Bernardini Riccardo

Riccardo Muti, New Philharmonia Orchestra - Verdi: Un ballo in maschera (1997)

Riccardo Muti, New Philharmonia Orchestra - Verdi: Un ballo in maschera (1997)
EAC | FLAC | Image (Cue & Log) ~ 568 Mb | Total time: 49:28+78:05 | Scans included
Classical | Label: EMI | # 5 66510 2 | Recorded: 1975

Betrayal and forgiveness are the themes of this complex opera: Amelia's betrayal of her husband, Renato (she is having an affair with Riccardo. governor of the Massachusetts Bay Colony), and the betrayal and assassination of Riccardo by a group of conspirators. The libretto is better integrated than most of Verdi's operas written before Otello and Falstaff. It was originally about an historic incident, the assassination of King Gustav III of Sweden, but Roman censors, nervous about royal assassinations, forced the absurd relocation of the opera to colonial Boston. The music is prime middle-period Verdi, less spectacular than Il Trovatore, Rigoletto or La Forza del Destino, but it is warmly, richly expressive. It requires and rewards exceptionally good voices, and it gets them in this production. Outstanding work by Muti helps make this one of the best Verdi recordings ever made.
–Joe McLellan
Riccardo Fassi Tankio Band - Plays The Music Of Frank Zappa (1995) {Splasc(h) CDH 428.2}

Riccardo Fassi Tankio Band - Plays The Music Of Frank Zappa (1995) {Splasc(h) CDH 428.2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 416 Mb | MP3 @320 -> 167 Mb
Full Artwork @ 300 dpi (jpg) -> 8 Mb | 5% repair rar
© 1995 Splasc(h) Records | CDH 428.2
Jazz / Contemporary Jazz / Modern Jazz / Experimental Big Band

Frank Zappa's music is not easy to convert to the stage of the jazz band. Although Zappa's zany compositions have always attracted some of the more adventurous jazz players, the actual jazz content of the tunes is minimal. Italian keyboardist Riccardo Fassi takes his Tankio Band of twelve players plus selected guests through a dozen Zappa charts with mixed results. Curiously, Fassi is most successful when he diverges from the structures of the tunes. When he sticks too closely to the melodies and chords, translating them into Kentonesque big band blasts, the results are less satisfying. The quality of the soloists vary, but guest trumpeter Flavio Boltro, accordionist Antonello Salis, and band member alto saxophonist Sandro Satta dish up some of the most compelling individual work.
Riccardo Chailly, Gewandhausorchester Leipzig - Mahler: Symphony No.1 (2018) [Blu-Ray]

Riccardo Chailly, Gewandhausorchester Leipzig - Mahler: Symphony No.1 (2018) [Blu-Ray]
BluRay | BDMV | MPEG-2 Video / 21994 kbps / 1080i / 29,970 fps | 62 min+24 min (bonus) | 21,6 Gb
Audio1: LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 3796 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 9322 kbps / 29,97 fps | 62 min | 4,72 Gb
Audio: DTS / 6ch / 48.0 KHz / 24 bits
Classical | Accentus Music

Gustav Mahler’s Symphony No. 1 is an incomprehensible wonder of music history, rigorously peculiar, disturbingly new, and timelessly modern. “Wie ein Naturlaut” (Like a sound of nature) is indicated above the first notes of the symphony. It is both the prelude and the key to his symphonic cosmos as a whole. Mahler captures this music of the world, transforms it into a symphony in the old, comprehensive sense of the word and uses it to create his masterpiece of harmony. Composed over the course of just a few months at the beginning of 1888 in Leipzig, this symphony is a true musical awakening. Riccardo Chailly and the Gewandhausorchester Leipzig bring Mahler’s sounds of nature to life in a riveting performance.
Berlin RSO, Riccardo Chailly - Alexander von Zemlinsky: Die Seejungfrau (The Mermaid); Psalm XIII, Op. 24 (1987)

Alexander von Zemlinsky: Die Seejungfrau (The Mermaid); Psalm XIII, Op. 24 (1987)
Radio-Symphonie-Orchester Berlin; Kammerchor Ernst Senff; Riccardo Chailly, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 239 Mb | Mp3 (CBR320) ~ 124 Mb | Scans ~ 71 Mb
Genre: Classical | Label: Decca | # 417 450-2 | Time: 00:54:12

Zemlinsky's Die Seejungfrau ("The mermaid") is a three-movement symphonic fantasy based on the Hans Andersen story. It was first performed (under the composer's direction) in 1905, and is thus a good deal earlier than the works that have recently excited renewed interest in him—the oneact operas Eine florentinische TragOdie (1916) and Der Zwerg (1921), and the exquisite Lyric Symphony of 1922. In its masterly handling of a large orchestra, however, and of an episodic but firm structure, it is a far from immature piece. Zemlinsky was 34 when he wrote it, after all. If his list of works were not in such a terrible mess—many are unpublished; several, including the present work, were until recently thought to be lost—Die Seejungfrau would count as his Op. 30 or thereabouts.

Ilaria Bernardini - Faremo foresta  eBooks & eLearning

Posted by Karabas91 at Feb. 9, 2018
Ilaria Bernardini - Faremo foresta

Ilaria Bernardini - Faremo foresta
Italian | 2018 | 186 pages | ISBN: 8804685662 | EPUB | 1 MB

Tutto ha inizio nel giorno del disastro. Anna sta piangendo la fine del suo amore: lei e il papà di Nico, il loro bambino di quattro anni, hanno deciso di lasciarsi. Quel giorno Anna incontra per caso Maria, un'amica di sua sorella che non conosce bene. Mentre parlano, Maria comincia a stare molto male. Anna le tiene la mano, la guarda crollare, chiama i soccorsi. Solo dopo l'ambulanza, il ricovero, le telefonate, si scopre che Maria ha avuto un aneurisma cerebrale. Trascorre una lunga estate di convalescenza e dolore per entrambe. Come si fa a reimparare a uscire di casa e parlare con le persone dopo aver capito quanto vicina è la fine? Come si fa a dire a un bambino che il papà e la mamma non si amano più? La crisi economica ha intanto reso tutti più poveri, le meduse invadono i mari, si annuncia la fine del mondo e pure le piante sul terrazzo della nuova casa di Anna e Nico sono mezze morte. Attorno alle due donne, solo siccità, incertezza e paura…
Luigi Fabbri, M. Bernardini - La controrivoluzione preventiva. Riflessioni sul fascismo

Luigi Fabbri, M. Bernardini - La controrivoluzione preventiva. Riflessioni sul fascismo
Italian | 2009 | 128 pages | ISBN: 8895950119 | PDF | 2,2 MB
Riccardo Muti & Wiener Philharmoniker - Neujahrskonzert / New Year's Concert 2018 (2018) [Official Digital Download 24/96]

Riccardo Muti & Wiener Philharmoniker - Neujahrskonzert / New Year's Concert 2018 (2018) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover + Booklet | Time - 01:52:58 minutes | 2,07 GB
Classical | Label: Sony Music Classical, Official Digital Download

It has long been a Philharmonic tradition at the New Year to present a program consisting of the lively and at the same time nostalgic music from the vast repertoire of the family of Johann Strauss and its contemporaries
Riccardo Muti & Wiener Philharmoniker - Neujahrskonzert 2018 (2018)

Riccardo Muti & Wiener Philharmoniker - Neujahrskonzert 2018 (2018)
WEB FLAC (Tracks) 578 MB | Cover | 01:52:58 | MP3 CBR 320 kbps | 269 MB
Classical | Label: Sony Music Classical

It has long been a Philharmonic tradition at the New Year to present a program consisting of the lively and at the same time nostalgic music from the vast repertoire of the family of Johann Strauss and its contemporaries.
Concertgebouw Orchestra, Riccardo Chailly - Pyotr Ilyich Tchaikovsky: Manfred Symphony, Op.58 (1988)

Pyotr Ilyich Tchaikovsky: Manfred Symphony, Op.58 (1988)
Concertgebouw Orchestra; Riccardo Chailly, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 242 Mb | Mp3 (CBR320) ~ 137 Mb | Scans included
Genre: Classical | Label: London/Decca | # 421 441-2 | Time: 00:55:37

Bernard Haitink’s 1980 Manfred was the prize of his Concertgebouw/Tchaikovsky symphony cycle. Riccardo Chailly’s 1987 effort with the same orchestra, while very good, doesn’t quite live up to that standard. In both recordings you get the sense that Tchaikovsky composed Manfred expressly for the Concertgebouw Orchestra. The very sound of the ensemble in its own hall conjures the dark, fantasy world described in the music. To this add lively and colorful playing, rich sonority, and utterly impeccable musicianship and you’ve got a uniquely compelling aural experience. Where the performances part company is in Haitink’s embrace of Tchaikovsky’s passionate dramatic ethos, a quality that Chailly, by contrast, tends to shy away from. (Of course, for a truly passionate reading you have to hear Muti’s rendition on EMI.) In his favor Chailly does have Decca’s vivid, high-impact digital recording, which, though having less warmth than the analog Philips production, better conveys the massiveness of the Concertgebouw Hall’s acoustics.
Zefiro Baroque Orchestra, Alfredo Bernardini - Handel: Music for the Royal Fireworks, Concerti a due cori (2008) (Repost)

Zefiro Baroque Orchestra, Alfredo Bernardini - Handel: Music for the Royal Fireworks, Concerti a due cori (2008)
EAC | FLAC (image+.cue, log) | Covers Included | 68:53 | 368 MB
Genre: Classical | Label: Amadeus | Catalog: AM 221-2

Despite the use of period instruments, including some fine blaring natural horns, this couldn't be called a historically informed performance of Handel's Royal Fireworks Music, HWV 351. The work was not composed for a pleasant onboard afternoon musicale like the Water Music, but instead was part of an event that would have been one of the top items on CNN Headline News for 1749: the celebration of the Peace of Aix-la-Chapelle, brokered by King George II.