Ushering in a new golden era for the flute as solo instrument, Jean-Pierre Rampal secured his place in the classical music firmament as the greatest flautist of the modern era. Over 25 years (1954-1982), the French virtuoso’s fruitful collaboration with Erato grew into a truly exceptional achievement in recording history: an encyclopedia of flute music in vital performances that have remained the benchmark for generations. The first complete reissue of these recordings represents the most important collection ever dedicated to a single flautist. After all, it was Jean-Pierre Rampal that taught us to love the flute.
While Glenn Gould was a pianist who performed the works of many composers, his name is inextricably linked to that of Johann Sebastian Bach. More than any other composer, Bach was Gould's speciality. From his first recording of Bach's Goldberg Variations in 1955 to his final recording, again of the Goldberg Variations in 1981, Gould recorded nearly all of Bach's keyboard music.
"Yo-Yo Ma Plays Bach" is one of several titles in Sony's new "Music For You" Series, easily identified by their artsy, photographic covers. The material on this CD has been available previously on CBS Masterworks. True, Ma does play music by Bach, but it is sonatas (originally intended for viola da gamba and not cello) by Bach, and the Sinfonia Concertante by Bach's youngest son, Johann Christian Bach. Not that Sony is lying and not that most people will care or feel cheated, but since this title is obviously aimed at classical novices, I just thought I'd set the record straight. In a similar vein, hopefully those that discover both Bach and Yo-Yo Ma via this disc will like what they hear, and go on to get one of Ma's two recordings of the Bach "Cello Suites" – the real yardstick for composer and performer alike. ~Amazon
From the notes: "The major influence on Petri's artistic development was Ferruccio Busoni, who was not only a stupendous pianist but a mover and shaker for avant-garde musicians during the first quarter of the century in Berlin. Egon Petri, son of the Dutch violinist Henri Wilhelm Petri, was born in Hanover on 23 March 1881 and died in Berkeley, California, on 27 May 1962. As a boy he studied with Teresa Carreño and with Richard Buchmaier. I was only at the age of eighteen that he decided on the advice of Busoni, a friend of his parents and a frequent visitor to his house, to become a pianist - up to that time he had played the violin equally well and had even played French horn in the Dresden Symphony…."
Albert King doesn't require much of an introduction, he was one of the 'Three Kings of the Blues' and arguably next to B.B. he was perhaps the most popular of the many genuine blues guitarists to have been adopted by the rock world during the mid-1960s. Albert began playing in the late 40s and made his first recordings in 1953 and it is these early sessions that are the focus of this outstanding collection from Jasmine. Includes tracks "Blues At Sunrise", his fine version of Tampa Red's "Little Boy Blue" and his hit song "Don't Throw Your Love On Me So Strong" plus many other superb tracks. Albert King influenced many artists including Mick Taylor, Eric Clapton, Mike Bloomfield and Stevie Ray Vaughan. This then is Albert King's first tentative steps towards global popularity compiled in chronological order and with fully detailed liner notes.
Bach’s Goldberg Variations have played a central role in harpsichordist Pierre Hantai’s musical life since his early youth. At 28 he recorded the work for the Opus 111 label (now available on Naïve), a highly acclaimed release that stands among the work’s choice versions. Over the past 11 years Hantai evidently has rethought and refined his interpretation, as revealed in this 2003 remake. There’s greater rhythmic freedom and variety of articulation, plus a more subjective approach to ornaments and agogics, especially in the repeats (he observes all but those in Variation 15, 25, and the Aria Da Capo; the 1992 recording honors all repeats save for Variation 25). Variations previously characterized through Hantai’s seamless legato technique (Nos. 3, 6, 8, 11, 17, and 18, for example) are further enlivened by detaché finger strokes and more inflected phrasings. The latter infuse Variations 7, 10, and 16 with greater resilience and rhythmic verve than their earlier counterparts.
Youngest son of J.S. Bach, Johann Christian Bach rose to prominence in England during the early Classical period much the same as his father dominated the German Baroque. His writing was influenced by his father, of course, but also by the fashions being explored by Haydn. J.C. Bach also served as a bridge to Mozart, whose work and early writings were also influenced by the junior Bach. A total of 15, three-movement symphonies were published under Opp. 6, 9, and 18.
Given the considerable number of recordings that have tried to place Renaissance compositions within the context for which they were written, it is odd that the same has so rarely been done for Bach. After all, most of Bach's output consists of Gebrauchsmusik, music written for daily use. This release by Scotland's historical-instrument Dunedin Consort and its leader John Butt shows the possibilities of this approach.
8-CD box (LP-size) with 47-page book, 137 tracks. Playing time approx. 725 mns. The third German Jazz Festival in 1955 was a four-day event that featured nearly 30 groups and soloists. It was recorded by Deutsche Grammophon for release on Brunswick, but only parts of it were released on long-deleted EPs. The complete tapes survived though. The 1954 festival was also recorded, but only the portion issued on an EP was saved. Now the surviving portion of the 1954 festival and the entire 1955 festival are issued complete by Bear Family on eight CDs.