For the Funk of It is the second thematically focused volume in Blue Note's Original Jam Master Series that draws from guitarist Grant Green's late-period recordings for the label, from 1969 to 1972. Some of the players involved in these sessions include drummer Idris Muhammad, saxophonist Claude Bartee, Jr., Cornell Dupree (rhythm guitar), percussionists Hall Bobby Porter and Ray Armando, bassist Chuck Rainey, organist Emanuel Riggins, and many others. The material here is less bombastic than the soul and funk covers on Green's Ain't It Funky Now!, but they are still deep in the jukebox soul-jazz groove that was rapidly disappearing during the era.
Album-rock artists like Roxy Music always make a difficult subject for comprehensive, multi-disc box sets. Frequently, their albums were designed as a cohesive whole and the idea of individual singles never really entered the picture at all. Roxy Music was slightly different than the average art/prog-rock band – not only did they make albums, they also made singles. And that is one of the reasons why the four-disc set The Thrill of It All is successful. Roxy's songs stand as individual works, and they make sense outside of their original context, even if they make more sense within their original context.
It's a radical, provocative idea: We're not entitled to get offended or stay angry. The idea of our own "righteous anger" is a myth. It is the number one problem in our societies today and, as Dallas Willard says, Christians have not been taught out of it. As it turns out, giving up our "right" to be offended can be one of the most freeing, healthy, simplifying, relaxing, refreshing, stress-relieving, encouraging things we can do.