Bach Mp3

Bach - Sonates & Partitas Pour Violon Seul,Le Petit Livre D'anna-Magdalena Bach,Suites Pour Violoncelle Seul (1996) (5CD)

Bach - Sonates & Partitas Pour Violon Seul, Le Petit Livre D'anna-Magdalena Bach, Suites Pour Violoncelle Seul (1996) (5CD Box set)
XLD Rip | FLAC (tracks+.cue, log) | Artwork | 1402 mb | MP3 CBR 320kbps | RAR | 783 mb
Classical, Cello, Violin | Label: EMI Classical - 7243 4 89179 2 8

This set includes two of the rarest and hardest to find of all recordings: the 1958-59 version of the Bach Cello Suites by Janos Starker – the one everyone says his later recordings cannot match – and the extremely beautiful performance of Bach's unaccompanied violin sonatas and partitas – the one that Japanese collectors pay 3-digit dollar prices for – in outstanding EMI Digital Re-Masterings.

Johann Sebastian Bach  Music

Posted by vlad at Dec. 8, 2005

Johann Sebastian Bach | Mp3 CBR 320kbps | 51,1 MB


Хочу попробовать предложить классическую музыку!Да ещё и Баха! Но это не так страшно - это большей частью танцы. И того же Баха в исполнении The Swingle Singers.Общее время около 30 минут. Послушайте!

Marc Minkowski - Bach, JS: St John Passion (2017)  Music

Posted by Pisulik at March 24, 2017
Marc Minkowski - Bach, JS: St John Passion (2017)

Marc Minkowski - Bach, JS: St John Passion (2017)
Classical | MP3 CBR 320 kbps | 01:50:37 | 257 MB
Label: Erato - Warner Classics | Release Year: 2017

The foundations of Marc Minkowski’s career lie in Baroque music, and he has enjoyed a long relationship with Warner Classics, but this Johannes-Passion (St John Passion) is his first Bach for the label. The work’s terse drama – here presented through just nine singers – is ideally suited to both his scrupulous musicianship and his keen sense of theatre. The French conductor describes Bach’s great masterpieces as “a journey you have to prepare for meticulously, over a long period of time … You come back from it like an explorer comes back from Everest or the Moon - transformed.”
Chor des Bayerischen Rundfunks, Concerto Koln, Peter Dijkstra - Johann Sebastian Bach: Johannes-Passion (2016) 3CDs

Johann Sebastian Bach - Johannes-Passion (2016) 3CDs
Julian Prégardien (Evangelist), Tareq Nazmi (Jesus), Christina Landshamer (soprano)
Ulrike Malotta (alto), Tilman Lichdi (tenor), Krešimir Stražanac (bass)
Chor des Bayerischen Rundfunks, Concerto Köln, conducted by Peter Dijkstra

EAC | FLAC | Image (Cue&Log) ~ 787 Mb | Mp3 (CBR320) ~ 409 Mb | Scans included
Classical, Choral | Label: BR Klassik | # 900909 | Time: 02:57:16

The music of Bach's 'St. John Passion', which the composer wrote for Holy Week in 1724 immediately after his appointment as cantor of St Thomas's Church in Leipzig, still retains all its freshness and vitality nearly 300 years later, and is a true Baroque delight. The two main choruses Herr, unser Herrscher and Ruht wohl, ihr heiligen Gebeine form the beginning and culmination of a large-scale orchestral and vocal structure in which Bach reveals his absolute mastery of polyphony. Inwardly reflective chorales are as much interwoven into the events of the Passion as the haunting arias which comment on the biblical texts of the Gospel of St John. Throughout this solemn Passion oratorio, there is a constant emphasis on Baroque musical magnificence. What makes this live recording of the concert version of March 7, 2015 in the Herkulessaal of the Munich Residenz so special? The fresh voices of the young and excellent vocal soloists, the regularly praised "astonishing three-dimensionality" and "crystalline clarity" of the Chor des Bayerischen Rundfunks under the direction of Peter Dijkstra and, of course, the renowned period instrument ensemble Concerto Köln.

Julia Fischer - Bach: Concertos (2009) (Repost)  Music

Posted by tirexiss at March 15, 2017
Julia Fischer - Bach: Concertos (2009) (Repost)

Julia Fischer - Bach: Concertos (2009)
EAC | FLAC (image+.cue, log) - 321 MB | MP3 (CBR 320 kbps) - 143 MB | Covers Included | 58:44
Genre: Classical | Label: Decca | Catalog: 001249002

Only months after Deutsche Grammophon released Anne-Sophie Mutter's recording of Bach's violin concertos, Decca released Julia Fischer's recording of the same pieces. The similarities between the two discs run deeper than merely their shared repertoire. Both labels are branches of Universal Music Group and both violinists are individualistic German women, though Mutter is currently at the peak of her career while Fischer is just a bit past starting out. The differences, however, are likewise remarkable. The Deutsche Grammophon disc includes the world premiere of a new work by Sofia Gubaidulina dedicated to the violinist, while the Decca disc includes the more conventional coupling of Bach's Concerto for violin and oboe in C minor, BWV 1060.
Piotr Anderszewski - Johann Sebastian Bach: English Suites Nos. 1, 3 & 5 (2014)

Piotr Anderszewski - Johann Sebastian Bach: English Suites Nos. 1, 3 & 5 (2014)
EAC | FLAC | Image (Cue&Log) ~ 217 Mb | Mp3 (CBR320) ~ 157 Mb | Scans included
Genre: Classical | Label: Warner Classics | # 0825646219391 | Time: 01:06:46

This is a glorious disc. Simply glorious. Anderszewski and Bach have long been congenial bedfellows and the Pole’s playing here is compelling on many different levels. To start with, there’s the sense of sharing the sheer physical thrill of Bach’s keyboard-writing. This is particularly evident in faster movements such as the fierce and brilliant fugal Gigue that concludes the Third Suite, or, in the E minor Fifth Suite, the extended fugal Prelude and the outer sections of its Passepied I. Common to all is a sense of being fleet but never breathless, with time enough for textures to tell.
Ensemble Amarillis - Bach & Telemann: Effervescence concertante (2017)

Ensemble Amarillis - Bach & Telemann: Effervescence concertante
Classical | WEB FLAC (tracks) & d. booklet - 287 MB | MP3 CBR 320 Kbps - 120 MB | 51:59 min
Label: Evidence | Tracks: 14 | Rls.date: 2017

Telemann et Bach, amis de cœur et d’esprit, aimaient à transgresser les règles établies et explorer, chacun à leur manière, les formes et les styles de l’époque baroque en les poussant à leurs extrémités. D’où le désir de l’Ensemble Amarillis de les réunir dans ce programme, sans aucunement les opposer, bien sûr, car l’un et l’autre ont su faire converser et se concerter des instruments différents, parfois même antagonistes, en jouant sur l’accord de timbres aussi différents que le sont ceux des cordes et des vents. L’idée de ce programme est de privilégier les concertos pour plusieurs instruments concertants dans des combinaisons sonores variées.

Café Zimmermann - Bach: Brandenburg Concertos (2015)  Music

Posted by Pisulik at March 7, 2017
Café Zimmermann - Bach: Brandenburg Concertos (2015)

Café Zimmermann - Bach: Brandenburg Concertos (2015)
EAC Rip | FLAC (Tracks) +cue, log, digital booklet - 475 MB | MP3 CBR 320 kbps - 203 MB | 01:28:14
Classical | Label: Alpha | Release Year: 2015

The project was conceived right from the start to extend over a number of years and to include the six Brandenburgs. When you define principles of interpretation that are valid enough to stand the test of time and you have alongside you a team of musicians committed to the same quest for the truth of the music, things unfold very naturally. Several factors were decisive in our choice to record the orchestral music of Bach. The first was the harpsichord: there aren’t all that many concertos for the instrument, and it seemed an obvious idea to look at those. And Céline is such a wonderful harpsichordist! Another element was the fact that Café Zimmermann is made up of excellent musicians from many different horizons: the rich inventiveness of the inner voices in Bach and the variety of his scoring provided an opportunity to give expression to that diversity.
Amsterdam Bach Soloists - Johann Sebastian Bach: Die Kunst der Fuge (1989)

Amsterdam Bach Soloists - Johann Sebastian Bach: The Art of Fugue (1989)
EAC | FLAC | Tracks (Cue&Log) ~ 317 Mb | Mp3 (CBR320) ~ 178 Mb | Scans included
Genre: Classical | Label: Ottavo | # OTR C48503 | Time: 01:12:09

The Amsterdam Bach Soloists comprise an ensemble of ten or so musicians. They play modern instruments but base their musical approach on ''an undogmatic use of authentic interpreting practice, so that the rich potentialities of the modern instruments can be combined with the baroque way of performing, which is in keeping with the accomplishments of Nikolaus Harnoncourt with the Concertgebouw Orchestra''. Most of the players are, in fact, drawn from the Concertgebouw, though there are some from Frans Bruggen's Orchestra of the Eighteenth Century. Nowadays Bach's didactic but very beautiful The Art of Fugue, is widely regarded as a work for solo harpsichord. Bach himself left no precise indication concerning instrumentation but the music was engraved in open score which places each individual voice or strand of the texture on a separate stave. This practice was not uncommon in contrapuntal keyboard works and is one of several features pointing towards the solo harpsichord as being Bach's most likely intention. Nevertheless, since 1924, when the Swiss musician Wolfgang Graeser set the canons and fugues for various combinations of instruments, the practice of performing The Art of Fugue with a mixed ensemble has remained popular.
Karin Kei Nagano - J.S. Bach: Inventions & Sinfonias, BWV 772-801 (2017)

Karin Kei Nagano - J.S. Bach: Inventions & Sinfonias, BWV 772-801
Classical | MP3 CBR 320 kbps | 54:03 min | 124 MB
Label: Analekta | Tracks: 30 | Rls.date: 2017

Ever since Johann Sebastian Bach wrote this collection of short works for his children and students as a means for mastering fundamental keyboard technique, his “Inventionen and Sinfonien” have remained a basis for keyboard pedagogical practice. In my own case, my piano teacher introduced me to Bach’s “Inventionen and Sinfonien” when my fingers could not even reach an octave. I remember making big arm gestures to reach the intervals that were too broad for my hands. My feet would dangle somewhere in the space between the bench and the pedals. Since that early encounter, these pieces have been a fundamental part of my repertoire and have accompanied my whole musical journey.