Bach Ouvert

Freiburger Barockorchester - Bach: Overtures. Complete Orchestral Suites (2011) [24-bit/44,1kHz]

Freiburger Barockorchester - J.S. Bach: Ouvertüren (2011)
FLAC (tracks) 24-bit/44,1 kHz | Time - 93:39 minutes | 1002 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Called ‘Ouvertüren' in Germany, because they began with a large-scale overture à la française, Bach's Suites for orchestra offer a unique synthesis of the French and the Italian styles. The Leipzig Cantor did not content himself with a mere set of amiable dances for his ‘Collegium Musicum': he revived the genre in his own manner, accenting the contrasts, refining the orchestration, and introducing a hitherto unknown contrapuntal element. Two centuries later these admirable orchestral works continue to represent an indispensable treasure of the Baroque.
Bach / Handel - Thomas Zehetmair / Amsterdamer Bach Solisten - Musik auf Villa Hügel (1994)

Bach / Handel - Thomas Zehetmair / Amsterdamer Bach Solisten - Musik auf Villa Hügel
EAC+LOG+CUE | FLAC: 520 MB | Full Artwork | 5% Recovery Info | 2x CD
Label/Cat#: Berlin Classics / special edition by "Krupp Steel" | Country/Year: Germany 1994
Genre: Classical | Style: Baroque

This recording presents works by Johann Sebastian Bach, Johann Bernhard Bach and Georg Friedrich Handel, performed for the most part at a concert in "Villa Hügel" on March 25, 1994.
Trevor Pinnock, The English Concert - Bach: Die Ouverturen (The Orchestral Suites) BWV1066-1069 (1999)

Trevor Pinnock, The English Concert - Bach: Die Ouvertüren (The Orchestral Suites) BWV1066-1069 (1999)
EAC | FLAC | Image (Cue & Log) ~ 381 Mb | Total time: 76:24 | Scans included
Classical | Label: Deutsche Grammophon | # 463 013-2 | Recorded: 1978-79

Originally recorded in stereo in 1978 and 1979 and released on two separate LPs, these performances of Bach's Orchestral Suites (also known as the Overtures) with Trevor Pinnock leading his English Consort were as good as it got at the time for period instrument performances. And this 2007 single-disc re-release does not change that assessment. The Consort's strings are dry but warm – check out the Air from the Third Suite – the winds are colorful and quirky – check out the Forlane from the First Suite – the brass is controlled but cutting – check out the Ouverture from the Fourth Suite – and the timpani is vivacious but thankfully not overwhelming – check out the Réjouissance, also from the Fourth Suite. Pinnock's conducting is almost universally light and lively, and when it's not in the Second Suite, it's because the music itself is dark and dreary. Although there are dozens of great performances of the suites to choose from, if you're only going to have one recording on the shelf, it should be Pinnock's.
(James Leonard)
Steven Devine - JS Bach: ‘Italian’ Concerto & ‘French’ Overture (2014)

Steven Devine - JS Bach: ‘Italian’ Concerto & ‘French’ Overture (2014)
EAC Rip | Flac (Tracks + cue + log) | 494 MB | MP3 320Kbps CBR | 177 MB | 1 CD | Full Scans
Genre: Classical | Label: Chandos | Catalog Number: 802

The ‘Italian’ Concerto and ‘French’ Overture included on this disc together make up the second part of Bach’s Clavier-Übung, composed, according to Bach himself, ‘for music lovers to refresh their spirits’. Here Steven Devine’s performances show that these works do far more than simply refresh spirits. The ‘Italian’ Concerto has long been thought a product of Bach’s extensive study of Vivaldi’s concerti.
Friedrich der Grosse - Graun, Nichelmann, C.P.E Bach, Friedrich II: Music for the Berlin court (2012)

Friedrich der Grosse - Graun, Nichelmann, C.P.E Bach, Friedrich II: Music for the Berlin court (2012)
FLAC (tracks) 24 bit/96 kHz | Digital Booklet | 1.32 GB
Genre: Classical | Official Digital Download - Source: Qobuz

The year 2012 marks the tercentenary of the birth of Frederick the Great, whose political and military glory has often relegated his musical talent to the status of a mere hobby. But Frederick II was not only the key personality of Berlin musical life for the whole of the 18th century – as is shown by the works of the composers presented on this CD, all of whom worked at his court at some point in their careers – but also an excellent flautist who left posterity a number of fine flute sonatas from his own pen.
Johann Sebastian Bach - Orchestral Suites Nos. 1-4 - Hans-Martin Linde, Linde Consort

Johann Sebastian Bach - Orchestral Suites Nos. 1-4 - Hans-Martin Linde, Linde Consort
Baroque | flac - cue - log | EAC rip | Covers & booklet (HQ) | 1 CD | 346 MB
HMV Classic 5.72303.2 | DDD | 1997 | Fsonic + Fserve

Hans-Martin Linde and his consort of period instruments emphasize the glories of Bach's marvellous tonal palette, making much of the sonorities afforded by the writing. From beginning to end these are performances which set the blood coursing through one's veins; Linde reckons that if Bach went to the trouble of scoring movements for trumpets, drums, oboes, bassoons and strings, then he probably was aiming at vivid, if not heroic gestures. [N.A. Gramophone+[/quote]
Deutsche Grammophon 111 Years of Excellence Collector's Edition (55CD)

Deutsche Grammophon 111 Year of Excellence Collector's Edition - 55CD Box
XLD | FLAC | LOG | CUE | 5% RR | Full Artwork | 14GB
Year/Label: 2009 DG | File-host: RS.com , Hotfile , Filefactory

This unique collection of 55 CDs (477 6167) forms Deutsche Grammophon’s major release in its 111th-anniversary celebrations. The limited-edition box-set gathers together many landmark recordings – from the past to the present. Most of them ­appear complete, as originally programmed, in their original cover-art – and several include additional material.
Ricercar Consort & Philippe Pierlot - J.S. Bach: Consolatio (2018)

Ricercar Consort & Philippe Pierlot - J.S. Bach: Consolatio (2018)
Classical, Vocal | WEB FLAC (tracks) & d. booklet | 369 MB
Label: Mirare | Tracks: 24 | Time: 66:03 min

Here are the first cantatas Bach presented in Leipzig: sinfonia, chorus, chorale, recitative, the most diverse of arias, all stamped with the composer’s eloquence, but also brimming with poetry amid their profound spiritual commentaries. An exceptional artistry is displayed here, prefiguring the sublime musical offerings that the congregation were to hear Sunday after Sunday . . .
Ricercar Consort & Philippe Pierlot - J.S. Bach: Consolatio (2018) [Official Digital Download 24/96]

Ricercar Consort, Philippe Pierlot, Hannah Morrison, Carlos Mena, Hans-Jorg Mammel & Mathias Vieweg - J.S. Bach: Consolatio (2018)
FLAC (tracks) 24-bit/96 kHz | Time - 66:03 minutes | 1.25 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Here are the first cantatas Bach presented in Leipzig: sinfonia, chorus, chorale, recitative, the most diverse of arias, all stamped with the composer’s eloquence, but also brimming with poetry amid their profound spiritual commentaries. An exceptional artistry is displayed here, prefiguring the sublime musical offerings that the congregation were to hear Sunday after Sunday . . .
The King's Singers, The WDR Big Band, Bill Dobbins - J.S. Bach: Christmas Oratorio (2CD) (2010) (Repost)

The King's Singers, The WDR Big Band, Bill Dobbins - J.S. Bach: Christmas Oratorio (2CD) (2010)
XLD Rip | FLAC (tracks+.cue, log) ~ 325.50 Mb (CD1) + 303.59 Mb (CD2) + 7.58 Mb (Scans) | 01:47:16
Crossover Jazz, Classical, Vocal, Big Band | Country: UK/Germany | Label: Signum Classics - SIGCD215

When Lucas Schmid, producer of the WDR Big Band, first mentioned his interest in a program of music from the Christmas Oratorio of J.S. Bach, arranged to feature this ensemble in combination with the King’s Singers, I was immediately interested and excited. Having collaborated several times with this group of uniquely gifted vocalists, including the WDR Big Band’s Bach 2000 project, I knew there was an opportunity to create something very special indeed. Bach composed the work between 1734 and 1735. Since each of the six cantatas that make up the Christmas Oratorio was originally intended for a particular Sunday in the liturgical year, the sheer quantity of music is far too much for a single performance. The first major part of my work, then, would be the musical selection.