensional Hot Chocolate incorporated strains of soul, rock, reggae, and disco into their sound and, during the '70s and early '80s, scored a dozen Top 10 hits in their native U.K. Formed by Errol Brown and Tony Wilson, the interracial band debuted in 1969 as Hot Chocolate Band with a cover of Plastic Ono Band's "Give Peace a Chance," issued on the Beatles' Apple Records. The band then forged a long-term alliance with producer Mickie Most and his RAK label, for which Brown and Wilson also wrote material for other artists. From 1970 through 1973, Hot Chocolate released seven singles. "Love Is Life" and "I Believe (In Love)" were Top 10 U.K. hits…

The various releases of The Very Best of the Doors during 2001 and 2007 in the U.S. and the U.K. are very similar, both in their single-disc and double-disc permutations – as well as a limited edition that adds a DVD to the two-CD version – so it's very easy to get all three compilations confused…

Bob Dylan - The Best Of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 (2015) [2CD] {Columbia}
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Rock / Folk Rock / Folk / Roots Rock / Songwriter

"I'll do this one more time and if I can't do it, we'll do another song. I'll do any song as good as I can do it the first time." Bob Dylan says these words once his first solo take of "Love Minus Zero/No Limit" breaks down after a minute. Dylan's definition of "good" is fluid, of course. Sometimes, a first take satisfied him – "Maggie's Farm" and "Gates of Eden" are two prime examples – but often he'd find he could do a song better or at least do it differently, swapping out words, speeding up the tempo, and changing the feel, occasionally radically transforming his song.

Always' - The Very Best Of Erasure is a brand new and essential singles compilation celebrating 30 years of the band, which brings the story bang up to date. The album includes a brand new version of 'Sometimes' re-booted for 2015 by David Wrench (Hot Chip, Jamie XX & Caribou). Formed in 1985, the award-winning song writing duo of Vince Clarke and Andy Bell unleashed on the nation a succession of both influential and chart-topping pop anthems of the '80s, '90s through to today. Songs like 'A Little Respect', 'Sometimes', 'Victim Of Love', 'Ship Of Fools', 'Blue Savannah', 'Star', 'Chains Of Love', 'The Circus', 'Who Needs Love (Like That)', 'Love To Hate You', 'Drama!', 'Always' and 'Breathe', ensured a formidable presence on the singles charts complemented by five consecutive No 1 albums (including The Innocents, Wild! and Chorus) and the beginning of the worldwide Abba revival, 'Abba-esque'. This is the 3CD bookpack edition features remixes from Moby, William Orbit, BT and The Grid (Dave Ball / Soft Cell) plus 4 brand new remixes.