Originally recorded for the small Music Masters label in the early '90s, this set of Bach's keyboard concertos was among a series of choice Music Masters items reissued by Nimbus late in the first decade of the 21st century. The Russians have never been known for Bach, but this is a solid traversal that can be recommended to anyone wanting to hear these concertos on a piano accompanied by modern instruments. Despite these forces, there is a good deal of influence from the British historical-instrument movement apparent here; the crisp string playing avoids any hint of Romantic sheen, and Feltsman is very subtle in his introduction of purely pianistic elements. The long notes in the slow movements tend to be just a bit more extended than would be possible on a harpsichord, and Feltsman thus creates a smooth, pearly texture that's quite lyrical. In several of the finales he pushes the tempo to high speeds, creating an entirely different effect on a piano that the music would have on a harpsichord.
Over the last 20 years, the Naxos label has done a great deal to obtain its reputation as one of the leading classical guitar labels. Its very first guitarist was Gerald Garcia, who was not slow to show the way forward by extending the rather limited guitar repertoire by making arrangements of pieces originally written for other instruments. This is what he has done here, too: None of the music on this disc was written for guitar, it is all arranged by Garcia himself, who plays a modern guitar and definitely not a baroque instrument.
Pinnock’s performances of the Bach Harpsichord Concertos first appeared in 1981 and have dominated the catalog ever since. In the solo concertos he plays with real panache, his scholarship tempered with excellent musicianship." "The double, triple and quadruple concertos are digital, and the combination of period instruments and playing of determined vigour certainly makes a bold effect.
As the artist who has recorded longest with the BIS label, Hans Fagius has an impressive repertoire that includes organ music of several eras. Fagius' early organ lessons were with Nils Eriksson and Bengt Berg. His 1974 soloist's diploma from the Stockholm's Royal College of Music was earned under Alf Linder. That same year, he made his public debut in Stockholm. He spent the following year in Paris, doing private study with Maurice Duruflé.