La-La Land Records and 20th Century Fox present the remastered release of acclaimed composer Mark Snow’s (THE X-FILES, MILLENIUM, GHOST WHISPERER, BLUE BLOODS) original motion picture score to the 1998 motion picture THE X-FILES: FIGHT THE FUTURE, starring David Duchovny, Gillian Anderson and John Neville. Composer Snow launches the beloved television series, THE X-FILES onto the silver screen with an astounding score that retains the show’s already established sonic palette of atmospheric synths, while opening up its musical universe with the addition of a live orchestra. This special limited edition release features much improved sound and contains some music not previously released. Also, the incorrectly reversed stereo channels on the original soundtrack release have been corrected here. Produced by Mark Snow and Nick Redman, and mastered by Mike Matessino, this exciting release also contains exclusive liners by writer Julie Kirgo and an updated print interview with Snow conducted by film music writer Randall D. Larson.
Mixing is a fundamental production skill, but it can be daunting to new engineers. In this ADSR Production Concepts course, Instructor Stephen Ellestad walks you through a basic static mix workflow, discussing the process and choices he makes along the way. This workflow was developed over several years of teaching audio mix concepts at the college level, and provides a clear, repeatable process for engineers of all levels and genres.
The magnificent Christopher Purves performs a recital of Handel’s bass arias. This unique collection demonstrates the range and brilliance of Handel’s writing for this voice, featuring a selection from Italian and English operas, English classical drama, Biblical oratorios, literary odes and a masque. Handel’s endlessly imaginative gift for characterization is fully explored here, with Purves commanding an extraordinary emotional and technical range from the buffo blustering of Polyphemus in Acis and Gatalea to the loving musings of Abinoam in ‘Tears, such as tender fathers shed’ from the oratorio Deborah.
Recording dual audio, the practice of recording audio separately from the camera, started originally with film. It's become a common practice with the current crop of DSLR and cinema cameras. The challenge for editors is matching the video and audio in post.