Audio Damage Mac

Audio Damage RatSchack Reverb v2.1.0 (Win / Mac OS X)  Software

Posted by longnote at Dec. 6, 2014
Audio Damage RatSchack Reverb v2.1.0 (Win / Mac OS X)

Audio Damage RatSchack Reverb v2.1.0 (Win / Mac OS X) | 13.3 MB

Ratshack Reverb is a detailed model of that classic of classics, the Realistic Electronic Reverb. Now, you can have the sound of everyone's first analog delay unit, without ever having to change batteries! As anyone who has owned this unit (which is just about everyone…) knows, it was actually an analog delay, and we've done our best to exactly replicate the sound and quirks of the original. We've even modeled the distortion that occurs by running a line signal in to the mic inputs.

Audio Damage Dubstation v1.5.2 (Win / Mac OS X)  Software

Posted by longnote at Dec. 6, 2014
Audio Damage Dubstation v1.5.2 (Win / Mac OS X)

Audio Damage Dubstation v1.5.2 (Win / Mac OS X) | 17.9 MB

The DubStation plug-in is modeled on the "bucket-brigade" style of vintage delay units, and has all the mojo that made those boxes great. Accurate down to the warm sound of the feedback loop and the low-fidelity character of the originals, DubStation is just what the (witch) doctor ordered.

Audio Damage ADverb v1.1.0 (Win / Mac OS X)  Software

Posted by longnote at Dec. 6, 2014
Audio Damage ADverb v1.1.0 (Win / Mac OS X)

Audio Damage ADverb v1.1.0 (Win / Mac OS X) | 10.2 MB

ADverb is a plate reverb simulation inspired by vintage digital hardware. It faithfully recreates the thick sonic character and easy-to-use interface of those early units, while providing the low noise floor and big headroom inherent in modern software-based reverb. Perfect for synths, vocals, and guitar, ADverb is also capable of creating the unusual effects that are typical of vintage hardware units. Featuring a sophisticated and well-tuned reverb algorithm, ADverb has a much lower CPU load than convolution reverbs, and can be used as either a send or insert effect.

Audio Damage 914 Fixed Filter Bank v1.1.0 (Win / Mac OS X) [Repost]  Software

Posted by longnote at Dec. 6, 2014
Audio Damage 914 Fixed Filter Bank v1.1.0 (Win / Mac OS X) [Repost]

Audio Damage 914 Fixed Filter Bank v1.1.0 (Win / Mac OS X) | Repost | 14.9 MB

The Audio Damage 914 Fixed Filter Bank is a faithful recreation of the Moog Modular Synthesizer's 914 module, and a major upgrade to our original 907A plugin. This plugin creates unique filter textures by passing the signal through twelve band-pass filters, as well as a low-pass and high-pass filter. The 914 is a subtle effect, capable of adding rich luster to pads, and giving percussive and lead synth sounds a vocal quality. It is an excellent tool for the sound designer's palette, simple to use yet capable of complex and unique timbres. Improvements over the original 907A include a bandwidth control, separate level adjustments for wet and dry signal, makeup gain, and four extra frequency bands.

Audio Damage 914 Fixed Filter Bank v1.1.0 (Win / Mac OS X)  Software

Posted by Artist14 at March 21, 2012
Audio Damage 914 Fixed Filter Bank v1.1.0 (Win / Mac OS X)

Audio Damage 914 Fixed Filter Bank v1.1.0 (Win / Mac OS X) | 9.9 MB / 5.4 MB

The Audio Damage 914 Fixed Filter Bank is a faithful recreation of the Moog Modular Synthesizer's 914 module, and a major upgrade to our original 907A plugin. This plugin creates unique filter textures by passing the signal through twelve band-pass filters, as well as a low-pass and high-pass filter. The 914 is a subtle effect, capable of adding rich luster to pads, and giving percussive and lead synth sounds a vocal quality. It is an excellent tool for the sound designer's palette, simple to use yet capable of complex and unique timbres. Improvements over the original 907A include a bandwidth control, separate level adjustments for wet and dry signal, makeup gain, and four extra frequency bands.

Audio Damage Eos v1.4.2 Mac OS X  Software

Posted by Artist14 at Feb. 3, 2012
Audio Damage Eos v1.4.2 Mac OS X

Audio Damage Eos v1.4.2 Mac OS X | 5.4 MB

Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Two different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution 'verbs. Quite simply, an impulse response can not do what Eos does.

Audio Damage Discord3 v1.0 - [PC & MAC]  Software

Posted by willsxx at Aug. 29, 2010
Audio Damage Discord3 v1.0 - [PC & MAC]

Audio Damage Discord3 v1.0 - [PC & MAC] | 1.95 MB

Discord3 is a comprehensive refresh of our popular Discord series of multi-effects. From subtle ADT effects to completely chaotic granular destruction, and everything in between, Discord3 is a capable and broad-reaching multi-effect plug-in.

Audio Damage Tattoo VSTi AU v1.0.3  Software

Posted by y0zUP at Feb. 17, 2010
Audio Damage Tattoo VSTi AU v1.0.3

Audio Damage Tattoo VSTi AU v1.0.3 (PC+MAC) | PC 714KB - MAC 1.9MB


With twelve voices inspired by the famous X0X series of analog drum machines and an
internal sequencer that is second to none, Tattoo makes an excellent addition to the arsenal for any electronic music producer.

Audio Damage ADverb v1.0.4 VST AU MAC OSX UB - DYNAMiCS  Software

Posted by thiswilly at April 23, 2009

Audio Damage ADverb v1.0.4 VST AU MAC OSX UB - DYNAMiCS

Audio Damage ADverb v1.0.4 VST AU MAC OSX UB - DYNAMiCS | 1.79mb

Audio Damage AD036 Dubstation 2 v2.0 WiN OSX  Software

Posted by orientazure at June 19, 2017
Audio Damage AD036 Dubstation 2 v2.0 WiN OSX

Audio Damage AD036 Dubstation 2 v2.0 WiN OSX | 14 Mb

The original dub delay plugin and still the best! Dubstation 2 takes our most popular product and adds a whole raft of new features, including a dual mode for separate control over the left and right delay times, ping-pong, a new feedback saturation algorithm, and an LFO. Along with an all-new procedural and Retina-friendly user interface and (FINALLY!) ProTools compatibility, this represents a major leap forward for one of our signature products.