B.o.B and 2 Chainz appropriately take it to Atlanta for the visual to their collaborative track, "Headband." The clip showcases the rapper tandem in a yard setting, surrounded by a gang of women who are showcasing some synchronized dance skills. The delivery comes to hold us over as B.o.B is currently prepping his new Underground Luxury album for a release later this year.
While countless rockers started their careers in the New York suburb of Long Island before going on to worldwide success (Billy Joel, Twisted Sister, Steve Vai, Brian Setzer, Blue Öyster Cult, etc.), there have been countless acts that appeared poised for a breakthrough, but for whatever reason, fell short. Many longtime followers of Long Island-based rock would probably agree that tops on the "woulda/coulda/shoulda" list were the Good Rats, a group who played at some of the East Coast's best-known/biggest venues (Madison Square Garden, Nassau Coliseum, the Philadelphia Spectrum) during the '70s, while opening for such big names as Aerosmith, Ozzy Osbourne, the Grateful Dead, Bruce Springsteen, Kiss, Journey, Heart, Styx, Meat Loaf, and Rush, among others…
Everybody know that novelty bands have a hard time growing up, but the Presidents of the United States of America made a large leap toward that during their re-formation of 2000, with Freaked Out and Small demonstrating a decrease in their stylized silliness mellowed into something more genuine. It wasn't that the band rocked less, but their humor seemed less forced, a development that continued on 2004's Love Everybody. Evolution continues to be the name of the game on their 2008 follow-up These Are the Good Times People, as the group replaces departing guitarist (and founding member) Dave Dederer with Andrew McKeag, while they bring Seattle underground mainstay Kurt Bloch in as producer, all elements that help make These Are the Good Times People perhaps their most eclectic album to date.
In the early years of Los Angeles punk, one of the premiere hardcore bands was T.S.O.L., which stood for True Sounds of Liberty. Offering poppier music than many of their contemporaries and featuring an image that appealed to punks who wanted to dive deeper into the gothic subgenre already being offered by many British punk bands, T.S.O.L. became hugely popular on the local scene but never translated that success to national exposure because of their ever-shifting lineup and sound.