Barbara 6

Barbara Dennerlein - Outhipped (2000) {Verve}  Music

Posted by TestTickles at March 11, 2017
Barbara Dennerlein - Outhipped (2000) {Verve}

Barbara Dennerlein - Outhipped (2000) {Verve}
EAC Rip | FLAC with CUE and log | scans | 504 mb
MP3 CBR 320kbps | RAR | 194 mb
Genre: jazz

Outhipped is the 1999 album by German jazz organist Barbara Dennerlein. Released in her home country via Universal, it was released in North America in 2000 and was the last of three albums she did for Verve.

Mozart - Lieder (Barbara Bonney, Geoffrey Parsons) [1992]  Music

Posted by Aregak at March 8, 2017
Mozart - Lieder (Barbara Bonney, Geoffrey Parsons) [1992]

Mozart - Lieder (Barbara Bonney, Geoffrey Parsons) [1992]
EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 250 MB
Classical | Label: Teldec | Catalog Number: 246334 | TT: 62’43"

No matter how passionate soprano Barbara Bonney gets, she never loses the unsullied purity of her tone. And in this 1994 disc of Schubert songs, Bonney often has cause to get passionate: her artless Der Hirt auf dem Felsen (D. 965) is transformed by passionate virtuosity, her mournful Mignon Lieder (D. 877) are transcended by passion, and her ecstatic Ganymed (D. 544) is transfigured by passion. But through all of it, Bonney's tone stays pure, the voice of stainless innocence in the face of sorrow, shame and even death. This is almost – but not quite always – a good thing. Bonney can surely sing the songs: her voice is sweet and her technique is graceful…
George Benjamin - Written on Skin (Christopher Purves, Barbara Hannigan, Bejun Mehta) (2013) [Blu-ray]

George Benjamin - Written on Skin (Christopher Purves, Barbara Hannigan, Bejun Mehta) (2013) [Blu-ray]
BluRay | BDMV | MPEG-4 AVC Video / 25012 kbps / 1080i / 23.976 fps | 89 min | 22,0 Gb
Audio1: English / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.0 / 48 kHz / 24-bit / 3473 kbps

BluRay-rip | AVC | MKV 1920x1080 / 4 972 kbps / 23.976 fps | 89 min | 4,02 Gb
Audio: English / DTS / 5ch / 48.0 KHz / 24 bits
Classical | Opus Arte | Sub: English, French, German, Japanese

When Written on Skin had its premiere at the 2012 Festival d'Aix-en-Provence, conducted by George Benjamin himself, it received a standing ovation. The opera's arrival at Covent Garden in 2013 was eagerly anticipated, and provided audiences with the opportunity to experience the work of two of Britain's greatest living artists. Benjamin previously collaborated with playwright Martin Crimp on Into the Little Hill, a magical retelling of the Pied Piper fairytale, and for this new work they joined forces with acclaimed stage director Katie Mitchell. For all three, the production marked their main-stage debut at the Royal Opera House. The tale, inspired by a medieval legend, tells of an ill-fated troubadour, drawn into a liaison with an innocent maiden. But they are observed by the jealous eye of her protector, who wreaks a shocking revenge on the young couple.
Barbara Kortmann - Inner Light: Chamber Music for Flute (2017)

Barbara Kortmann - Inner Light: Chamber Music for Flute
Classical | WEB FLAC (tracks) & d. booklet | 66:31 min | 330 MB
Label: Genuin | Tracks: 19 | Rls.date: 2017

With her enchanting, radiant flute sound, Barbara Kortmann takes us on a journey through truly exquisite Baroque music on her Genuin debut release. Joining with spirited partners from the early music scene, the multiple award-winning musician (Aeolus International Competition for Wind Instruments, 2016 International Sir James Galway Flute Festival…) awakens works by Antonio Vivaldi, Johann Sebastian Bach, Marin Marais, and other composers to their full potential. Passionately, flawlessly, and with total commitment, the musicians perform concertos and chamber music, original works and arrangements.

Barbara Hannigan - Abrahamsen: Let Me Tell You (2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Feb. 9, 2017
Barbara Hannigan - Abrahamsen: Let Me Tell You (2016) [TR24][OF]

Barbara Hannigan - Abrahamsen: Let Me Tell You
Classical | FLAC (tracks) 24-bit/48 kHz | 32:42 min | 330 MB | Digital booklet
Label: Winter & Winter | Tracks: 07 | Rls.date: 2016

Composed in 2012 and 2013, Let me tell you is a dramatic monologue voiced by a character who requires us to hear her. That character is not quite the Ophelia of Shakespeare s Hamlet; her entire text is made up from words Ophelia speaks in that play, but she uses these words in different ways, to express herself differently. Barbara Hannigan is known worldwide as a soprano of vital expressive force directed by exceptional technique. She brings the same high energy to her varied activities as a conductor as well as to her singing, including recent engagements with Simon Rattle, Kent Nagano, and David Zinman.
Bob Marley - The Legend Live - Santa Barbara County Bowl 1979 (2016) [DVD9]

Bob Marley - The Legend Live - Santa Barbara County Bowl 1979 (2016)
DVD9 | NTSC (720x480) VBR, at 29.970 fps, 6 479 Kbps | 7.6 GB
Audio: 224 kbps, 48 khz, 2 channels, AC-3 | Run Time: 152 minutes
Reggae
Robert & Clara Schumann - Lieder - Barbara Bonney & Vladimir Ashkenazy [1997]

Robert & Clara Schumann - Lieder - Barbara Bonney & Vladimir Ashkenazy [1997]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 257 MB
Classical | Label: Decca | Catalog Number: 452898 | TT: 1:11;06

Barbara Bonney's recital of the Schumanns' songs is prefaced, in the booklet-note, with a little feminist homily from the singer defending the reputation of Clara as woman and artist. Clara hardly needs that kind of defence nowadays, witness recent CDs by Skovhus and Stutzmann, plus several others not reviewed in these pages; her songs are far from patronized, let alone neglected. Yet, for all the advocacy of these singers, her inspiration remains for me intermittent, though thoroughly conventional songs are occasionally leavened by notably individual ones, such as, here, her very last and unpublished song, Loreley, which vividly conjures up that dangerous creature, particu lady in the hectic piano part, evocatively played by Ashkenazy. Indeed it seems that Heine most inspired her, as "Sic liebten sich beide" from her Op. 13 provoked a setting of economically intense meaning, to which Bonney finely responds.
– Gramophone [9/1997].
Ain't Gonna Let Nobody Turn Me Around: Forty Years of Movement Building with Barbara Smith

Ain't Gonna Let Nobody Turn Me Around: Forty Years of Movement Building with Barbara Smith (Suny Series in New Political Science) by Alethia Jones, Virginia Eubanks, Barbara Smith
2014 | ISBN: 1438451156, 1438451148 | English | 354 pages | PDF | 6 MB
Gaetano Donizetti - L'Elisir d'Amore (Pavarotti, Battle, Nucci, Dara - Levine) [1990]

Gaetano Donizetti - L'Elisir d'Amore (Pavarotti, Battle, Nucci, Dara - Levine) [2009]
EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 2cd, 516 MB
Classical | Label: Deutsche Grammophon | TT: CD1:60’56; CD2:41’40

This studio recording was made in 1989 coinciding with a memorable production from the Metropolitan Opera, later captured on DVD. It's a delightful performance, and a wonderful highlight of Pavarotti's later career. Kathleen Battle's sparkling soprano is a brilliant accompaniment to Pavarotti's still-ringing tone.
"Pavarotti's voice was still beautiful and pliable, his phrasing exquisite. And he loved the role of Nemorino and always seemed happy with both its comedy and pathos–he steals every scene he's in, and no one minds…Kathleen Battle sings Adina with perfect, pearl-like tone, absolute fluency and commitment, and a trill to die for…Enzo Dara is an ideal Dulcamara, just the right combination of huckster and sentimentalist, with ease in every register and with fast music."
– Robert Levine, ClassicsToday.com
Mozart - Le nozze di Figaro (Arnold Ostman, Arleen Auger, Della Jones, Barbara Bonney)

Mozart - Le nozze di Figaro (Arnold Östman, Arleen Auger, Della Jones, Barbara Bonney) [1990]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 3cd, 688 MB
Classical | Label: Oiseau Lyre London / Decca | Catalog Number: 421 333-2 | TT: 186’28

In 1988 when this period-instrument Figaro was released, the style was still a novelty, and Ostman gained some notoreity for his rushed tempos as well as the scrawniness of his chamber orchestra, by far the smallest to play this great opera on CD. Yet when I read a glowing review by Andrew Porter in the New Yorker, I immediately bought the performance, shortly discovering that it was a true gem in the extensive Figaro catalog.
By Santa Fe Listener