Simone Dinnerstein has been described as “a throwback to such high priestesses of music as Wanda Landowska and Myra Hess” by Slate magazine and praised by TIME for her “arresting freshness and subtlety”. The New York-based pianist gained an international following because of the remarkable success of her recording of Bach’s Goldberg Variations which she raised the funds to record. Released in 2007, it ranked No. 1 on the US Billboard Classical Chart in its first week of sales and was named to many ‘Best of 2007’ lists including those of The New York Times, The Los Angeles Times, and The New Yorker. Her follow-up album, The Berlin Concert, also gained the No. 1 spot on the Chart.
This is a superb recording of the Two-Part and Sinfonias (Three-Part Inventions) of Johann Sebastian Bach. Kenneth Gilbert is a wonderful interpreter of Bach's keyboard music and in this recording plays an instrument made in 1671 by Jan Couchet that was subsequently enlarged in 1778. The Two-Part Inventions and Sinfonias consist of 15 parts; they were written as technical exercises and as composition demonstration pieces originally for his son Wilhelm Friedemann. The various pieces were probably written separately and were gathered together by Bach in major/minor key sequence and published in 1723. The recording is clear and well balanced. Kenneth Gilbert plays beautifully; the music is lively without being ostentatious.
Karl Richter’s recordings of Bach’s orchestral and sacred music influenced an entire generation of musicians and listeners, presenting the conductor’s unique sound and style. When Richter recorded Bach’s works, he freed them from a ponderous tradition that had mired the music in romantic sounds and idiom. Richter lightened Bach’s music, and, with an orchestra of outstanding musicians, helped bring it toward the more modern interpretations that listeners have become familiar with today. This is still a bit far from the historically-informed performances that are pretty much the norm, but there is a unity and natural originality that comes through the music in these recordings.
The recipient of the 2012 City of Leipzig Bach Medal, Masaaki Suzuki has earned an enviable reputation as an interpreter of the music of J. S. Bach as a reviewer in Intl Record Guide has put it: 'With Suzuki you can hear Bach's heart beat'. To a wide audience he is known as the director of Bach Collegium Japan, and the moving force behind the ensemble's acclaimed recordings of Bach's complete sacred cantatas. Perhaps less well known is that he began his career at the age of 12! playing the organ at church services in Kobe, where he was born. Suzuki has remained true to the organ throughout his life, and for BIS he has previously recorded Bach's German Organ Mass, as well as programs of Buxtehude and Sweelinck. He here appears on a disc combining some of Bach's best-loved works for the instrument, including the D minor Toccata and Fugue, the Partitas on O Gott, du frommer Gott, BWV 767, the Canonic Variations, BWV769, and the celebrated Prelude and Fugue in E minor, BWV548.