Bach Teldec Flac

VA - Masters Of Classical Music Vol. 2: Johann Sebastian Bach (1988) {LaserLight}

VA - Masters Of Classical Music Vol. 2: Johann Sebastian Bach (1988) {LaserLight}
EAC Rip | FLAC with CUE and log | scans | 286 mb
MP3 CBR 320kbps | RAR | 135 mb
Genre: classical

Masters Of Classical Music Vol. 2: Johann Sebastian Bach is a 1988 album released by LaserLight. It is part of the label's series of discs, and this is a full digital (DDD) recording.
Niels-Henning Orsted Pedersen - The Unforgettable NHØP Trio Live (2007) [FLAC]

Niels-Henning Orsted Pedersen - The Unforgettable NHØP Trio Live
FLAC (dBpoweramp rip) | separate tracks | Log, No CUE | HQ front cover scan | ~342 MB incl. 3% recovery
Genre: Jazz, Modern Jazz | Label: ACT Music (ACT 9464-2) | Year: 2007

[…] This live CD documents a pair of concerts with guitarist Ulf Wakenius (who also worked with Peterson) and drummer Jonas Johansen, the first five tracks from 1999 and the last six from Pedersen's final recorded concert in March 2005, just a few weeks before his sudden death from a heart attack. […] Both concerts are intimately recorded and this is easily one of Niels Pedersen's best CDs as a leader. ~Ken Dryden, All Music Guide
Christopher Wrench – Bach: Organ Sonatas, BWV 525-530 (2009) [SACD ISO+HiRes FLAC]

Christopher Wrench – Bach: Organ Sonatas, BWV 525-530 (2009)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Front Cover | 4.14GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Front Cover | 1.32MB + 5% Recovery

Christopher Wrench commands a broad solo repertoire including the complete organ works of Bach, whilst also working as a liturgical musician, pedagogue & chamber player. He teaches organ at the Queensland Conservatorium Griffith University & directs the music programme at St Mary’s Anglican Church, Kangaroo Point in Brisbane. In 2008 he was awarded the Lord Mayor’s Australia Day Cultural Award for his outstanding contribution to the musical life of Brisbane.
Dejan Lazic – Liaison Vol.3: Bach, Britten (2011) [SACD ISO+HiRes FLAC]

Dejan Lazic – Liaison Vol.3: Bach, Britten (2011)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Digital Booklet | 3.42GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Digital Booklet | 980MB + 5% Recovery

The word liaison can be translated in many ways: affair, affinity, connection, link, relationship, union. The CDs in the Liaisons series each feature 2 particular composers, enabling us to explore their musical worlds, sources of inspiration & degree of influence. At the same time, the recordings reveal their most conspicuous differences & their common denominators.
Ramin Bahrami - Bach: The Well-Tempered Clavier Book II (2016) [TR24][OF]

Ramin Bahrami - Bach: The Well-Tempered Clavier Book II
Classical | FLAC (tracks) 24-bit/192 kHz | 148:43 min | 4.44 GB | Front Cover
Label: Decca | Tracks: 48 | Rls.date: 2016

Qualche settimana fa recensivamo il primo libro del Wohltemperierte Klavier eseguito all’organo da Daniele Boccaccio. In quell’occasione si ricordava come il termine “klavier”, utilizzato da Bach per indicare lo strumento da usare per l’esecuzione, sia in realtà molto generico, indicando qualunque strumento a tastiera: clavicembalo, clavicordo, fortepiano, organo, e quindi anche ciò che nel 700 ancora non esisteva, il pianoforte.
Rosalyn Tureck, Charles Rosen - J.S. Bach: The Keyboard Album (featuring The Italian Concerto and The Art of Fugue) (1997)

Rosalyn Tureck, Charles Rosen - J.S. Bach: The Keyboard Album (featuring The Italian Concerto and The Art of Fugue) (1997)
EAC | FLAC (tracks+.cue, log) | Covers Included | 02:20:08 | 568 MB
Genre: Classical | Label: Sony Classical | Catalog: 63231

This long-deleted Essential Classics reissue (available again courtesy of Arkivmusic.com’s on-demand reprint program) comprises the first CD remastering of two separate Bach piano releases. One disc features Rosalyn Tureck’s Bach Album, an early-1981 digital production made up mostly of short pieces, plus the Aria and Variations in Italian Style. The close-up yet warm sonics capture the full measure of Tureck’s technical specificity, subtle use of color, and micromanaged dynamics. Notice her absolute linear control in the F minor suite’s Prelude (first sound clip), or how her seemingly over-detached articulations (the seventh Italian variation) always maintain a lilting presence.
Bach - Sonates & Partitas Pour Violon Seul,Le Petit Livre D'anna-Magdalena Bach,Suites Pour Violoncelle Seul (1996) (5CD)

Bach - Sonates & Partitas Pour Violon Seul, Le Petit Livre D'anna-Magdalena Bach, Suites Pour Violoncelle Seul (1996) (5CD Box set)
XLD Rip | FLAC (tracks+.cue, log) | Artwork | 1402 mb | MP3 CBR 320kbps | RAR | 783 mb
Classical, Cello, Violin | Label: EMI Classical - 7243 4 89179 2 8

This set includes two of the rarest and hardest to find of all recordings: the 1958-59 version of the Bach Cello Suites by Janos Starker – the one everyone says his later recordings cannot match – and the extremely beautiful performance of Bach's unaccompanied violin sonatas and partitas – the one that Japanese collectors pay 3-digit dollar prices for – in outstanding EMI Digital Re-Masterings.
Angela Hewitt - Johann Sebastian Bach: The Art of Fugue (2014) 2CDs

Angela Hewitt - J.S. Bach: Die Kunst der Fuge (The Art of Fugue) (2014) 2CDs
EAC | FLAC | Tracks (Cue&Log) ~ 275 Mb (incl 5%) | Scans included | Time: 01:29:40
Genre: Classical | Label: Hyperion | # CDA67980

Even though Angela Hewitt's repertoire is quite extensive and diverse, encompassing the Baroque, Classical, Romantic, and modern eras, her true specialty is the music of J.S. Bach, which she has recorded almost exclusively for Hyperion since the 1980s. With this recording of The Art of Fugue, Hewitt completes her long-running series of piano renditions of the solo keyboard works, and while not everyone is convinced that Bach composed this study of fugal techniques for the keyboard, Hewitt's performance is credible and satisfying. She controls the often unwieldy counterpoint by regarding the lines as if they were vocal parts, and her phrases are shaped by natural breathing points, as well as the different emotional qualities she brings to each fugue and canon. The Art of Fugue can be daunting for both performer and listener because its persistent tonality of D minor and monothematic material can be quite tedious in the wrong hands.
Colin Tilney - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 & 2 (1990) 4CDs

Colin Tilney - Johann Sebastian Bach: Das Wohltemperirte Clavier (1990) 4CDs
EAC | FLAC | Image (Cue&Log) ~ 1.8 Gb (incl 5%) | Scans included | Time: 05:04:36
Genre: Classical | Label: Hyperion | # CDA66351/4

In his recording of Bach's 48 Colin Tilney, unlike his fellow competitors in the same repertory, plays both a clavichord (Book 1) and a harpsichord (Book 2). Why not? Bach's title for the first book of 24 preludes and fugues, The Well-tempered Clavier leaves both this issue and that of tuning wide open. The clavichord was a favourite instrument of Bach's, so was the harpsichord and the organ; indeed, I am sorry that Tilney does not include a chamber organ since some of the pieces, the E major Prelude and Fugue (Book 2), for instance, seem well-suited to it. Tilney's performance of the 48 differs again from almost if not all others in the sequence which he adopts in playing the preludes and fugues. But an apparently random approach is in fact nothing of the kind, but one that is directly linked with tuning. We know that Bach himself was a master in matters of tuning as he was in all other aspects of his craft. What we do not know is the exact nature of his tuning.
Sinikka Langeland, Lars Anders Tomter, Kare Nordstoga - Maria's Song: Folk Songs and music of J.S. Bach (2009)

Sinikka Langeland - Maria's Song: Folk Songs and music of Johann Sebastian Bach (2009)
with Lars Anders Tomter & Kåre Nordstoga

EAC | FLAC | Tracks (Cue&Log) ~ 414 Mb (incl 5%) | Mp3 (CBR320) ~ 218 Mb (incl 5%) | Scans included
Classical, Baroque, Nordic Folk | Label: ECM | # ECM 2127, 271 7097 | Time: 01:12:11

Norwegian folk musician Sinikka Langeland, singer and player of the kantele (the Finnish table harp) is a distinctly non-traditional traditionalist, redefining "folk" in successive projects. 'Maria's Song' finds her in the company of two distinguished classical musicians - organist Kare Nordstoga and "giant of the Nordic viola" Lars Anders Tomter - and on a mission to restore Marian texts to sacred music, weaving folk melodies in between the timeless strains of J S Bach. Langeland made a lot of friends with her sparkling ECM debut Starflowers: "There are jewels everywhere on this arresting example of ego-free music-making. One of the albums of this or any other year" raved the Irish Times. Where Starflowers brought Langeland into the orbit of jazz improvisers, Maria's Song is a meeting and cross referencing of folk and 'classical' energies, and also a righting of historical 'injustice': Religious folk songs are amongst the most distinctive elements of the Norwegian folk tradition, yet the Virgin Mary rarely appears in them. Once a much-worshipped figure in the Far North she was, as Sinikka puts it, "reformed" away in 1537, so this album brings Maria back into the music. It was recorded in the beautiful Nidaros Cathedral of Trondheim, famous for its Baroque organ heard here.