The J. Geils Band were one of the most popular touring rock & roll bands in America during the '70s. Where their contemporaries were influenced by the heavy boogie of British blues-rock and the ear-splitting sonic adventures of psychedelia, the J. Geils Band were a bar band pure and simple, churning out greasy covers of obscure R&B, doo wop, and soul tunes, cutting them with a healthy dose of Stonesy swagger. While their muscular sound and the hyper jive of frontman Peter Wolf packed arenas across America, it only rarely earned them hit singles. Seth Justman, the group's main songwriter, could turn out catchy R&B-based rockers like "Give It to Me" and "Must of Got Lost," but these hits never led to stardom, primarily because the group had trouble capturing the energy of its live sound in the studio. In the early '80s, the group tempered its driving rock with some pop, and the makeover paid off with the massive hit single "Centerfold," which stayed at number one for six weeks. By the time the band prepared to record a follow-up, tensions between Justman and Wolf had grown considerably, resulting in Wolf's departure, which quickly led to the band's demise. After working for years to reach the top of the charts, the J. Geils Band couldn't stay there once they finally achieved their goal.
Eleven albums has recorded Till Brönner for the Verve label. With 'Best Of The Verve Years' is now the artist's first best-collection. With his wonderful trumpet sound, Till Brönner has earned countless fans as well as two gold records, a Grammy nomination, innumerable jazz awards and many other successes.
It's a tall order to compile the best classical music of the twentieth century, but EMI has selected its top 100 classics for this six-disc set, and it's difficult to argue with most of the choices. Without taking sides in the great ideological debates of the modern era – traditionalist vs. avant-garde, tonal vs. atonal, styles vs. schools, and so on – the label has picked the composers whose reputations seem most secure at the turn of the twenty-first century and has chosen representative excerpts of their music. Certainly, the titans of modernism are here, such as Igor Stravinsky, Arnold Schoenberg, Béla Bartók, Dmitry Shostakovich, Sergey Prokofiev, Claude Debussy, and Benjamin Britten, to name just a few masters, but they don't cast such a large shadow that they eclipse either their more backward-looking predecessors or their more experimental successors.
Without a doubt, Airto put a new face on Brazilian music in the wake of the bossa nova movement, bringing back the frantic complexity of the samba translated into his own frenzied yet controlled electronic/multi-percussion idiom. Here we truly have some of the best of his early work in the U.S. as a leader for the CTI label, where Airto proves that he couldn't be suppressed even by the guiding hand of Creed Taylor. The set kicks off with a pair of great, sizzling tracks from the Free album, with Airto feverishly driving bands manned by Chick Corea on electric piano, Keith Jarrett on acoustic piano, and other American all-stars. From there, we move to the Fingers album, which features Airto's own band yet maintains virtually the same level of excitement with a deeper Brazilian streak.
This special set includes two-disc compilation album The Very Best Of Eagles and DVD - Farewell 1 Tour: Live From Melbourne, released on one disc. The Very Best Of (released as The Complete Greatest Hits in the UK, Australia, and New Zealand) is a two-disc compilation album by the Eagles, released in 2003. This album combines all tracks that appeared on the two previously released Eagles greatest hits albums (Their Greatest Hits (1971-1975) & Eagles Greatest Hits, Vol. 2), along with other singles not included on the first two compilations, album tracks and the new track "Hole in the World". Farewell 1 Tour - Live from Melbourne is a double DVD by Eagles, released in 2005. It was filmed in Melbourne, Australia at the Rod Laver Arena on the 14, 15 and 17 of November 2004.
As Time Goes By: The Very Best of Little Feat is an extraordinary collection that contains almost every essential Little Feat song from their '70s heyday with Lowell George, plus the two hits ("Let It Roll," "Hate to Lose Your Lovin'") from their late-'80s comeback. Most of the band's albums are worth hearing, but this is a great introduction for the curious and – since it features "Dixie Chicken," "Willin'," "Two Trains," "Fat Man in the Bathtub," "Sailin' Shoes," "Oh Atlanta" and "All That You Dream" in one place – it's a great summation of the group's achievements, and George's songwriting talent in particular. Unfortunately, As Time Goes By has only been released by the British division of Warner Bros, but it's worth tracking down.
Best Shots is a Platinum-certified greatest hits album released by the American rock singer Pat Benatar in 1987 in Europe and in an updated version in 1989 in North America. It peaked at No. 67 on the U.S. Billboard 200 album chart, two years after the album peaked at No. 6 in the UK.
The Best of 10 Years – 32 Superhits also known as 32 Superhits - Non-Stop Digital Remix is a remix album by Boney M. released in 1986. In 1981 producer Frank Farian created a thirteen-minute medley in the style of Stars on 45 called "6 Years of Boney M. Hits (Boney M. on 45)" which was issued as both A- and B-side singles in certain territories - in the UK the medley was the B-side of Boonoonoonoos 12" single "We Kill The World (Don't Kill The World)", in Germany the edited 7" version appeared as the B-side of Christmas Album single "Little Drummer Boy" and the longer version as a separate A-side 12" release in early 1982. Five years later, Farian took the non-stop medley idea one step further and extended the medley to a thirty-two track, forty-six minutes full-length album of Boney M's greatest hits with additional percussive and synthesized overdubs.