The circumstances surrounding this April 6, 1962 concert at Carnegie Hall are as legendary as the performance itself. Pianist Gould desired to play the piece at a slower-than-usual tempo, Bernstein (who was conducting the New York Philharmonic) did not. Gould prevailed, but Bernstein shared his disavowal in an infamous pre-concert speech to the audience. This CD-the concert recording's first authorized release-includes Bernstein's speech, the complete performance and a revealing Glen Gould interview recorded two years later.
Rudolf Serkin's 1964 recording of Beethoven's Piano Concerto in C minor is surely among the greatest recordings of the work ever made, and certainly his finest performance of the work. The energy and enthusiasm and even passion he brings to Concerto in C minor is overwhelming, and indeed, it overwhelms Bernstein and the New York Philharmonic, who accompany Serkin with the sort of commitment that only a conductor and orchestra give to soloists when they are deeply inspired. But while Serkin's 1962 recording of Beethoven's Piano Concerto in E flat major is also surely among the greatest recordings of the work ever made, it is not quite Serkin's finest recording of the work.
In The 23 Greatest Solo Piano Works, Great Courses favorite Professor Robert Greenberg of San Francisco Performances returns with an in-depth exploration of the solo piano works he considers to be among the most exceptional landmarks in the literature. The 23 works you’ll study represent the selections of an internationally respected composer and music historian, carefully chosen to highlight the most significant compositional and pianistic achievements in the solo piano repertoire.
Music for the sound design of films, trailers, cartoons, video games, TV shows, radio programs, presentation videos, video installations and advertisement. Also, to arrange music and song. Each music track has several variations with different duration of play.
Following on from Volume 11 which has a superb Eroica Variations, Ronald Brautigam’s excellent journey through Beethoven’s complete works for solo piano continues in volume 12 with further variations. This time it’s a group from earlier in his career. The Dressler Variations were Beethoven’s first published work, and are pleasant enough though pretty light-weight stuff, as are the almost aphoristic Sechs Variationen über ein Schweizer Lied.