Archie 4

Don Cherry Quintets featuring Archie Shepp & Gato Barbieri - Copenhagen 1963 & Hilversum 1966 (1963-66) {FreeFactory 069}

Don Cherry Quintets featuring Archie Shepp & Gato Barbieri - Copenhagen 1963 & Hilversum 1966 (1963-66) {FreeFactory 069}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 247 Mb | MP3 @320 -> 135 Mb
Full Artwork @ 300 dpi (jpg) -> 30 Mb | 5% repair rar
© 1963, 1966, 2010 FreeFactory | 069
Jazz / Hard Bop / Avant-Garde Jazz / Trumpet / Saxophone

Two previously unreleased 1960s performances by Don Cherry in quintet format. The first show was recorded in Denmark in 1963 (but a different date that the release on Storyville) and showcases the New York Contemporary Five, featuring Cherry with Archie Shepp, John Tchicai, Don Moore and J.C. Moses.
Elena Rudenko by Archie Hanafi for We Are The People Magazine

Elena Rudenko - Archie Hanafi Photoshoot 2017
17 jpg | up to 1280*1918 | 7.73 MB
Dutch model

Archie Shepp - Little Red Moon (1985) {Soul Note SN 1112 CD}  Music

Posted by ruskaval at Nov. 12, 2016
Archie Shepp - Little Red Moon (1985) {Soul Note SN 1112 CD}

Archie Shepp - Little Red Moon (1985) {Soul Note SN 1112 CD}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 271 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 300 dpi (jpg) -> 9 Mb | 5% repair rar
© 1985, 1986 Soul Note | SN 1112 CD
Jazz / Post Bop / Free Improvisation / Saxophone

"Serious collectors and devoted Sheppherds only…" By 1985 Archie Shepp's tone on tenor had declined quite a bit from just a few years earlier. This should have been a strong set for the sidemen (trumpeter Enrico Rava, keyboardist Siegfried Kessler, bassist Wilbur Little and drummer Clifford Jarvis) are excellent and the repertoire is both diverse and challenging. However Shepp fouls up "Naima" by playing his out-of-tune soprano, talks and sings on the 18-minute "Little Red Moon" more than he plays tenor and his sax sounds quite sloppy on "Whisper Not" and "Sweet Georgia Brown." Despite some good moments from the supporting cast, this is one to skip.

Archie Shepp - Black Ballads (1992) {Timeless}  Music

Posted by TestTickles at Nov. 11, 2016
Archie Shepp - Black Ballads (1992) {Timeless}

Archie Shepp - Black Ballads (1992) {Timeless}
EAC Rip | FLAC with CUE and log | scans | 326 mb
MP3 CBR 320kbps | RAR | 147 mb
Genre: jazz

Black Ballads is the 1992 album by American jazz saxophonist Archie Shepp. Released by the Timeless label on 13 January, 1992, he is joined by Horace Parlan, Wayne Dockery, and Steve McRaven.

Archie 627-630 (2012)  Comics

Posted by mikestoke at Aug. 30, 2016
Archie 627-630 (2012)

Archie 627-630 (2012)
English | CBR | 4 Issues | 57.15 MB

Archie Comics 012 (1945)  Comics

Posted by mikestoke at Aug. 25, 2016
Archie Comics 012 (1945)

Archie Comics 012 (1945)
English | CBR | 47 pages | HD | 245.22 MB

Archie Comics 011 (1944)  Comics

Posted by mikestoke at Aug. 25, 2016
Archie Comics 011 (1944)

Archie Comics 011 (1944)
English | CBR | 47 pages | HD | 238.62 MB

Archie Comics 010 (1944)  Comics

Posted by mikestoke at Aug. 25, 2016
Archie Comics 010 (1944)

Archie Comics 010 (1944)
English | CBR | 48 pages | HD | 236.12 MB

Archie Cash 4 - Un train d'enfer  Comics

Posted by Lebedev30 at June 5, 2016
Archie Cash 4 - Un train d'enfer

Archie Cash 4 - Un train d'enfer
Editeur(s) : Dupuis | Scénario: Brouyère, Jean-Marie | Aventure
Français | CBR | 50 pages | 32.7 MB
John Coltrane / Archie Shepp - New Thing At Newport (1965) {Impulse!-Verve Originals rel 2009}

John Coltrane / Archie Shepp - New Thing At Newport (1965) {Impulse!-Verve Originals rel 2009}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 253 Mb | MP3 @320 -> 87 Mb
Full Artwork @ 600 dpi (png) -> 198 Mb | 5% repair rar
© 1965, 2009 Impulse! / Verve / UMG | Verve Originals Series | 0602517920392 | LP A-94
Jazz / Avant-Garde Jazz / Hard Bop / Post Bop / Saxophone

The jazz world was immersed in controversy in 1965 when the bands of John Coltrane and Archie Shepp appeared at the Newport Jazz Festival. Coltrane's own style was undergoing constant evolution, his lines more convoluted and explosive, his sound increasingly ranging to vocal cries and metallic abrasions. He had also become a figurehead of the "avant-garde" or "New Thing," an established star who provided a public forum for younger musicians and the creative ferment largely taking place out of public hearing.