Kitaro is one of the most popular and influential new age artists of all time, having sold millions of records and toured across the world numerous times, in addition to winning Grammy and Golden Globe awards. His style fuses contemplative, highly melodic synthesizer work with acoustic instrumentation, drawing from Eastern musical traditions as well as folk, classical, and rock influences. Interestingly enough, the famous Japanese composer taught himself to play electric guitar in high school – inspired by the R&B music of Otis Redding. In the early '70s, Kitaro formed the Far East Family Band, which released two albums of progressive rock. In 1972, however, he met the innovative German synthesist Klaus Schulze during a trip to Europe. Kitaro was hooked. He built his first synthesizer and began experimenting with all kinds of unusual sounds…
First ever CD release of all four 1978-1983 year LP albums from Mini, the Hungarian jazz rock, prog rock band. Mini had a very successful period in the late 70s, early 80s, when they regularly held concerts for 2000-3000 fans. Released in a representative box, each CD comes in the album's original sleeve, printed in CD format. Booklet with many datas and a detailed essay in Hungarian included.
Sequentia’s Hildegard von Bingen Project: Initially in collaboration with the West German Radio Cologne (WDR Köln) Sequentia made a series of recordings of the complete works of Germany’s most important medieval composer, the abbess and visionary Hildegard von Bingen (1098-1179). After recording the music drama, Ordo Virtutum, Sequentia went on to make a first recording of the abbess’s symphoniae, spiritual songs which were probably sung in the liturgy of her convent on the Rupertsberg in the late 12th century. A group of nine female vocalists under Barbara Thornton’s direction is complemented by five instrumentalists in this recording made over a period of a year, in two different medieval German churches.
Following a long-established production pattern, Mike Oldfield assembled some relatively simple pop- and rock-flavored numbers following one long introductory piece on his 1983 Disky release, Crisis. The 20-minute opening title-track is a quintessential Oldfield texture study that consists of sparkling synth washes with edgier material weaving in and out. A fine setup, this track cleanses the aural pallet, preparing the listener nicely for the tunes that follow. Yes fans who can adjust to the sugary highlight "In High Places" will enjoy Jon Anderson's springy vocal work on the track. The energetic guitar romp "Taurus 3" will also appeal to most prog and art rock fans. Those in search of more ethereal Oldfield material should be aware of this record's pop leanings, but open-minded listeners will have a good time exploring Crisis, one of Oldfield's better releases of this type.