Audio Meter

Pinguin Audio Meter v2.2 (PC)  Software

Posted by neurofunker at June 17, 2009
Pinguin Audio Meter v2.2 (PC)

Pinguin Audio Meter v2.2 (PC) | 3,16 MB

Compared to regular PC based spectrum analyzers for measurement purposes we optimized this program for ergonomic usage and true real time audio monitoring (music can be fast), Main application: audio mixing and mastering (PG-AM is made by sound engineers !)

BlueCat Audio All Plugins Pack VST 1.0  Software

Posted by h3nd3rs0n at Oct. 23, 2008
BlueCat Audio All Plugins Pack VST 1.0

BlueCat Audio All Plugins Pack VST 1.0 | 72 MB

This bundle contains the complete Blue Cat Audio (non freeware) plug-ins collection. Get them all in this single bundle and save money!

CyberPower Audio Editing Lab 10.8.0  Software

Posted by Givaraa at Oct. 27, 2017
CyberPower Audio Editing Lab 10.8.0

CyberPower Audio Editing Lab 10.8.0 | 10.5 MB

CyberPower Audio Editing Lab gives all you need. Are you a novice or an advanced user? This audio editor would certainly be the right for you to start the editing and creating your masterpiece. It records sound, edit it and burn it to an audio CD. For artistic music creation and simple sound editing need, this tool is easy yet powerful enough.
Miles Davis Sextet - Someday My Prince Will Come (1961) [Analogue Productions, Remastered 2010] Audio CD Layer

Miles Davis Sextet - Someday My Prince Will Come (1961)
Mastered by George Marino at Sterling Sound, 2010
XLD | FLAC | Tracks (Cue&Log) ~ 280 Mb | Mp3 (CBR320) ~ 116 Mb | Scans included
Hard Bop, Cool Jazz | Label: Analogue Productions | # CAPJ 8456 SA | 00:42:13

After both John Coltrane and Cannonball Adderley left Miles Davis' quintet, he was caught in the web of seeking suitable replacements. It was a period of trial and error for him that nonetheless yielded some legendary recordings (Sketches of Spain, for one). One of those is Someday My Prince Will Come. The lineup is Davis, pianist Wynton Kelly, bassist Paul Chambers, and alternating drummers Jimmy Cobb and Philly Jo Jones. The saxophonist was Hank Mobley on all but two tracks. John Coltrane returns for the title track and "Teo." The set opens with the title, a lilting waltz that nonetheless gets an original treatment here, despite having been recorded by Dave Brubeck. Kelly is in keen form, playing a bit sprightlier than the tempo would allow, and slips flourishes in the high register inside the melody for an "elfin" feel. Davis waxes light and lyrical with his Harmon mute, playing glissando throughout. Mobley plays a strictly journeyman solo, and then Coltrane blows the pack away with a solo so deep inside the harmony it sounds like it's coming from somewhere else.
VA - American Pop: An Audio History, From Minstrel To Mojo: On Record 1893-1946 (1998) 9CD Set [Re-Up]

VA - American Pop: An Audio History, From Minstrel To Mojo: On Record 1893-1946 (1998)
EAC | FLAC | Tracks (Cue&Log) ~ 2.17 Gb | Mp3 (CBR320) ~ 1.46 Gb | Booklet Scans ~ 46 Mb | 10:53:44
Oldies, Vocal Pop, Ragtime, Early Jazz, Folk, Pre-War Blues, Country Blues, Gospel | Label: West Hill

An outstanding nine CD collection of rare jazz, blues, country, pop, cowboy, march, ragtime, vaudeville and gospel recordings that form our musical legacy, compiled by jazz historian Allen Lowe. More than10 hours of music in a presentation slipcase with a 127 page booklet containing many photos and a wealth of interesting information about the music. Space here only permits artist and song title listings of the first 4 CD's in the 9 CD set.
Count Basie - Live at the Sands 1966 (Before Frank) (1998) [MFSL Remastered 2013] Audio CD Layer

Count Basie - Live at the Sands (Before Frank) (1998) [MFSL Remastered 2013]
EAC | FLAC | Tracks (Cue&Log) ~ 323 Mb | Mp3 (CBR320) ~ 135 Mb | Scans included
Jazz, Big Band, Swing | Label: Mobile Fidelity Sound Lab | # UDSACD 2113 | 00:53:03

Count Basie and Frank Sinatra had the perfect arrangement at the Sands. Before the Chairman hit the stage in Vegas, Count Basie and his big band warmed up the already enthusiastic crowd with a brief set of their own. A dynamite entertainer, the legendary leader causes hearts to race, hips to shake, and fingers to snap with high-energy readings of his trademark swing music, taken to feverish heights by both his first-rate orchestra and the incredibly swank setting. Fortunately, the finest of Basie and Co.’s introductory performances from the historic 1966 dates have been preserved here and serve as a seminal complement to Sinatra’s iconic Live at the Sands. Mastered from the original master tapes, our hybrid SACD version of Live at the Sands (Before Frank) gives you a dead-center, eighth-row seat at the famed Sin City club. You’ll just need to supply your own table and cocktail. Renowned for its sonic clarity, transparency, crispness, and punch, the record is now tremendously enhanced, with improved tonality, a deeper soundstage, correct balances, and lifelike presence.
Bob Dylan - The Bootleg Series Vol. 6: Live 1964, Concert at Philharmonic Hall (2004) [Audio Fidelity Remastered 2016]

Bob Dylan - The Bootleg Series Vol. 6: Live 1964, Concert at Philharmonic Hall (2004)
Audio Fidelity 2016, Mastered By Stephen Marsh & Steve Hoffman, Audio CD Layer
EAC | FLAC | Tracks (Cue&Log) ~ 528 Mb | Mp3 (CBR320) ~ 237 Mb | Scans ~ 94 Mb
Singer/Songwriter, Folk, Folk Rock | Label: Audio Fidelity | # AFZ5 230 | 01:43:51

The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall is a complete recording of Bob Dylan's October 31, 1964 "Halloween" show at New York's Philharmonic Hall. It was released in 2004. The set list was dominated by Dylan’s protest songs, including "The Times They Are a-Changin’," "A Hard Rain’s a-Gonna Fall," and "The Lonesome Death of Hattie Carroll". Joan Baez, a major supporter of Dylan's in his early career, duets with Dylan on three songs, as well as singing another alone ("Silver Dagger"). However, Dylan performed these songs alongside early versions of three songs from the soon-to-be-recorded Bringing It All Back Home. New compositions like "It’s Alright Ma (I’m Only Bleeding)" and "Mr. Tambourine Man" showed Dylan moving in a new direction, becoming more immersed in evocative, stream-of-consciousness lyrics and moving away from social, topical songwriting.
Santana - Lotus (1974) 2CDs [Audio Fidelity, Remastered 2016] Audio CD Layer

Santana - Lotus (1974) 2CDs [Remastered 2016]
EAC | FLAC | Tracks (Cue&Log) ~ 766 Mb | Mp3 (CBR320) ~ 271 Mb | Scans ~ 36 Mb | 01:58:49
Jazz-Rock, Psychedelic Rock, Latin Jazz, Fusion | Label: Audio Fidelity | # AFZ2 247
Mastered By Stephen Marsh & Steve Hoffman

Recorded in Japan in July 1973, this massive, three-LP live album was available outside the United States in 1974 but held back from domestic release in the U.S. It features the same "New Santana Band" that recorded Welcome, and combines that group's jazz and spiritual influences with performances of earlier Latin rock favorites like "Oye Como Va."

Grimm Audio BeatRig LevelView v1.7.516 WiN  Software

Posted by orientazure at Jan. 19, 2017
Grimm Audio BeatRig LevelView v1.7.516 WiN

Grimm Audio BeatRig LevelView v1.7.516 WiN | 9 Mb

LevelView is a highly innovative real time loudness meter. Its 'Rainbow meter', based upon the 'Bendy Meter' concept of BBC Research, gives the user continuous insight in recent loudness levels of the program material. The arces of the rainbow all have different integration times: the outer ring shows loudness of the last 3s, every step inward triples the time span. This technique has proven to offer a very convenient monitor view during a mix process.

Audio Programming with NAudio By Mark Heath [repost]  eBooks & eLearning

Posted by ParRus at Dec. 8, 2016
Audio Programming with NAudio By Mark Heath [repost]

Audio Programming with NAudio By Mark Heath
WEBRip | English | MP4 | 1024 x 768 | AVC ~478 kbps | 15 fps
AAC | 128 Kbps | 44.1 KHz | 2 channels | 6h 59mn | 1.26 GB
Genre: Video Tutorial

A thorough tutorial in the use of NAudio, an open source audio library for .NET.