Bartok Kocsis

Jean-Efflam Bavouzet, Francois-Frederic Guy - Transcriptions for Two Pianists: Bartok, Debussy, Stravinsky (2015)

Jean-Efflam Bavouzet, François-Frédéric Guy - Transcriptions for Two Pianists (2015)
Béla Bartók, Achille-Claude Debussy, Igor Stravinsky

EAC | FLAC | Image (Cue&Log) ~ 200 Mb (incl 5%) | Scans included | Time: 01:04:10
Genre: Classical | Label: Chandos | # CHAN 10863

Three 20th-century orchestral scores, Bartók’s Two Pictures, Debussy’s Jeux and Stravinsky’s The Rite of Spring, all dating from 1910-13 and all linked (as the detailed CD booklet explains), are brought to life in the hands of two exceptional French pianists. The central interest is the ballet Jeux. One of the world’s outstanding Debussy interpreters, Jean-Efflam Bavouzet has added to his complete Chandos recordings with his own transcription for two pianos. Written late in Debussy’s life for Nijinsky, Jeux involves an emotionally erotic and harmonically daring game of tennis. Bavouzet and his well-matched partner, François-Fréderic Guy, play with nimble grace, capturing the works wit and mystery. This gripping album is dedicated to Pierre Boulez, guru and enabler, for his 90th birthday.
Bela Bartok - Violin Sonatas Nos. 1 and 2, Violin Sonata, BB 124 (Kelemen, Kocsis)

Bela Bartok - Violin Sonatas Nos. 1 and 2, Violin Sonata, BB 124 (Kelemen, Kocsis)
Classical | EAC: FLAC+Cue+Log | 1 Cd, Covers | 339 Mb
Label:Hungaroton - Date:2012

Over the years, Bartók’s two Violin Sonatas have enjoyed outstanding advocacy on disc, not least from Isabelle Faust and James Ehnes. This new, superbly recorded SACD release certainly matches, and in places exceeds, their white-hot intensity. Barnábas Kelemen and Zoltán Kocsis respond with almost improvisatory spontaneity to Bartók’s rhapsodic invention, yet ensure that the structural integrity of this tough and intellectually challenging music is never compromised…….
Erik Levi @
Bela Bartok - Steinbacher / Janowski / Orch. de la Suisse Romande - The 2 Violin Concertos (2010) {Hybrid-SACD // ISO & FLAC}

Béla Bartók - The 2 Violin Concertos
Orchestre de la Suisse Romande / Arabella Steinbacher / Marek Janowski
SACD ISO (2.0/MCH): 3,06 GB | 24B/88,2kHz Stereo/MCH FLAC: 990 MB/2,33 GB | Full Artwork | 5% Recovery Info
Label/Cat#: Pentatone # PTC 5186 350 | Country/Year: Europe 2010
Genre: Classical | Style: Early 20th Century

PentaTone’s magnificent multi-channel recording, engineered by the familiar Polyhymnia team of Job Maarse, Erdo Groot and Roger de Schot, avoids this trap and ensures that every section of the orchestral score is presented with outstanding clarity. The sound stage is wide with just the right amount of the ambience of the Victoria Hall, Geneva present to add an extra bloom to the overall sound. Arabella Steinbacher’s previous recordings of 20th century violin concertos have garnered worldwide praise and this latest one should further enhance the reputation of this young and exceptionally gifted musician. Very highly recommended.

Bela Bartok - Complete Solo Piano Works - Zoltan Kocsis  

Posted by soloweb at Dec. 27, 2008
Bela Bartok - Complete Solo Piano Works - Zoltan Kocsis

Bela Bartok - Complete Solo Piano Works - Zoltan Kocsis
APE EAC | 8CD set 1.5 GB | Covers+booklet

Born in Budapest in 1952, the pianist, composer and conductor Zoltán Kocsis commenced his musical studies when he was 5 years old and continued them at the Béla Bartók Conservatory from 1963, specializing in piano and composing.

Zoltán Kocsis - Zoltán Kocsis: A Tribute (2017)  Music

Posted by Pisulik at June 10, 2017
Zoltán Kocsis - Zoltán Kocsis: A Tribute (2017)

Zoltán Kocsis - Zoltán Kocsis: A Tribute (2017)
Classical, Piano | MP3 CBR 320 kbps | 02:32:30 | 350 MB
Label: Hungaroton

”The sort of musical talent Zoltán Kocsis displays is something we’re blessed with maybe once or twice a century. It is a priceless treasure that we should take good care of!” – writes György Kroó, an influential music critic of his time on 21 March 1970 about the then 18-year-old young musician. The quotation clearly illustrates the extent of professional interest in Kocsis’ achievements already in the early days of his career, and the expectations kept rising only to put a heavy burden and responsibility on the pianist. Many others have been seen to collapse under such pressure. A large number of young competition-winning talents even prodigies tend to disappear after a few years and fail to embark upon the career their talent would have destine them to pursue.
Engegårdkvartetten - Beethoven, Nordheim & Bartok: String Quartets (2010) [Official Digital Download 24/96]

Engegårdkvartetten - Beethoven, Nordheim & Bartok: String Quartets (2010)
FLAC (tracks) 24-bit/96 kHz | Time - 66:24 minutes | 1.11 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The monumental creativity which Beethoven, Haydn and Bartók gave to the genre of the string quartet is our greatest inspiration. In the Harp we find Beethoven at his most entertaining and least problematic, although slightly provocative in the almost forced gentleness of the final movement. We chose to record the String Quartet 1956 including its incredibly atmospheric final Largo in honour of one of Norway's greatest composer, Arne Nordheim. The intensity and individuality of Bartók's 3rd Quartet make it a natural conclusion for us, juxtaposing the most intimate and lonely music with hard-hitting rhythmic sections which only Bartók could bring off.
BSO, Marin Alsop - Bartok: Concerto For Orchestra - Music For Strings, Percussion & Celesta (2012) [Official Digital Download]

Baltimore Symphony Orchestra, Marin Alsop - Bartok: Concerto For Orchestra - Music For Strings, Percussion & Celesta (2012)
FLAC (tracks) 24-bit/192 kHz | Time - 66:57 minutes | 2.26 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Bela Bartok's Concerto for Orchestra, one of his greatest works, was written in the United States after the composer was forced to flee Hungary during World War II. It is not only a brilliant display vehicle for each instrumental section but a work of considerable structural ingenuity that unites classical forms and sonorities with the pungency of folk rhythms and harmonies. Music for Strings, Percussion and Celesta explores darker moods through a score of marvelously poised symmetry. This release follows Marin Alsop's 'riveting' (Gramophone) Baltimore Symphony recordings of Dvorak's symphonies.
Jerusalem Quartet - Bela Bartok: String Quartets Nos. 2, 4 & 6 (2016)

Jerusalem Quartet - Béla Bartók: String Quartets Nos. 2, 4 & 6 (2016)
EAC | FLAC | Image (Cue&Log) ~ 351 Mb | Mp3 (CBR320) ~ 184 Mb | Artwork included
Genre: Classical | Label: Harmonia Mundi | # HMC902235 | Time: 01:18:50

The string quartets of Béla Bartók punctuate the evolution of his style and the turning points of his existence. From the Second Quartet (1915-17) reflecting the period of World War One and his troubled personal life, through the Fourth whose exploration of rhythm, tonality and timbre produces magnificent and unprecedented sonorities in its ‘night music’, to the unbearable anguish of the Sixth (1939), as his dream of fraternity was shattered against the rise of nationalism and fascism, the Jerusa lem Quartet’s programme brings us the essence of Bartók's genius. Expect reviews in Classical music press for these hm artists with an extensive, acclaimed back catalogue for the label.
Dejan Lazic – Liaisons Vol.1: Scarlatti, Bartok (2007) [SACD ISO+HiRes FLAC]

Dejan Lazic – Liaisons Vol.1: Scarlatti, Bartok (2007)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Digital Booklet | 3.84GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Digital Booklet | 1.13MB + 5% Recovery

At 1st sight, they appear to have nothing in common – but disregarding the stylistic elements & a difference of 2 centuries, you soon recognize that both are in a sense, musical architects, who as piano virtuosos were equally interested in miniature forms & inspired by folk music. On the 1 hand you have Scarlatti, who, after moving to Spain in 1729 composed almost exclusively for harpsichord & integrated elements of Spanish folklore into his compositions in an experimental way; on the other hand Bartk, who boosted the recognition of the rich native Hungarian peasant songs to an independent folk art, & was also influenced by Arabic folk music.
Tamsin Waley-Cohen - Soli: Bartok, Benjamin, Penderecki, Carter, Kurtag (2015)

Tamsin Waley-Cohen - Soli: Bartók, Benjamin, Penderecki, Carter, Kurtág (2015)
EAC | FLAC | Image (Cue&Log) ~ 378 Mb (incl 5%) | Mp3 (CBR320) ~ 185 Mb (incl 5%) | Scans included
Genre: Classical | Label: Signum Classics | # SIGCD416 | Time: 01:16:31

On Soli, Tamsin Waley-Cohen's 2015 release on Signum Classics, the violinist explores modernist repertoire composed between 1944 and 2005. Because these solo violin pieces by Béla Bartók, George Benjamin, Krzysztof Penderecki, Elliott Carter, and György Kurtág are challenging for both the player and the listener, one should approach this CD with some awareness that they reflect different phases of the avant-garde movement that dominated music in the last half of the 20th century. In quieter selections where the moods are primarily brooding or lyrical, Waley-Cohen produces a vibrant tone and smooth phrasing that make her playing easy to appreciate, even when the music isn't recognizably tonal. However, in louder, dissonant passages, notably in sections of the Bartók Sonata, Benjamin's Canon for Sally, Carter's Remembering Aaron, and Kurtág's Anziksz Kellerannanak, the close microphone placement makes her bowing sound overly resinous and scratchy, which can be hard to enjoy. Even so, few violinists dare approach this bracing material, and Waley-Cohen is to be commended for devoting a whole album to such cutting-edge pieces solely on her terms, without making compromises.