Summarily dismissed from Ozzy Osbourne's band (via telegram no less), guitarist Jake E. Lee licked his wounds and formed Badlands with another former Black Sabbath singer, Ray Gillen. Despite the employment history of its principals, the group eschewed gothic themes and textures on their self-titled debut, embracing instead the bluesy swagger of Led Zeppelin and Montrose. Within the first few seconds of album opener "Live Wire" it becomes clear that Lee and Gillen made a wise stylistic choice, as the guitarist's swinging riff and vocalist's gravelly howl are electrifyingly compatible.
Badlands was a short-lived rock band founded by former Ozzy Osbourne guitarist Jake E. Lee and former Black Sabbath members Ray Gillen and Eric Singer. Badlands also featured bassist Greg Chaisson. After the first Badlands album, Eric Singer was replaced by Jeff Martin. The group lasted from 1988 to 1993 and released two albums, Badlands (1989) and Voodoo Highway (1991) before Gillen left and was replaced by singer John West from New York. Ray's death in 1993 effectively ended any hopes of re-uniting the project. The album Dusk (originally recorded in 1992 - 1993) was posthumously released in 1998.
Ray Barretto's Carnaval combines two 1962 sessions, Pachanga with Barretto (his Milestone label debut as a leader) and Latino!. Both sets feature Barretto's first band, Charanga Moderna, with trumpeter El Negro Vivar and tenor saxophonist Jose Chombo Silva added to the front line for the latter LP. The first album is very much Latin jazz of its time, with all ten tracks designed for dancing the briefly popular pachanga, a dance that was simply too manic and difficult to catch on widely. The pachanga-friendly tempos on these ten brief cuts (most under three minutes) make the album sound rushed and nervous to ears unfamiliar with the dance fad. The far-better Latino!, recorded in nearly the same session, is a good old-fashioned jam session, with more leisurely tempos and extended playing times that give all the soloists – especially Vivar, Silva, and flutist Jose Canoura – plenty of room to stretch out. These two albums are very different, but hearing both of them in proximity reveals much about the state of the New York City Latin jazz scene in the early '60s.
Stevie Ray Vaughan and his band Double Trouble formed the most impressive blues act of the 1980s, which made Vaughan's death in a helicopter crash at the start of the '90s all the more tragic. He grew up in Dallas, the younger brother of Jimmie Vaughan (cofounder of the Fabulous Thunderbirds). Stevie began playing in clubs at 12, and by 17 had dropped out of high school and moved to Austin. There followed years of struggling until April 23, 1982, when Vaughan and his group, Double Trouble, played a private audition for the Rolling Stones in New York. The gig led to an invitation to appear at the Montreux Jazz Festival, at which Vaughan was seen by David Bowie, who hired him to play guitar on his Let's Dance album, and Jackson Browne, who offered the free use of his recording studio. Vaughan took up that offer after being signed by legendary talent scout John Hammond to Epic, recording his debut album, Texas Flood, in the fall of 1982…