Combining the forces of two of the 20th century´s greatest musicians – Yehudi Menuhin and Herbert von Karajan in their only recorded performance together – this magnificent programme marks a high point in filmed classical music. Both features, Mozart´s Violin Concerto No. 5 and Dvorák´s “New World” Symphony, were directed by master film-maker and long-time Karajan collaborator Henri-Georges Clouzot (The Wages of Fear). Bonus: Herbert von Karajan in conversation with Yehudi Menuhin (on Mozart) and Prof. Joachim Kaiser (on Dvorák). Special bonus feature: Previously unreleased rehearsal session prior to Violin Concerto No. 5!
With the Berliner Philharmoniker under Herbert von Karajan, Beethoven's Seventh Symphony resounds with melodic force, the Eighth is a masterful blend of grace and wit, and the Ninth - directed by Karajan himself - is a vital and explicitly dramatic reading of Beethoven's revolutionary work.
Karajan surmounted this pinnacle of the choral-symphonic repertoire - which Beethoven himself called "the greatest work I have composed" - no fewer than four times in the recording studio, but only once live and on film: in this unique document from the 1979 Salzburg Easter Festival. The atmosphere of Salzburg's Festspielhaus and festival audience adds a special frisson to this conductor's classic interpretation of the Missa solemnis.
Herbert von Karajan recorded almost everything in the standard orchestral repertoire once, many works two or three times, between his 1950s recordings for EMI with the Philharmonia Orchestra, the early 1960s for Decca with the Vienna Philharmonic, and his 1960s - 1989 recordings, mostly with the Berlin Philharmonic, for Deutsche Grammophon.