In the mid-1930s a group of Croatian anarchists cross the dense forests at the northern border of Yugoslavia in an effort to seek refuge in Hungary.
The Grass Is Greener is an album by Colosseum, released in January 1970. In contrast to other albums by Colosseum, The Grass Is Greener was released only in the United States, on the Dunhill label, distributed by ABC. It was conceived as a U.S. alternative to November 1969's Valentyne Suite, complete with a muted, blue-green variation of the aforementioned album's cover. It features four tracks recorded with then-new guitarist/vocalist Dave "Clem" Clempson in the winter of 1969 ("Jumping Off The Sun," "Lost Angeles," "Rope Ladder To The Moon," "Bolero"); three tracks from the 1969 Vertigo LP Valentyne Suite but with vocal and guitar parts provided by Clempson…
It's one month after their wedding, and the future looks bright for Judge Deborah Knott and Sheriff Deputy Dwight Bryant–until a disturbing call from Dwight's 8-year-old son Cal calls him back to Virginia.When he arrives, he is shocked to find that his ex-wife has left the boy alone for almost 24 hours. Worse, as Dwight tries to confront her, she takes the child and leaves town without a word. As Dwight embarks on an all-points search, Deborah hurries to his side. But will they be able to work together to decipher the ex-wife's motives–and, more importantly, will they find young Cal before he comes to harm?
While Johnny Cash at Folsom Prison, the 1968 album that made Cash a household word, spent only two weeks at No. 1, this 1969 follow-up topped the charts for 20 weeks. As with Folsom, the San Quentin LP had to be edited due to space limitations. Now, 31 years after the fact, the show can at last be heard in true perspective. All the original performances hold up, including the album's hit single: Shel Silverstein's "A Boy Named Sue," presented unbleeped for the first time. Equally impressive are the eight restored tracks and unexpurgated between-song patter. Cash's opening renditions of "Big River" and "I Still Miss Someone" are bracing. So are four closing songs teaming Cash with his complete performing troupe (the Carter Family, Carl Perkins, and the Statler Brothers). Their gospel performances ("He Turned the Water into Wine," "The Old Account," and an early version of "Daddy Sang Bass") are electrifying, as is a concluding medley featuring everyone. Cash is presented here at his roaring, primal best.
Reissue with the latest DSD remastering. Comes with liner notes. Guitarist Yoshiaki Masuo was only 22 years old when he recorded Winds of Barcelona, his first leader album, in 1969. He had been discovered by the Japanese jazz giant Sadao Watanabe, and had been a member of Watanabe's group for over a year. Masuo, and the fresh, new kind of jazz – sometimes referred to as "pop jazz" – was immensely popular at the time.
Reissue with the latest remastering. Comes with liner notes. One of Barney Kessel's greatest albums ever – a rare Italian-only session that has a sparkly Brazilian groove! The record was recorded in Rome in 1970, and it's got Kessel's guitar fronting a combo with organ and some very tight percussion – all dancing around in a fast samba mode that's different from virtually anything else he ever recorded – very groovy, very upbeat, and very much what you might expect when the talents of a west coast guitar giant meets the best of the Italian studio scene of the time! There's loads of original tracks on the set – like "Freeway", "Lison", "BJ's Samba", and "On the Riviera" – and the whole thing has a breezy dancing feel that's really wonderful!