During the 70s, the Japanese jazz scene was in an incredibly intense phase - one that had players breaking out of older modes that were often strict copies of American jazz, and working in newer styles that often blended soul, modal, and spiritual jazz with freer-thinking ideas and more Eastern-inspired modes. The result was an incredible batch of music that was probably more strongly recorded by the Three Blind Mice label than any other Japanese imprint - because unlike some of their contemporaries, TBM didn't fill their catalog with work by American players, and often focused exclusively on Japanese artists.
This album confirms the talent of a leading blues songwriter. Sometimes the Truth is a milestone in the career of this San Antonio, Texas, singer/guitarist. Part of this set was recorded in the New York studio of Neal's good friend Popa Chubby (who makes noted vocal appearances on three tracks and plays guitar on five), while the rest was cut in Europe with a little help from noted Frenchies Nico "Wayne" Toussaint and Fred Chapellier.