As before with the St. Matthew Passion, star director Peter Sellars succeeded in creating a staging which made the spiritual and dramatic content of the Passion story even more intensive. The New York Times also praised the “brilliant and energetic” playing of the orchestra, the Frankfurter Allgemeine Zeitung the “haunting, almost unsurpassable singing of all those involved.”
Sir Simon Rattle was in no doubt: the performance of the St. Matthew Passion which he realized together with the Berlin Philharmonic and the Rundfunkchor Berlin in 2010 was for him “the single most important thing we ever did here.” Critics around the world agreed. They praised the semi-staged “ritualization” by American star-director Peter Sellars, as well as the outstanding musical performances by the soloists, including Magdalena Kozená, Christian Gerhaher, Thomas Quasthoff, and Mark Padmore as the Evangelist.
In November 2004 a new name caused listeners to prick up their ears on the international orchestral scene: under Claudio Abbado’s artistic guidance the Orchestra Mozart came into being. It combines both young instrumentalists on the threshold of a first-rate career as well as eminent chamber musicians such as Danusha Waskiewicz, Alois Posch, Jacques Zoon, Michaela Petri, Ottavio Dantone, Mario Brunello, Alessio Allegrini, Jonathan Williams and Reinhold Friedrich. As with his famous Lucerne Festival Orchestra, Abbado hand-picked an ensemble to his liking, this time one of early- and Baroque-music specialists, all masters in their field.
In June 1995, a virtually unknown group of Japanese musicians embarked on the monumental task of recording the complete sacred cantatas by Johann Sebastian Bach. Almost eighteen years later, on 23rd February 2013, the Bach Collegium Japan and Masaaki Suzuki – by then household names in the international music world – reached their goal, as they finished recording the 55th disc in a series which in the meantime had met with overwhelming acclaim worldwide. Made in conjunction with the final cantata recording, this film commemorates the occasion. Besides filmed performances of the three last cantatas – Gloria in excelsis Deo, BWV191, Lobe den Herrn, meine Seele, BWV69 and Freue dich, erlöste Schar, BWV30 – the film includes interviews with Masaaki Suzuki and key members of Bach Collegium Japan as well as behind-the-scenes footage.
When Philippe Jaroussky - whose angelic voice seems almost timeless - sings works by Telemann and Bach, it becomes abundantly clear that the sheer emotional force and the purifying power of their music have not diminished one bit over the centuries.
Masters of Classical Music is an informative and captivating guide to twenty of the most important works in music history. Outtakes from the original scores within the documentaries, assist the viewer by making it easier to follow the music and to overall comprehend the structure of the works. The viewer will travel back in time to experience the birth places of these compositions and will thereby gain insight into the lives of the composers whilst receiving a thorough introduction to the works.
Live concert in celebration of Loussier's 70th birthday. In performance in Bach's 'own' church, St Thomas's in Leipzig. A rare example of a commercially successful jazz artist. In fifteen years, the Jacquees Loussier trio sold over six million albums. Bonus feature: Jacques Loussier in Conversation…