This massive 30 CD compendium commemorates the tricentenary of C.P.E. Bach's birth. The Hamburg and Berlin Symphonies, the Württemberg Sonatas and the Magnificat are among the many works included in this set. The artists included, too numerous to mention, include Rinaldo Alessandrini, Raphael Wallfisch and Hartmut Haenchen.
Marking the 300th anniversary of Carl Philipp Emmanuel Bach’s birth in 1714, this 13-CD box at budget price presents a survey of his greatest works, performed by some of the most renowned musicians in the world of historically informed performance. Carl Philipp Emmanuel Bach (1714-1788), the second son of JS Bach, was a celebrated figure in his lifetime and is recognised as a crucial figure in the transition from the Baroque to the Classical styles. Mozart, no less, said of him: "He is the father, we are the children.”
Christophe Rousset is one of the finest and most exciting harpsichordists, and as a conductor is a leader in the late 20th century revival of French Baroque music. After studying piano as a boy, he became deeply interested in the harpsichord at the age of 13. He studied with Huguette Dreyfus at the Schola Cantorum in Paris and, from 1980 to 1983, with Bob van Asperen at the Royal Conservatory of the Hague. He won a special certificate of distinction at the Schola Cantorum and, in 1983, the first prize at the International Harpsichord Competition in Bruges.
Raaf Hekkema: Since I started teaching at the Royal Conservatory in The Hague, I have become more conscious of my self-chosen mission: to create a place for the saxophone within the classical music tradition. One way to do this is to forge a stronger bond between the players and the classical tradition, in the knowledge that the saxophone repertoire too is indebted to the great composers of the past. The most influential of them all is, without a doubt, Johann Sebastian Bach.
BBC New Generation Artist Beatrice Rana sets her sights on Bach in this dignified reading of the Goldberg Variations. Treating every ornamentation and run with stately regard, Rana delivers a deep, meditative interpretation. Its closing “Aria” sounds so delicate that it feels at risk of floating away.
Thomas Dunford continues to expand his discography on Alpha with a programme of solo lute works by J.S. Bach, recorded in the ideal surroundings of the Salle de Musique of La Chaux-de-Fonds in Switzerland. He performs an original composition by Bach for lute, the Suite in G minor BWV 995, as well as his own arrangements of the (Cello) Suite BWV 1007 and the famous Chaconne from the Partita BWV 1004 – the latter piece has a notorious reputation for being (virtually) unplayable, at least on the violin!
Transcribing compositions was a common practice in the Baroque era, and Johann Sebastian Bach frequently recycled his own music, perhaps most famously in his versions for lute. This 2017 Linn release by lutenist William Carter offers meticulous performances of the Sonata in G minor, BWV 1001, and the Suite in E major, BWV 1006a, both adapted from the original versions for unaccompanied violin, and the Suite in G minor, BWV 995, arranged from the Suite No. 5 in C minor, BWV 1011, for unaccompanied cello.