This recording presents works by Johann Sebastian Bach, Johann Bernhard Bach and Georg Friedrich Handel, performed for the most part at a concert in "Villa Hügel" on March 25, 1994.
The ‘Italian’ Concerto and ‘French’ Overture included on this disc together make up the second part of Bach’s Clavier-Übung, composed, according to Bach himself, ‘for music lovers to refresh their spirits’. Here Steven Devine’s performances show that these works do far more than simply refresh spirits. The ‘Italian’ Concerto has long been thought a product of Bach’s extensive study of Vivaldi’s concerti.
"Helmuth Rilling realisiert die stilistische Spannweite der Chöre vom nazarenischen a cappella über impressionistische Koloristik, einem fast Brahms'schen Sentiment, bis zur dramatischen Wucht vollkommen."~FonoForum
The year 2012 marks the tercentenary of the birth of Frederick the Great, whose political and military glory has often relegated his musical talent to the status of a mere hobby. But Frederick II was not only the key personality of Berlin musical life for the whole of the 18th century – as is shown by the works of the composers presented on this CD, all of whom worked at his court at some point in their careers – but also an excellent flautist who left posterity a number of fine flute sonatas from his own pen.
Hans-Martin Linde and his consort of period instruments emphasize the glories of Bach's marvellous tonal palette, making much of the sonorities afforded by the writing. From beginning to end these are performances which set the blood coursing through one's veins; Linde reckons that if Bach went to the trouble of scoring movements for trumpets, drums, oboes, bassoons and strings, then he probably was aiming at vivid, if not heroic gestures. [N.A. Gramophone+[/quote]
This unique collection of 55 CDs (477 6167) forms Deutsche Grammophon’s major release in its 111th-anniversary celebrations. The limited-edition box-set gathers together many landmark recordings – from the past to the present. Most of them appear complete, as originally programmed, in their original cover-art – and several include additional material.
German musician Hans-Martin Linde has established impressive credentials in so many fields of endeavor that it is difficult to give him a primary classification. Some biographers will call him a flutist and recorder player first, then a conductor. He began his career as a flutist, but eventually turned to conducting, without, however, abandoning the flute or recorder. He has also performed in concert as a baritone singer; has drawn notice as a composer, particularly for his 1993 Concerto for recorder and strings; and has authored several authoritative books on flute and recorder performance.
Very few conductors have recorded as much Bach as Karl Richter and none can lay a stronger claim to a legacy based on championing the master. Richter's reverence for Bach is evinced by the simplicity, splendor, and grandeur with which he consistently imbued his performances exemplified here by these landmark recordings of the Brandenburg Concertos and Orchestral Suites. In Archiv's original-image bit-processing remastered transfers as well, the sound is better than ever. This is cornerstone Bach that should not be missed.