This SACD transfer of Anne-Sophie Mutter’s Beethoven violin sonatas, taken from a series of live recordings from 1998, does not transcend the questionable interpretations. In each of these famous sonatas, Mutter takes excessive liberties with respect to dynamics and phrasing, and while some listeners may appreciate the thought and care she puts into these readings, it sounds as if she is trying a bit too hard to be “musical”. For example, just before the exposition repeat of the “Spring” sonata, several instances of disproportionate agogic pauses, inconsistent use of vibrato, random adherences to sforzando markings, and a sporadic disregard for (or recasting of) dynamics combine to produce an overly fussy performance that lacks momentum and a sense of direction.
Best of 2007 Classical CDs ‘This thrilling performance was given in the Barbican last May when Sir Colin excelled himself in the power & nobility of his interpretation, with the LSO in terrific form, & the American soprano Christine Brewer sang with gleaming white-hot tone as Leonore. The final paean of joy at liberation is overwhelming. 1st-class recording quality.
The Beethoven quartets have always been at the cote of the Emerson Quartet's repertoire, and over the years it has honed its playing of these works to a fine degree. Here in this new set we encounter exaltation, immaculate playing and ensemble precision of awesome proportions (typically, first and second violinists often swap their roles). The Emerson is perhaps the best rehearsed quartet of our century. The playing is not only flawless technically, but reflects a careful study of the music, both formally and in the players' intense preoccupation with textual matters. The recording of this set is also spectacular.
This 6CD set contains 100 tracks from the catalogues of EMI Records, EMI Classics and Virgin Classics of recordings by the London Symphony Orchestra under some of the world’s greatest conductors and with a number of famous soloists.
Beethoven reputedly wasn't Beecham's favorite composer, but you wouldn't know it from this performance; it's exceedingly well conceived, highly energetic, and has that unique Beecham sparkle to it. The fillers also are delightful. All recorded in Ascona, Switzerland in 1957.
Paul Lewis performed all the Beethoven piano sonatas on tour in the USA and Europe between the 2005 and 2007 seasons, in parallel with his complete recording of the cycle for Harmonia Mundi. His interpretation of the Lizst sonata was distinguished by the prestigious Edison Award, while his recording of the complete Beethoven sonatas received two Gramophone Awards in 2008 (Recording of the year and Best Instrumental Recording).
In 2001, when Gunter Wand was an astonishing 89, he led this live concert from Hamburg with his home orchestra, the North German Radio. Wand was a benign (so far as I know) conservative like Josef Krips, happy if his wrld was circumscribed by Mozart, Beethoven, Schubert, and Bruckner, who remained the taples of his repertoire.
A lifelong devotion to Mozart shows through in this genial, quick-moving, sunny reading of the "posthorn" Serenade. The posthorn soloist is fine, the first oboe a bit less so, but everyone's in high spirits. There's not a hint of dullness anywhere, making Wand's one of the best versions outside the period-performance litany. Smiles all around.