Audio Damage Mac

Audio Damage AD036 Dubstation 2 v2.0.1a macOS  Software

Posted by speedzodiac_ at Dec. 28, 2017
Audio Damage AD036 Dubstation 2 v2.0.1a macOS

Audio Damage AD036 Dubstation 2 v2.0.1a macOS | 9 Mb

The original dub delay plugin and still the best! Dubstation 2 takes our most popular product and adds a whole raft of new features, including a dual mode for separate control over the left and right delay times, ping-pong, a new feedback saturation algorithm, and an LFO. Along with an all-new procedural and Retina-friendly user interface and (FINALLY!) ProTools compatibility, this represents a major leap forward for one of our signature products.

Audio Damage AD036 Dubstation 2 v2.0.1  Software

Posted by speedzodiac_ at Dec. 28, 2017
Audio Damage AD036 Dubstation 2 v2.0.1

Audio Damage AD036 Dubstation 2 v2.0.1 | 6 Mb

The original dub delay plugin and still the best! Dubstation 2 takes our most popular product and adds a whole raft of new features, including a dual mode for separate control over the left and right delay times, ping-pong, a new feedback saturation algorithm, and an LFO. Along with an all-new procedural and Retina-friendly user interface and (FINALLY!) ProTools compatibility, this represents a major leap forward for one of our signature products.

Audio Damage AD043 Filterstation2 v2.0.1 WiN OSX  Software

Posted by orientazure at Dec. 24, 2017
Audio Damage AD043 Filterstation2 v2.0.1 WiN OSX

Audio Damage AD043 Filterstation2 v2.0.1 WiN OSX | 21 Mb

Filterstation2 is the Audio Damage take on the classic serial/parallel/stereo dual filter topology, made famous (and some would say "indispensable") by the Sherman Filterbank and its many clones. With twelve filter algorithms, an envelope follower with stereo sidechain input, a full FSU section for extra signal hacking, and an easy-to-use interface, Filterstation2 is a valuable addition to any producer's toolkit.

Audio Damage AD037 Kombinat Tri v3.0.3 WiN OSX  Software

Posted by orientazure at Dec. 11, 2017
Audio Damage AD037 Kombinat Tri v3.0.3 WiN OSX

Audio Damage AD037 Kombinat Tri v3.0.3 WiN OSX | 15 Mb

From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat Tri is a complete toolbox of sonic warfare, and a complete top-to-bottom rebuild of our popular Kombinat series.

Audio Damage AD035 Grind v1.0.0 WiN OSX  Software

Posted by orientazure at Dec. 3, 2017
Audio Damage AD035 Grind v1.0.0 WiN OSX

Audio Damage AD035 Grind v1.0.0 WiN OSX | 14 Mb

A true powerhouse of audio warfare, Grind puts the "damage" in Audio Damage. From subtle tube-style saturation to full-on mangled wavetable distortion, Grind is a Swiss Army Knife of sound design.

Audio Damage AD032 Mangleverb v1.0.1 WiN OSX  Software

Posted by orientazure at Dec. 3, 2017
Audio Damage AD032 Mangleverb v1.0.1 WiN OSX

Audio Damage AD032 Mangleverb v1.0.1 WiN OSX | 21 Mb

What happens when you combine a thick reverb, a filter, an envelope follower, an LFO, and a VCA? We wanted to know. The results are surprisingly useful. Mangleverb can be used as a filter, reverb, transient shaper, rhythmic gate, LPF gate, tempo-synced VCA, and any combination thereof. It is, for all intents and purposes, a Swiss Army Knife, for both wild sonic destruction and more utilitarian production work.

Audio Damage RatSchack Reverb v2.1.0 (Win / Mac OS X)  Software

Posted by longnote at Dec. 6, 2014
Audio Damage RatSchack Reverb v2.1.0 (Win / Mac OS X)

Audio Damage RatSchack Reverb v2.1.0 (Win / Mac OS X) | 13.3 MB

Ratshack Reverb is a detailed model of that classic of classics, the Realistic Electronic Reverb. Now, you can have the sound of everyone's first analog delay unit, without ever having to change batteries! As anyone who has owned this unit (which is just about everyone…) knows, it was actually an analog delay, and we've done our best to exactly replicate the sound and quirks of the original. We've even modeled the distortion that occurs by running a line signal in to the mic inputs.

Audio Damage Dubstation v1.5.2 (Win / Mac OS X)  Software

Posted by longnote at Dec. 6, 2014
Audio Damage Dubstation v1.5.2 (Win / Mac OS X)

Audio Damage Dubstation v1.5.2 (Win / Mac OS X) | 17.9 MB

The DubStation plug-in is modeled on the "bucket-brigade" style of vintage delay units, and has all the mojo that made those boxes great. Accurate down to the warm sound of the feedback loop and the low-fidelity character of the originals, DubStation is just what the (witch) doctor ordered.

Audio Damage ADverb v1.1.0 (Win / Mac OS X)  Software

Posted by longnote at Dec. 6, 2014
Audio Damage ADverb v1.1.0 (Win / Mac OS X)

Audio Damage ADverb v1.1.0 (Win / Mac OS X) | 10.2 MB

ADverb is a plate reverb simulation inspired by vintage digital hardware. It faithfully recreates the thick sonic character and easy-to-use interface of those early units, while providing the low noise floor and big headroom inherent in modern software-based reverb. Perfect for synths, vocals, and guitar, ADverb is also capable of creating the unusual effects that are typical of vintage hardware units. Featuring a sophisticated and well-tuned reverb algorithm, ADverb has a much lower CPU load than convolution reverbs, and can be used as either a send or insert effect.

Audio Damage 914 Fixed Filter Bank v1.1.0 (Win / Mac OS X) [Repost]  Software

Posted by longnote at Dec. 6, 2014
Audio Damage 914 Fixed Filter Bank v1.1.0 (Win / Mac OS X) [Repost]

Audio Damage 914 Fixed Filter Bank v1.1.0 (Win / Mac OS X) | Repost | 14.9 MB

The Audio Damage 914 Fixed Filter Bank is a faithful recreation of the Moog Modular Synthesizer's 914 module, and a major upgrade to our original 907A plugin. This plugin creates unique filter textures by passing the signal through twelve band-pass filters, as well as a low-pass and high-pass filter. The 914 is a subtle effect, capable of adding rich luster to pads, and giving percussive and lead synth sounds a vocal quality. It is an excellent tool for the sound designer's palette, simple to use yet capable of complex and unique timbres. Improvements over the original 907A include a bandwidth control, separate level adjustments for wet and dry signal, makeup gain, and four extra frequency bands.