Bass Gang La

Bonnot's Gang / La bande à Bonnot (1968)  Video

Posted by fekmax at Jan. 27, 2015
Bonnot's Gang / La bande à Bonnot (1968)

Bonnot's Gang / La bande à Bonnot (1968)
French | DVDRip | MP4 | AVC, 2679 Kbps | 720x440 | 25.000 fps | 1.63 GB
Audio: AAC, 128 Kbps | 2 channels | 48.0 KHz | Runtime: 01:23:02 minutes | Subtitle: English, Spanish (srt)
Genre: Crime | Drama | History

Based on true events. During 1910, a group of French anarchists are moved to violence when their leader Raymond take up with the notorious gangster Bonnot. Then, the non-violent anarchists soon turn to murder before escaping to Belgium with the authorities hot on their trail…
Philippe Herreweghe, Orchestre des Champs-Elysees, La Chapelle Royale, Collegium Vocale - Beethoven: Missa Solemnis (1995)

Philippe Herreweghe, Orchestre des Champs-Élysées, La Chapelle Royale, Collegium Vocale - Beethoven: Missa Solemnis Op.123 (1995)
EAC | FLAC | Image (Cue & Log) ~ 329 Mb | Total time: 77:23 | Scans included
Classical | Label: Harmonia Mundi | # HMC 901557 | Recorded: 1995

This really was quite a fine recording of Beethoven's Missa Solemnis, one of the best in years and easily the best of the early music recordings. The Choeur de la Chapelle Royale et du Collegium Vocale sing with strength and stamina, but also with grace and beauty of tone. The Champs Elysees Orchestra plays with power and precision, but also with unity of ensemble and beauty of tone, a very rare quality in an early music orchestra. And Herreweghe himself is actually an apt interpreter of the work. Not only does he have a knack for bringing out better than the best in his performers, but he actually seems to believe in the spiritual and sublime essence of the work, a very, very rare quality in any conductor these days. The result is a performance which, while it doesn't rival the 1940 Toscanini, the 1965 Klemperer, or the 1974 Böhm, does express the overwhelming sense that the numinous is imminent. Harmonia Mundi's sound is rich and vibrant.
- James Leonard
La Stagione, Michael Schneider, Soloists - Alessandro Scarlatti: Cinque Profeti (Christmas Cantata) (1993)

Alessandro Scarlatti: Cinque Profeti (Christmas Cantata) (1993)
Heike Hallaschka (Soprano), Barbara Schlick (Soprano), Kai Wessel (Alto)
Christoph Prégardien (Tenor), Michael Schopper (Bass)
La Stagione; Michael Schneider, conductor

EAC | FLAC | Image (Cue&Log) ~ 280 Mb | Mp3 (CBR320) ~ 175 Mb | Scans included | 01:05:43
Classical, Choral, Baroque | Label: Deutsche Harmonia Mundi | # 05472-77291-2

Cinque Profeti is a little known Christmas cantata by Alessandro Scarlatti. It has a power and subtlety redolent of Handel coupled with touches of early Monteverdi. Sung here to great effect by the five soloists with sensitive instrumentalists, they play together to bring the gentle and subtle melodies - surely written to confer a sense of the special nature of the Christmas season - to life. It’s a recording which is sure to please. Opera was not performed in Rome for much of Alessandro Scarlatti's lifetime; that's why his vocal church music mostly comprised oratorios and cantatas, of which he wrote three for the Palazzo Apostolico. Only one survives: to a libretto by Silvio Stampiglia. Cinque Profeti takes the inventive form of a conversation between the five old testament prophets, Daniel, Ezekiel, Isaiah, Jeremiah and Abraham (the cinque profeti) about the birth of Christ – which was about to be celebrated on the occasion of the cantata’s first performance, in 1705 at the Papal Palace in Rome.
Millénium - Intégrale 2 - La fille qui rêvait d'un bidon d'essence et d'une allumette (2017)

Millénium - Intégrale 2 - La fille qui rêvait d'un bidon d'essence et d'une allumette (2017)
French | CBZ | 138 pages | 114 MB
Sergio Balestracci, Orchestra di Padova e del Veneto - Johann Gottlieb Naumann: La Passione di Gesu Cristo (2008)

Sergio Balestracci, Orchestra di Padova e del Veneto - Johann Gottlieb Naumann: La Passione di Gesù Cristo (2008)
EAC | FLAC | Image (Cue & Log) ~ 508 Mb | Total time: 120:04 | Scans included
Classical | Label: CPO | # 777 365-2 | Recorded: 2006

JJohann Gottlieb Naumann, a contemporary of Joseph Haydn, was associated with Dresden, worked in Sweden and travelled in Italy. In his Passione di Gesù Cristo he concentrates on smaller scale emotions and conflicts – albeit in the context of the (conventional) Passion story. It was written, probably, in 1767. That’s quite an undertaking for a twenty-six year old, although Naumann already had several other vocal and choral successes to his name.
Philippe Herreweghe, Collegium Vocale Gent - Bach: Solo Cantatas for alto, for bass; German Cantatas before Bach (2010)

Philippe Herreweghe, Collegium Vocale Gent - Bach: Solo Cantatas for alto, for bass; German Cantatas before Bach (2010)
EAC | FLAC | Image (Cue & Log) ~ 840 Mb | Total time: 195:20 | Scans included
Classical | Label: Harmonia Mundi | # HML 5908372.74 | Recorded: 1991, 1997, 1999

"The Scholl/Herreweghe CD is distinguished by its marriage of beautiful sound and expressive intensity. The richly nuanced orchestral playing remains forceful throughout and Scholl imbues his beguiling voice with a fervent conviction…"
– BBC Music Magazine

"Kooy must by now have appeared in more Bach cantata recordings than any other solo singer in history, and even in 1991 when these recordings were made he was an experienced Bach singer of immense authority. His performances of these soul-searching, inward-looking works are stamped with a level of technical command and sensitivity that renders more obvious gesture superfluous. This is masterly and utterly compelling singing."
– Brian Robins
Fabio Bonizzoni, La Risonanza - Handel: Apollo e Dafne - Le Cantate Italiane, Vol. 7 (2010)

Fabio Bonizzoni, La Risonanza - Handel: Apollo e Dafne - Le Cantate Italiane, Vol. 7 (2010)
EAC | FLAC | Image (Cue & Log) ~ 366 Mb | Total time: 71:51 | Scans included
Classical | Label: Glossa | # GCD 921527 | Recorded: 2009

This breathtaking performance, the crowning jewel of Bonizzoni’s series of Handel’s Italian cantatas, may bring fans of the composer’s London output to feel that Italy was not just the birthplace of his creativity, but its main residence.
Fabio Bonizzoni, La Risonanza - Handel: Le Cantate per il Cardinal Ottoboni Vol. 3 (2007)

Fabio Bonizzoni, La Risonanza - Handel: Le Cantate per il Cardinal Ottoboni Vol. 3 (2007)
EAC | FLAC | Image (Cue & Log) ~ 312 Mb | Total time: 66:32 | Scans included
Classical | Label: Glossa | # GCD 921523 | Recorded: 2007

In the third instalment in Fabio Bonizzoni’s survey of the secular cantatas with instrumental accompaniment composed by Georg Frideric Handel during his stay in Italy, come a quartet of works associated with the Venice-born maecenas Pietro Ottoboni – including the substantial Ero e Leandro, the libretto for which is plausibly considered to have been written by the Cardinal Ottoboni himself. As well as the seldom-performed cantata for bass, Spande ancora a mio dispetto and Ah! Crudel, nel pianto mio scored forsoprano solo, Bonizzoni also directs the Spanish-texted Nose emendará jamás.
La Venexiana - Monteverdi: Secondo Libro dei Madrigali, 1590 (2004)

La Venexiana - Monteverdi: Secondo Libro dei Madrigali, 1590 (2004)
XLD | FLAC (image+.cue, log) | Covers + Digital Booklet | 69:22 | 323 MB
Genre: Classical, Vocal | Label: Glossa | Catalog: GCD 920922

La Venexiana's Secondo Libro del Madrigali is the second volume in an edition devoted to the recording of all eight of Claudio Monteverdi's madrigal collections undertaken by the Spanish label Glossa. In promotional materials for the series, Glossa admits that this is a "time when 'complete' recordings seem to be coming less meaningful and attractive for the music lover" but have decided that there is need for such a series, especially as La Venexiana is so well-versed in the madrigals of Monteverdi.
Michael Schneider, La Stagione - Telemann: Hamburgische Kapitansmusik 1755 [1994]

Telemann - Hamburgische Kapitänsmusik 1755 (Michael Schneider) [1994]
Classical | CPO 999-211-2 | TT: 54.53+59.22 | EAC (flac, cue, log) | Covers | 512 Mb

From the Middle Ages Hamburg was an economically important city, especially since it joined the Hanseatic League. Its economic position resulted in many political conflicts, in particular with Denmark with which it was in almost constant rivalry. It also had led to Hamburg being declared an imperial city in 1510. Because of this the city couldn't count on the protection provided by the imperial army and had to organise its own defence. The city founded a civic guard for defence from attacks from outside as well as for deployment in the fighting of natural catastrophes. From 1619 it was a permanent institution.