Bach Choral

Pierre Hantaï - Bach: Suites Anglaises No. 2 & 6, Concerto Italien (2014) [Official Digital Download 24/88]

Pierre Hantaï - Bach: Suites Anglaises No. 2 & 6, Concerto Italien (2014)
FLAC (tracks) 24-bit/88.2 kHz | Time - 74:24 minutes | 1.45 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

A new disc from Pierre Hantaï is always an event. This recording based around Johann Sebastian Bach, gives pride of place to the Italian Concerto, and makes us rediscover the masterpieces of the cantor of Leipzig in a unique interpretation from the star French harpsichordist. A must have addition to his discography which includes a number of recordings for Mirare: Bach s Well-Tempered Clavier (Book I), Goldberg Variations, and flute sonatas (with Hugo Reyne); three discs of sonatas by Domenico Scarlatti; a programme of works by François Couperin; and most recently a recording of music for two harpsichords by Rameau (with Skip Sempé).
Ricercar Consort, Philippe Pierlot - Bach: In tempore Nativitatis (2013) [Official Digital Download 24/88]

Ricercar Consort, Philippe Pierlot - Bach: In tempore Nativitatis (2013)
FLAC (tracks) 24-bit/88.2 kHz | Time - 67:44 minutes | 1.14 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Just in time for Christmas the Ricercar Consort present three festive works by JS Bach, where an exuberant ensemble, with flutes, oboes, trumpets and timpani, and voices to express the comfort and joy inspired by the Nativity. The Ricercar Consort was founded in 1980 by harpsichordist and now director Philippe Pierlot. They have made a significant discography, especially on the Mirare label, where their recordings have met with consistent acclaim and respect, in particular for their exceptional „Magnificat“.
Ophelie Gaillard, Ensemble Pulcinella - Bach Arias (2012) [Official Digital Download 24/88]

Ophelie Gaillard, Ensemble Pulcinella - Bach Arias (2012)
FLAC (tracks) 24-bit/88.2 kHz | Time - 67:24 minutes | 1.08 GB
Studio Master, Official Digital Download | Artwork: Booklet

Bach's cantatas make use of an amazing diversity of instruments, both old and new. Among the 'new' instruments was the violoncello piccolo, a rare type of cello that was popular for a brief period at the beginning of the eighteenth century. The addition of a fifth, higher string provided the instrument a unique lightness and delicacy in the upper registers. This collection featuring cellist Ophelie Gaillard and the ensemble Pulcinella focuses on arias from Bach's cantatas that are scored for the violoncello piccolo. The arias are interspersed with instrumental transcriptions from the Schubler Chorales and the Orgelbüchlein. Vocal soloists include soprano Sandrine Piau, tenor Emiliano Gonzalez Toro and alto Christophe Dumaux.
J. S. Bach - Matthäus-Passion BWV 244 - AKAMUS, Jacobs (2013) (2CD) {Harmonia Mundi}

J. S. Bach - Matthäus-Passion BWV 244 - AKAMUS, Jacobs (2013)
EAC Rip | FLAC (tracks+.cue, log) | Artwork (300dpi, png), booklet | 1444 mb | MP3 CBR 320kbps | RAR | 1034 mb
Classical, Choral, Sacred | Label: Harmonia Mundi - HMC802156.58

The appetite for evolving performance practices in Bach’s St Matthew Passion appears undiminished as we have gradually shifted, over the generations, from larger to smaller ensembles and also towards a greater dramatic understanding of the implications of Bach’s ambitious ‘stereophonic’ double choir and orchestra choreography.
Tenebrae & Nigel Short - Fauré: Requiem; Bach: Partita, Chorales & Ciaconna (2012) [Official Digital Download 24/48]

Tenebrae & Nigel Short - Fauré: Requiem; Bach: Partita, Chorales & Ciaconna (2012)
FLAC (tracks) 24-bit/48 kHz | Time - 68:03 minutes | 624 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

LSO Live is delighted to renew its relationship with the magnificent Tenebrae choir, whose previous recordings on the label have included Berlioz 'L enfance du Christ' and Handel s 'Messiah'. As part of the 2011 City of London Festival, Tenebrae joined an ensemble from the LSO at St Paul s Cathedral for a performance of the Fauré Requiem, preceded by a selection of Bach s Chorales interspersed with Partitas performed by Gordan Nikolitch, leader of the LSO. The centrepiece of the programme was Helga Thoene s remarkable arrangement of Bach s choral themes with solo violin.
Reinoud van Mechelen & A Nocte Temporis - Bach: Erbarme Dich (2016)

Reinoud van Mechelen & A Nocte Temporis - Bach: Erbarme Dich (2016)
EAC | FLAC (log,tracks+cue) -> 331 Mb (5% Rec.) | Scans (covers+d.booklet) included
Classical | Label: Alpha Classics, #: 252 | 2016 | 01:09:57

It is impossible to overstate the profundity with which Bach has probed the secret inner recesses of the human heart – quite the opposite from the ‘divine sewing machine’ that Colette saw in his work. He was really an opera composer, showing great psychological penetration, not only spiritually but in basic human terms, from the tenderness of love to the terror felt when confronting death. Separated from any liturgical or musicological context, this programme aims to stress Bach’s genius for expressing human passions in all their diversity. –GILLES CANTAGREL
Chor des Bayerischen Rundfunks, Concerto Koln, Peter Dijkstra - Johann Sebastian Bach: Johannes-Passion (2016) 3CDs

Johann Sebastian Bach - Johannes-Passion (2016) 3CDs
Julian Prégardien (Evangelist), Tareq Nazmi (Jesus), Christina Landshamer (soprano)
Ulrike Malotta (alto), Tilman Lichdi (tenor), Krešimir Stražanac (bass)
Chor des Bayerischen Rundfunks, Concerto Köln, conducted by Peter Dijkstra

EAC | FLAC | Image (Cue&Log) ~ 787 Mb | Mp3 (CBR320) ~ 409 Mb | Scans included
Classical, Choral | Label: BR Klassik | # 900909 | Time: 02:57:16

The music of Bach's 'St. John Passion', which the composer wrote for Holy Week in 1724 immediately after his appointment as cantor of St Thomas's Church in Leipzig, still retains all its freshness and vitality nearly 300 years later, and is a true Baroque delight. The two main choruses Herr, unser Herrscher and Ruht wohl, ihr heiligen Gebeine form the beginning and culmination of a large-scale orchestral and vocal structure in which Bach reveals his absolute mastery of polyphony. Inwardly reflective chorales are as much interwoven into the events of the Passion as the haunting arias which comment on the biblical texts of the Gospel of St John. Throughout this solemn Passion oratorio, there is a constant emphasis on Baroque musical magnificence. What makes this live recording of the concert version of March 7, 2015 in the Herkulessaal of the Munich Residenz so special? The fresh voices of the young and excellent vocal soloists, the regularly praised "astonishing three-dimensionality" and "crystalline clarity" of the Chor des Bayerischen Rundfunks under the direction of Peter Dijkstra and, of course, the renowned period instrument ensemble Concerto Köln.
Amsterdam Bach Soloists - Johann Sebastian Bach: Die Kunst der Fuge (1989)

Amsterdam Bach Soloists - Johann Sebastian Bach: The Art of Fugue (1989)
EAC | FLAC | Tracks (Cue&Log) ~ 317 Mb | Mp3 (CBR320) ~ 178 Mb | Scans included
Genre: Classical | Label: Ottavo | # OTR C48503 | Time: 01:12:09

The Amsterdam Bach Soloists comprise an ensemble of ten or so musicians. They play modern instruments but base their musical approach on ''an undogmatic use of authentic interpreting practice, so that the rich potentialities of the modern instruments can be combined with the baroque way of performing, which is in keeping with the accomplishments of Nikolaus Harnoncourt with the Concertgebouw Orchestra''. Most of the players are, in fact, drawn from the Concertgebouw, though there are some from Frans Bruggen's Orchestra of the Eighteenth Century. Nowadays Bach's didactic but very beautiful The Art of Fugue, is widely regarded as a work for solo harpsichord. Bach himself left no precise indication concerning instrumentation but the music was engraved in open score which places each individual voice or strand of the texture on a separate stave. This practice was not uncommon in contrapuntal keyboard works and is one of several features pointing towards the solo harpsichord as being Bach's most likely intention. Nevertheless, since 1924, when the Swiss musician Wolfgang Graeser set the canons and fugues for various combinations of instruments, the practice of performing The Art of Fugue with a mixed ensemble has remained popular.
Bach Collegium Japan, Soloists, Masaaki Suzuki - W.A. Mozart: Great Mass in C minor; Exsultate, jubilate (2016)

Wolfgang Amadeus Mozart: Great Mass in C minor; Exsultate, jubilate (2016)
Christian Immler, Makoto Sakurada, Carolyn Sampson, Olivia Vermeulen
Bach Collegium Japan; Masaaki Suzuki, conductor

EAC | FLAC | Image (Cue&Log) ~ 382 Mb (incl 5%) | Mp3 (CBR320) ~ 188 Mb (incl 5%) | Scans included
Genre: Classical, Choral, Vocal | Label: BIS | # BIS-SACD-2171 | Time: 01:11:17

As the mysterious opening bars of the Kyrie gradually emerge into the light, we know that this recording of Mozart’s glorious Great Mass in C minor is a special one: the tempi perfect, the unfolding drama of the choral writing so carefully judged, and, above it all, the crystalline beauty of soloist Carolyn Sampson’s soprano, floating like a ministering angel. Masaaki Suzuki’s meticulous attention to detail, so rewarding in his remarkable Bach recordings, shines throughout this disc, the playing alert, the choir responsive, the soloists thrilling. And there is the bonus of an exhilarating Exsultate, Jubilate with Sampson on top form.
Akademie für alte Musik Berlin - Bach: Die Kunst der Fuge, BWV 1080 (2011) [TR24][OF]

Akademie für alte Musik Berlin - Bach: Die Kunst der Fuge, BWV 1080
Classical | FLAC (tracks) 24-bit/44.1 kHz | 77:30 min | 774 MB | Digital booklet
Label: Harmonia Mundi | Tracks: 21 | Rls.date: 2011

Since Bach was more than cryptic in indicating the instrumentation of what is often regarded as his musical testament, The Art of Fugue has been subjected to an infinite variety of arrangements for all sorts of instruments. This recording follows a series of performances in which the musicians of the Akademie für Alte Musik Berlin tested a highly unusual concept: rather than play uniformly one after the other the contrapuncti and canons that Bach left us, they have made great efforts to diversify both the instrumentarium and the macrostructure – to the point where we end up, to our delight, experiencing their interpretation as an exciting musical game for several players!