Vous voulez apprendre sans peine un danois actuel, utile, efficace. La méthode Assimil est faite pour vous! …
Découvrez l'Espagne avec nos leçons variées et pleines d'humour ! L'assimilation intuitive vous amènera en quelques mois et sans efforts superflus à la pratique de langue courante, celle parlée aujourd'hui par nos voisins espagnols. Autre plus : un appendice traitant du castillan parlé en Amérique hispanophone.
Vous voulez apprendre sans peine un danois actuel, utile, efficace. La méthode Assimil est faite pour vous!
Deluxe edition includes two bonus tracks. 2016 album from the acclaimed jazz artist. Esperanza Spalding presents Emily's D+Evolution, a rekindling of her childhood interest in theater, poetry and movement, which delves into a broader concept of performance. Taking a new approach to her on-stage persona, the remarkable Spalding taps into new creative energy, delivering musical vignettes inspired during a "sleepless night of full moon inspiration." As she puts it, "Emily is my middle name, and I'm using this fresh persona as my inner navigator. This project is about going back and reclaiming un-cultivated curiosity, and using it as a compass to move forward and expand. My hope for this group is to create a world around each song, there are a lot of juicy themes and stories in the music. We will be staging the songs as much as we play them, using characters, video, and the movement of our bodies".
Inspired by George Orwell's bleak '1984' novel, "1984: L'Ultimo Uomo d'Europa" ("1984: The Last Man in Europe") explodes with dark symphonic atmospheres and wild energetic outbursts with a welcome dirty production by way of a battery of vintage keyboards, buzzsaw-like guitars and passionate ravishing vocals. Sounding very much like the second coming of Banco del Mutuo Soccorso, Il Balletto di Bronzo and Biglietto per l'Inferno with a dash of Cervello, it makes a huge musical statement in the same way that modern debut albums like 'La Crudelta di Aprile' by the youthful Unreal City and 'In Hoc Signo' by Ingranaggi Della Valle did in recent years, and it's the absolute standout R.P.I/Italian prog release of 2015, perhaps already a true modern classic by those lucky to have discovered it.
Live record from a concert in the "Resonanzen 1999" series, Wiener Konzerthaus 1999.
This recording received the 1998 Cannes Classical Music Award for "Best Choral Performance - 19th/20th Centuries"..
Michael Crétu's attempt at fusing everything from easy listening sex music and hip-hop rhythms to centuries-old Gregorian chants couldn't have been more designed to tweak the nose of high art, a joyously crass stab straight at a mainstream, do not pass go, do not collect 200 dollars. The result is something that shouldn't exist, but in its own way results in as much of a cultural scramble and explosion as anything Public Enemy were doing around the same time, crossing over the Euro-disco and new age spheres with style…