Although I Puritani was performed during the Metropolitan Opera's first season in 1883, it had not been seen there for decades until this production by Sandro Sequi was unveiled in 1976. It was one of the greatest triumphs for the partnership of Joan Sutherland and Luciano Pavarotti, and it is to the credit of all concerned in this recent revival that one soon forgets names from the past and enjoys what is a spirited attempt to evoke mid-19th-century style.
What begins like a fairy-tale turns into a whimsical fantasy halfway between magic farce and Masonic mysticism: The Magic Flute links a love story with the great questions of the Enlightenment, juxtaposes bird-catcher charm with queenly vengeance, and bewitches the listener with music that mixes cheerful melodies, lovers’ arias, show-stopping coloraturas and mysterious chorales.
Los Angeles’s prodigal songwriting son Ariel Pink shares his eleventh studio album, Dedicated to Bobby Jameson, September 15. The album’s title makes a direct and heartfelt reference to a real-life L.A. musician, long presumed dead, who resurfaced online in 2007 after 35 reclusive years to pen his autobiography and tragic life story in a series of blogs and YouTube tirades. “His book and life resonated with me to such a degree,” Pink states, “that I felt a need to dedicate my latest record to him.”