Canadian pianist Angela Hewitt has specialized in Baroque and Classical music, and her Beethoven is about as delicate as some might expect. But there's a difference between applying delicacy to works that are not conventionally played that way, and applying it to already delicate works. There are two of each here. Hewitt runs counter to type in the early Piano Sonata No. 2 in A major, Op. 2/2, and Piano Sonata No. 5 in C minor, Op. 10/1. In the Op. 10 work, perhaps a preparatory essay for the tumultuous "Pathétique" sonata that followed in the same key, Hewitt will be underpowered for many. But all is redeemed in the gentler pair, the Piano Sonata No. 24 in F sharp major, Op. 78, and Piano Sonata No. 31 in A major, Op. 110. Hewitt takes moderate tempi in these, infusing a sense of spontaneity into the brief, tightly constructed Op. 78 and opening up the fugal counterpoint in the Op. 110 finale. Hewitt's Bachian training really applies in this work, whose first movement is also particularly raptly, almost mystically done. It's hard to offer a general judgment on this set, but for those buying online, in pieces, know that the last two selections are must-haves.
Since his victory in the Reine Elisabeth Competition in Belgium in 1992, at the age of 22, Braley has allowed himself plenty of time for reflection, and his career… has been, in his own image, refined and demanding.
Yves Nat's performance of the Beethoven sonatas is a remarkable feat–His interpretations are "natural" as though the music is being composed as he plays. Therefore, the performances offer an inner satisfaction to the listener. Nat is also a great pianist with a beautiful tone and solid technique welded to his conceptions. A sleeper set that stands comparison to more famous versions.
The final volume of pianist Paavali Jumppanen’s acclaimed cycle of Beethoven piano sonatas. This volume combines the early Op. 7 and the famous Pathétique sonata together with the Last Sonatas Opp. 109-111 written by Beethoven in the 1820s. Jumppanen has collaborated with numerous contemporary composers and premiering many solo and chamber works for the piano.
Paul Lewis performed all the Beethoven piano sonatas on tour in the USA and Europe between the 2005 and 2007 seasons, in parallel with his complete recording of the cycle for Harmonia Mundi. His interpretation of the Lizst sonata was distinguished by the prestigious Edison Award, while his recording of the complete Beethoven sonatas received two Gramophone Awards in 2008.