Asia Remaster

John Coltrane - Blue Train (1957) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81001}

John Coltrane - Blue Train (1957) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 516 Mb | MP3 @320 -> 159 Mb
Full Artwork @ 600 dpi (png) -> 262 Mb | 5% repair rar | 24bit 192kHz remaster
© 1957, 2014 Universal Japan / Blue Note / Capitol | BN 75th The Masterworks | TYCJ-81001
Jazz / Hard Bop / Saxophone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Includes an alternate take of "Blue Train" for the first time in the world. Although never formally signed, an oral agreement between John Coltrane and Blue Note Records founder Alfred Lion was indeed honored on Blue Train – Coltrane's only collection of sides as a principal artist for the venerable label. The disc is packed solid with sonic evidence of Coltrane's innate leadership abilities. He not only addresses the tunes at hand, but also simultaneously reinvents himself as a multifaceted interpreter of both hard bop as well as sensitive balladry – touching upon all forms in between.
The Slide Hampton Octet - Somethin' Sanctified (1960) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27237}

The Slide Hampton Octet - Somethin' Sanctified (1960) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27237}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 216 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (png) -> 188 Mb | 5% repair rar | 24-bit remaster
© 1960, 2013 Atlantic / Rhino / Warner Japan / WEA | WPCR-27237 | Jazz Best Collection 1000 Series
Jazz / Bop / Hard Bop / Trombone

Features 24 bit remastering and comes with a mini-description. Somethin' Sanctified is an album by American jazz trombonist, composer and arranger Slide Hampton which was released on the Atlantic label in 1961. In 1959, trombonist Slide Hampton was known mainly for the excellent arrangements he did for the Maynard Ferguson Band, so it was no surprise that he formed his octet band and began making a serious bid for recognition as a top jazz artist and arranger, recording his first album for the small label Strand. His impact was immediate and in 1960 Slide signed for Atlantic resulting in two studio albums, Sister Salvation and Somethin Sanctified, which were the octets first for the label.
Mel Torme - Comin' Home Baby! (1962) {2012 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27148}

Mel Torme - Comin' Home Baby! (1962) {2012 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27148}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 210 Mb | MP3 @320 -> 78 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar | 24bit remaster
© 1962, 2012 Atlantic / Warner Japan / WEA / Rhino | WPCR-27148 | Jazz Best Collection 1000 Series
Jazz / Vocal Jazz / Cool / Traditional Pop Vocal

Features 24 bit remastering and comes with a mini-description. The 1960's represented a very interesting time for musicians of all genres; three particular reasons began a trend for future generations of musical artists. The Beach Boys, The Beatles, and The Rolling Stones were the 3 reasons which permanently altered the musical landscape and basically made it impossible for stars of the past to remain economically viable in the present. The only 2 exceptions to the rule of course were Mel Tormé and Frank Sinatra.
The Clare Fischer Big Band - Thesaurus (1968) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27243}

The Clare Fischer Big Band - Thesaurus (1968) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27243}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 240 Mb | MP3 @320 -> 99 Mb
Full Artwork @ 300 dpi (png) -> 26 Mb | 5% repair rar | 24bit remaster
© 1968, 2013 Atlantic / Warner Japan / WEA / Rhino | WPCR-27243 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Latin Jazz / World Fusion / Modern Big Band / Piano

Features 24 bit remastering and comes with a mini-description. Clare Fischer's big-band release was only briefly available as an Atlantic LP but it has finally reappeared in the CD era after a brief appearance under another title on LP some ten years after its first release. Fischer's potent originals and first-rate arrangements bring out the best in his musicians, which include Warne Marsh and Conte Candoli (featured on "Miles Behind"), Bill Perkins on a work trumpeter Stewart Fischer specially composed for the baritone saxophonist ("Calamus"), and alto saxophonist Gary Foster featured with Marsh on Lennie Tristano's "Lennie's Pennies."
Frank Rosolino - Turn Me Loose! (1961) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27233}

Frank Rosolino - Turn Me Loose! (1961) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27233}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 221 Mb | MP3 @320 -> 75 Mb
Full Artwork @ 600 dpi (png) -> 163 Mb | 5% repair rar | 24bit remaster
© 1961, 2013 Reprise / Warner Japan / WEA / Rhino | WPCR-27233 | Jazz Best Collection 1000 Series
Jazz / Cool / Bop / Trombone

Features 24 bit remastering and comes with a mini-description. Those only familiar with Frank Rosolino’s trombone work may be surprised to find out that he also dabbled in vocals as well. Rosolino was highly regarded as a trombonist, especially on the West Coast scene, but seldom recorded as a leader; Free For All on the Specialty label is probably his best known work. Turn Me Loose features Rosolino doing double duty as soloist and vocalist, a la Chet Baker, and one could judge solely by the cover that this is an entertaining record by a man who is marching to the beat of a different drummer.
The Chico Hamilton Quintet - Gongs East! (1958) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster} (ft. Eric Dolphy)

The Chico Hamilton Quintet - Gongs East! (1958) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster} (ft. Eric Dolphy)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 216 Mb | MP3 @320 -> 88 Mb
Full Artwork @ 600 dpi (png) -> 191 Mb | 5% repair rar | 24bit remaster
© 1958, 2013 Warner Bros. / Warner Japan / WEA / Rhino | WPCR-27232 | Jazz Best Collection 1000 Series
Jazz / Cool / West Coast Jazz / Bop / Drums / Saxophone / Clarinet

Features 24 bit remastering and comes with a mini-description. Quite possibly the best album to feature the talents of Chico Hamilton and Eric Dolphy – a set recorded at a time when Dolphy was an up-and-coming player on the west coast scene! Although Chico Hamilton had recorded with unusual reed players before, Dolphy brings a depth of soul and spirit to this album that's missing from a lot of Chico's earlier work at the time – a style that still holds onto some of the measured qualities of the Pacific Jazz work by the Hamilton group, yet which also opens up into some of the darker corners that Dolphy would explore more on his own recordings of the 60s.
Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}

Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 508 Mb | MP3 @320 -> 186 Mb
Full Artwork @ 600 dpi (png) -> 250 Mb | 5% repair rar | 24bit 192kHz remaster
© 1971, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81099
Jazz / Post Bop / Vibraphone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. Featuring the work of obscure composer/pianist Todd Cochrane, vibraphonist Bobby Hutcherson's 1971 album Head On is a highly cerebral and atmospheric affair that is somewhat different than his other equally experimental '70s work. Although the album does feature more of the avant-garde jazz that Hutcherson was exploring during this period, Cochrane's material is heavily influenced by contemporary classical music, and accordingly Head On is more of an exercise in reflective, layered jazz than rambunctious freebop – though it does offer some of that, too.
Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}

Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 246 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 232 Mb | 5% repair rar | 24bit 192kHz remaster
© 1967, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5016
Jazz / Post Bop / Vibraphone

Reissue. Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Bobby Hutcherson's second quartet session, Oblique, shares both pianist Herbie Hancock and drummer Joe Chambers with his first, Happenings (bassist Albert Stinson is a newcomer). However, the approach is somewhat different this time around. For starters, there's less emphasis on Hutcherson originals; he contributes only three of the six pieces, with one from Hancock and two from the typically free-thinking Chambers. And compared to the relatively simple compositions and reflective soloing on Happenings, Oblique is often more complex in its post-bop style and more emotionally direct (despite what the title may suggest).
Lee Morgan - The Sidewinder (1963) {2013 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81011}

Lee Morgan - The Sidewinder (1963) {2013 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 368 Mb | MP3 @320 -> 120 Mb
Full Artwork @ 600 dpi (png) -> 247 Mb | 5% repair rar | 24bit 192kHz remaster
© 1963, 2013 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81011
Jazz / Hard Bop / Trumpet

Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Carried by its almost impossibly infectious eponymous opening track, The Sidewinder helped foreshadow the sounds of boogaloo and soul-jazz with its healthy R&B influence and Latin tinge. While the rest of the album retreats to a more conventional hard bop sound, Morgan's compositions are forward-thinking and universally solid. Only 25 at the time of its release, Morgan was accomplished (and perhaps cocky) enough to speak of mentoring the great Joe Henderson, who at 26 was just beginning to play dates with Blue Note after getting out of the military.
Paul Smith - Brazilian Detour (1966) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster}

Paul Smith - Brazilian Detour (1966) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 163 Mb | MP3 @320 -> 67 Mb
Full Artwork @ 600 dpi (png) -> 159 Mb | 5% repair rar | 24bit remaster
© 1966, 2013 Warner Bros. / Warner Japan / WEA / Rhino | WPCR-27377 | Jazz Best Collection 1000 Series
Jazz / Cool / Bossa Nova / Latin Jazz / Piano / Orchestra

Features 24 bit remastering and comes with a mini-description. Paul Smith, jazz pianist, widely known as Ella Fritzgerald’s conductor and pianist, an active studio musician with a brilliant technique. Paul Smith also worked with renowned Jazz figures, such as: Dizzy Gillespie, Anita O’Day, Buddy DeFranco, Louie Bellson, Steve Allen, Louie Bellson, Stan Kenton, Mel Torme and many others. Pick of the day, Paul Smith’s rendition to Bossa Nova. This is Paul Smith Piano and Orchestra – Brazilian Detour (1966), for Warner. Paul Smith is a virtuoso piano player; he goes from the “liquid sounds” slow playing to a faster approach, hitting keys strongly. Paul Smith also leads the orchestra.