Brilliant composer and organist Johann Sebastian Bach completes the long journey from his home in Leipzig to Potsdam.
Growing up in his native Dublin in the 1850s and ‘60s, Stanford was no stranger to high-quality chamber music, even if the visits to Ireland’s capital by pre-eminent executants of the genre were sporadic. As a teenager he recalled with some affection and excitement the solo recitals of Anton Rubinstein, Sigismond Thalberg and Charles Hallé, and string players such as Camillo Sivori, Ludwig Straus, Henry Vieuxtemps, Alfredo Piatti and of course Joseph Joachim, a friend of his father. Hearing Joachim play Beethoven’s ‘Kreutzer’ Sonata and unaccompanied Bach at semi-private concerts left a deep impression on Stanford (himself a budding violinist), as did Joachim’s appearances as the leader of Levey’s (his tutor’s) quartet. As a result of these formative experiences, Stanford became a devotee of chamber music.
Gödel, Escher, Bach: un'eterna ghirlanda brillante, talvolta abbreviato in GEB, è un celebre saggio di Douglas Hofstadter, pubblicato la prima volta nel 1979 per Basic Books e vincitore di un Premio Pulitzer. Una nuova prefazione scritta da Hofstadter ha caratterizzato una ristampa altrimenti invariata nel ventesimo anniversario pubblicata nel 1999. Il libro ha come sottotitolo Una fuga metaforica su menti e macchine nello spirito di Lewis Carroll. …
Following his landmark recordings, "Beethoven - The Late Piano Sonatas" and "Bach - Partitas", both of which has won him international acclaim, Igor Levit is now tackling another three major works: Bach's Goldberg Variations, Beethoven's Diabelli Variations, and Frederic Rzewski's Variations on "The People United Will Never Be Defeated".
It is testament to Igor Levit's invention and the command of his repertoire that in one release he is able to combine arguably two of history’s greatest sets of variations for the keyboard, complete alongside a classic of late 20th century piano music by contemporary composer Frederic Rzewski.