Much like Evidence's Fate in a Pleasant Mood/When Sun Comes Out two-fer, We Travel the Spaceways/Bad and Beautiful also features one album from the Chicago period and one from the New York period. The difference is that this New York session (Bad and Beautiful) is probably the first recording made in New York, and the overall sound is more closely tied to the Chicago sound than the later New York material, where rhythm and percussion dominated any melodic elements.
After many years in the music business, saxophonist-bandleader-composer John Lurie has created a musical identity all his own. Best known for his mercurial work with the Lounge Lizards, Lurie has found a pleasant niche recording soundtracks for films like Get Shorty and Stranger Than Paradise. Accompanied by a number of talented musicians, including Marc Ribot, John Medeski, Calvin Weston, and other assorted Lounge Lizards, Lurie displays an impressive ability to create lively and evocative film music. While Lurie only performs on half of these compositions, his sonic vision is both distinctive and eclectic. Bouncing stylistically from downtown funk and progressive soul to chamber jazz, rock, and tribal percussion workouts, Lurie's mood-inducing orchestrations are witty, passionate, and consistently engaging.
The Lizards, led by neo-saxman John Lurie, were best known for their outsider approach to bop. This is perhaps their best work, filled with humor and a solid melodic sensibility. Marc Ribot's angular guitar and the complement of Evan Lurie's piano make the disc a particular delight. Madhouse jazz for the unhinged.