In the dark silence of the sea during World War II, the submarine U.S.S. Tiger Shark prowls on what should be a routine rescue mission. But for the shell-shocked crew, trapped together in the sub's narrow corridors and constricted spaces, this is about to become a journey into the sensory delusions, mental deceptions and runaway fear that lurk just below the surface of the ocean and deep inside the human psyche.
Patricia Barber, who is both a fine keyboardist and an atmospheric singer, contributes roughly half of the material to her Premonition debut. Her dark voice and the generally esoteric program takes awhile to get used to (listeners will have to be patient), but after two or three listens, this thought-provoking and rather moody set becomes more accessible…
Never realised the breadth of the "Pop-Sike" genre until I heard Fading Yellow, a really fine compilation that hangs together beautifully as an album. That most of the tracks are obscure isn't surprising: everything is a little odd, a little ramshackle, with a strong melancholic undertow and not a little creepiness. Of course, this music is also specific to a particular time in Western pop music history so there's a strong nostalgic element, but the knowledge this music could never be exactly replicated is what also makes it so fascinating. Recommended, in a warm and loving 60s way.
After the success of their first album « A suivre », the PJBB members have now chosen the Mediterranean as a playground. In a festive and warm atmosphere, their music is sometimes full of energy, sometimes of sensuality. The big band is still conducted by trumpet player Nicolas Folmer and saxist Pierre Bertrand, who composed almost all the pieces, except for two that were composed by their guest, the accordion player Richard Galliano.
Karl Richter’s recordings of Bach’s orchestral and sacred music influenced an entire generation of musicians and listeners, presenting the conductor’s unique sound and style. When Richter recorded Bach’s works, he freed them from a ponderous tradition that had mired the music in romantic sounds and idiom. Richter lightened Bach’s music, and, with an orchestra of outstanding musicians, helped bring it toward the more modern interpretations that listeners have become familiar with today. This is still a bit far from the historically-informed performances that are pretty much the norm, but there is a unity and natural originality that comes through the music in these recordings.
The Bang on a Can All-Stars emerged from the scruffy environs of downtown New York playing a new kind of music, with a new kind of energy, for a new kind of audience.