Arias For Tenor Pdf

David Hansen - Rivals - Arias for Farinelli & Co. (2013) [Official Digital Download 24/96]

David Hansen, Alessandro De Marchi & Academia Montis Regalis - Rivals - Arias for Farinelli & Co. (2013)
FLAC (tracks) 24-bit/96 kHz | Time - 76:17 minutes | 1.36 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Rivals’ - David Hansen’s debut recording for SONY / DHM explores and celebrates the music of Farinelli and his castrato rivals: Caffarelli, Carestini, Bernacchi and others. These singers dominated the stages of Europe and it was not always Farinelli who reigned supreme… David Hansen’s album features nine world premiere recordings. He is accompanied by Alessandro de Marchi and his orchestra Academia Montis Regalis. Recorded at the famous Academia at Mondovì in Piemont with Alessandro de Marchi and the musicians of the prestigious Academia Montis Regalis, the choice of arias demonstrates the remarkable breadth of David Hansen’s phenomenal technique, his musical versatility and expression.
Iestyn Davies, Jonathan Cohen, Arcangelo - Arias for Guadagni (2012)

Iestyn Davies, Jonathan Cohen, Arcangelo - Arias for Guadagni (2012)
EAC | FLAC | Image (Cue & Log) ~ 384 Mb | Total time: 77:52 | Digital booklet (PDF)
Classical | Label: Hyperion | # CDA67924 | Recorded: 2011

British countertenor Iestyn Davies is one of the fastest rising stars on the concert and opera circuit. Following his highly acclaimed recording of Porpora cantatas, he returns for a second solo album with Hyperion, a selection of arias written for Gaetano Guadagni. Italian-born Guadagni was the first ‘modern’ castrato, famed all over Europe for the lyric purity of his voice and his powerful, naturalistic acting style. Not only did he enjoy a close artistic relationship with Handel, who nurtured Guadagni’s voice to fit the alto roles in his English oratorios, but he effectively created the role of Orpheus in Gluck’s Orfeo ed Euridice, an opera he thoroughly made his own. Here, Iestyn Davies is joined again by the renowned period-instrument band Arcangelo, directed by Jonathan Cohen.
Vivica Genaux, Akademie fur Alte Musik Berlin, Rene Jacobs - Arias for Farinelli (2003) PS3 ISO + Hi-Res FLAC

Vivica Genaux, Akademie Für Alte Musik Berlin, René Jacobs - Arias for Farinelli (2003)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 77:33 minutes | Scans & Digital booklet | 3,77 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans & Digital booklet | 1,43 GB
Features Stereo & Multichannel Surround Sound / Harmonia Mundi #– HMC 801778

Recording an album of arias written expressly for Farinelli, one of the most legendary castratos of the eighteenth century, is brave; his name invokes a world of superhuman vocal feats, remarkable pathos, and a uniquely strong and brilliant tone that, for obvious anatomical reasons, will not be replicated by modern singers. But that clearly does not scare Vivica Genaux who, along with René Jacobs and the Akademie für Alte Musik Berlin, dives into Farinelli's repertory as if it were her very own.
Markus Miesenberger & Neue Wiener Hofkapelle - Arias for Silvio Garghetti (2018)

Markus Miesenberger & Neue Wiener Hofkapelle - Arias for Silvio Garghetti (2018)
Classical, Opera, Vocal | WEB FLAC (tracks) & d. booklet | 289 MB
Label: Pan Classics | Tracks: 15 | Time: 62:30 min

The arias presented on this new release by Austrian tenor Markus Miesenberger display a representative cross-section of operatic music performed at the Viennese Imperial court at the beginning of the 18th century. Silvio Garghetti was a member of the Viennese Imperial Court from 1702 until his death in 1729 and was involved in 28 different opera and oratorio productions at the Viennese Imperial Court. He was clearly the outstanding lyrical tenor of his time in Vienna and most likely also a star tenor in the modern sense of the word who appeared alongside the most famous male and female singers and castratos of the Baroque period.
La Gioia Armonica & Jürgen Banholzer - Reutter: Portus Felicitatis (Motets & Arias for the Pantaleon) (2013) [24/88]

La Gioia Armonica & Jürgen Banholzer - Reutter: Portus Felicitatis (Motets & Arias for the Pantaleon) (2013)
FLAC (tracks) 24-bit/88.2 kHz | Time - 69:28 minutes | 1.11 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Today almost entirely forgotten, Reutter has been the most successful composer of opera in Vienna during the 1730s, and the single and most influential composer of church music in Vienna for three decades, enjoying the estimation of both Charles VI and Maria Theresia. The son of a court organist and music director at St. Stephen’s Cathedral, Reutter studied with Antonio Caldara and, having returned from a period of study in Italy, was nominated imperial court composer in Vienna in 1730.
Franco Fagioli, Riccardo Minasi, Il Pomo d'Oro - Arias for Caffarelli (2013)

Franco Fagioli, Riccardo Minasi, Il Pomo d'Oro - Arias for Caffarelli (2013)
EAC | FLAC | Image (Cue & Log) ~ 416 Mb | Total time: 78:34 | Scans included
Classical | Label: Naïve | # V5333 | Recorded: 2012

Naples in 1750 was one of the ten biggest cities in the world, and it spawned two of the biggest musical stars of the era: the castrati Farinelli and the much lesser known Caffarelli, whose real name was Gaetano Majorano. This release consists of arias written for Caffarelli, and you might treasure it for the flamboyant, high-volume singing of countertenor Franco Fagioli, who arguably comes as close as any of his contemporaries to conveying what the high-powered sound of the castrati was like (in the understandable absence of the genuine article). Or, you might be grateful to hear the music associated with Caffarelli, who in his own time had a reputation for being troublesome and has generally ignored by the historical opera revival movement. The composers represented on the program are not household names; the best-known of them was German Johann Adolph Hasse, and some, such as Gennaro Manna and Domenico Sarro, are all but unknown. The bright, blooming orchestral work of Il pomo d'oro under conductor Riccardo Minasi is unfailingly exciting. Beyond all this, however, is the presentation of the whole package.
Juan Diego Flórez, Roberto Abbado - Voce d'Italia: Arias for Rubini [2007]

Juan Diego Flórez - Voce d'Italia: Arias for Rubini (Roberto Abbado) [2007]
Classical | DECCA B0010302-02 | TT: 71.41 | EAC (FLAC, cue, log) | Covers | 342 Mb

Giovanni Battista Rubini (1794-1854) was the leading Italian tenor of his generation, during the time Rossini, Donizetti, and Bellini were creating some of their greatest works, and all the selections on this album are from operas that were either written especially for him, or in which he performed. Rubini, who was hailed as "king of the tenors," worked most closely with Bellini, who wrote some of his greatest and most demanding tenor roles with his voice in mind. One of the strengths of Juan Diego Flórez's tribute to Rubini is the fact that he largely chooses excerpts from less familiar repertoire over the more famous and frequently performed operas. (Fans hoping for the high F in I Puritani's "Credeasi, misera," for instance, will have to look elsewhere.) In these selections, though, there are plenty of vocal fireworks on display, so the album is not likely to disappoint fans of coloratura bel canto. This early nineteenth century Italian repertoire suits Flórez's voice perfectly, so it makes good sense for him to pay tribute to Rubini's career.

Mozart - Arias for Male Soprano (Michael Maniaci)  Music

Posted by ArlegZ at Oct. 29, 2010
Mozart - Arias for Male Soprano (Michael Maniaci)

Mozart - Arias for Male Soprano (Michael Maniaci)
Classical | EAC | APE, CUE, LOG | Scans | 246,25 MB
Martin Pearlman, Boston Baroque | Released: 2010 | Label: Telarc

Michael Maniaci is a male soprano, which is a voice category unfamiliar to many lovers of classical vocal music. Unlike a countertenor, his voice sits naturally in the soprano register. His voice is really all about the fact that his vocal chords experienced fewer changes than what most young men experience when going through puberty. There are very few male sopranos, and Mr. Manicaci is without question the best male soprano in our midst. Thus we have here a singer who perhaps comes closer to giving us at least some idea of what the famous castrati sounded like more than anyone else today. He can sing high C's with ease and the voice here displays great agility and brio. I've listened to this album multiple times, and the more I hear it the more amazing I find it. The first time I heard it I was impressed with this his obvious joy, passion, and real sense of theater. This young male soprano's voice is gorgeous, but Michael Maniaci also understands that there is theater in this music and we can *hear* that in his singing..
Eva Juárez, A Corte Musical, Rogério Gonçalves - Sebastián Durón: Arias for Soprano - Lágrimas, Amor... (2016)

Eva Juárez, A Corte Musical, Rogério Gonçalves - Sebastián Durón: Arias for Soprano - Lágrimas, Amor… (2016)
EAC | FLAC (image+.cue, log) | Covers Included | 59:14 | 320 MB
Genre: Classical, Vocal | Label: Pan Classics | Catalog: PC 10320

Sebastián Durón was, together with Antonio de Literes, the greatest Spanish composer of stage music of his time. He served as organist and choirmaster at various cathedrals (Seville, Cuenca, El Burgo de Osma, Plasencia) until in 1691 he was appointed master of the Royal Chapel of King Charles II in Madrid.
Daniel Behle - Schubert: Winterreisen (Version for Tenor and Piano Trio & Original Version) (2014) [24/88]

Daniel Behle - Schubert: Winterreisen (Version for Tenor and Piano Trio & Original Version) (2014)
FLAC (tracks) 24-bit/88.2 kHz | Time - 130:32 minutes | 1.91 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Mit der vorliegenden „Doppel-Aufnahme“ von Franz Schuberts (1797-1828) berühmtem Liederzyklus „Die Winterreise“ zeigt der deutsche Tenor Daniel Behle seine außergewöhnliche künstlerische Bandbreite. Denn die 24 Lieder erscheinen sowohl in der Originalversion als auch in einer Bearbeitung für Tenor und Klaviertrio. Der studierte Komponist Daniel Behle arrangierte das Werk selbst für Klaviertrio und nahm beide Versionen mit dem Pianisten Oliver Schnyder und dessen Trio auf.