Atlantis Rises

Red Sonja - Atlantis Rises 004 (2012)  Comics

Posted by mikestoke at Aug. 6, 2016
Red Sonja - Atlantis Rises 004 (2012)

Red Sonja - Atlantis Rises 004 (2012)
English | CBR | 27 pages | HD | 63.80 MB

Red Sonja - Atlantis Rises 003 (2012)  Comics

Posted by mikestoke at Aug. 6, 2016
Red Sonja - Atlantis Rises 003 (2012)

Red Sonja - Atlantis Rises 003 (2012)
English | CBR | 30 pages | HD | 62.42 MB

Red Sonja - Atlantis Rises 002 (2012)  Comics

Posted by mikestoke at Aug. 6, 2016
Red Sonja - Atlantis Rises 002 (2012)

Red Sonja - Atlantis Rises 002 (2012)
English | CBR | 27 pages | HD | 69.16 MB

Red Sonja - Atlantis Rises 001 (2012)  Comics

Posted by mikestoke at Aug. 6, 2016
Red Sonja - Atlantis Rises 001 (2012)

Red Sonja - Atlantis Rises 001 (2012)
English | CBR | 22 pages | HD | 60.41 MB

Red Sonja - Band 1 - Atlantis Rises  Comics

Posted by Mendose at Aug. 26, 2014
Red Sonja - Band 1 - Atlantis Rises

Red Sonja - Band 1 - Atlantis Rises
German | CBR | 87 pages | 270 MB

Red Sona - Atlantis Rises #3 (of 05) (2012)  Comics

Posted by mikestoke at Oct. 31, 2012
Red Sona - Atlantis Rises #3 (of 05) (2012)

Red Sona - Atlantis Rises #3 (of 05) (2012)
English | CBR | 30 pages | 30.60 MB

Atlantis - Atlantis (1973)  Music

Posted by uff at Aug. 17, 2015
Atlantis - Atlantis (1973)

Atlantis - Atlantis (1973)
Rock | 1cd | EAC Rip | Flac + Cue + Log | covers
SPV 50832 CD | rel: 2008 | 295Mb

Atlantis' debut album follows firmly in the footsteps of the earlier Frumpy, with one major difference: shorter songs. Just three of the seven tracks break the five-minute barrier, only one – the defiantly Deep Purple jazz-rocky "Living at the End of Time" – approaches ten. But Atlantis rises regardless. The closing ballad, "Words of Love," essentially predicts Heart's entire career, while the funky overtures of "Get Up," colliding with some of Inga Rumpf's finest, gutsiest vocals, would have made a sensational FM radio favorite.
Atlantis - Atlantis (Vertigo 6360 609) (GER 1972) (Vinyl 24-96 & 16-44.1)

Atlantis - Atlantis
FLAC | Artwork | 24Bit 96kHz: 738 MB | 16Bit 44.1kHz: 229 MB
Cat#: Vertigo 6360 609 | Country/Year: Germany 1972 (Swirl Vertigo)
Genre: Krautrock, Bluesrock | Hoster: Hotfile/Filesonic

Atlantis' debut album follows firmly in the footsteps of the earlier Frumpy, with one major difference: shorter songs. But the performances are as strong as ever, the songwriting is even stronger, and Inga Rumpf draws out some of her strongest vocals yet to power the band to some brilliant highs.

No Mans Sky Atlas Rises (2017)  Games

Posted by edi1967 at Aug. 14, 2017
No Mans Sky Atlas Rises (2017)

No Mans Sky Atlas Rises (2017)
PC Game | Publisher: Hello Games | Developer: Hello Games | 5.4 GB
Languages: English, French, Italian, German, Spanish, Dutch, Japanese, Korean
Polish, Portuguese, Portuguese-Brazil, Russian, Simplified Chinese, Traditional Chinese
Genre: Action, Adventure | Version: 1.31 | Release Date: 13 August 2017

Inspired by the adventure and imagination that we love from classic science-fiction, No Man’s Sky presents you with a galaxy to explore, filled with unique planets and lifeforms, and constant danger and action. In No Man’s Sky, every star is the light of a distant sun, each orbited by planets filled with life, and you can go to any of them you choose.
Andrew Barker, Paul Dunmall, Tim Dahl - Luddite (2014) {New Atlantis Records NA-CD-011}

Andrew Barker, Paul Dunmall, Tim Dahl - Luddite (2014) {New Atlantis Records NA-CD-011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 235 Mb | MP3 @320 -> 109 Mb
Full Artwork @ 300 dpi (png) -> 25 Mb | 5% repair rar
© 2014 New Atlantis Records / Phantom Ear Music | NA-CD-011
Jazz / Avant-Garde Jazz / Saxophone / Bass / Drums

This is the second album emanating from celebrated British saxophonist, Paul Dunmall's 2012 visit to New York City, performing at the Vision Festival, and follows his initial 2013 appearance for New Atlantis Records on a date led by guitarist Edward Ricart, titled Chameleon. Hence, top New York City-based improvisers, drummer Andrew Barker and bassist Tim Dahl—the latter appearing on three tracks, lend their faculties for a set that poses a myriad of irregular rhythmic explorations. And while Dunmall's explosive tenor sax lines emphasize the group's power-packed tactics, the musicians' remain agile amid a host of changeable motifs, including areas where gruff, microtonal idiosyncrasies alter the flows and perspectives.