Here are two of Rossini's "secular" cantatas: "The Lament of Harmony on the Death of Orpheus" for tenor, male chorus, and orchestra, written when he was a 16-year-old conservatory student, and the far more substantial "Wedding of Thetis and Peleus," one of many such pieces he composed for special occasions, commissioned for the marriage of an Italian princess to a French prince. Both consist of primarily short, separate, contrasting numbers, most of which would be perfectly at home in the opera house.
This recording is part of the Naïve label's Vivaldi Edition, a complete recording, scheduled to run to 100 discs, of a trove of Vivaldi manuscripts unearthed at the library of the National University of Turin. The recordings have been divided up among various mostly young Italian Baroque interpreters, with a pleasing variety of approaches.
When he announced in 2004 that he was stepping down as music director from the Royal Concertgebouw, easily one of the best orchestras in the world, it would have been easy for anyone to brand Riccardo Chailly as clinically insane. His announcement stunned the music world. The young, passionate Chailly had succeeded in bringing a new energy and vitality to the Concertgebouw during his impressive 16-year tenure.