Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
Essential: A masterpiece of psych-rock music collection.
Vanilla Fudge are a pioneering psychedelic band with a superb lineup and are famous for psyching up well known cover versions. Their debut albums features some of their best and most popular material such as the stunning' You Keep Me Hanging On', 'Eleanor Rigby' and 'She's Not There'.
…His vicious wit, often overlooked in favor of his poetic narratives, surfaces on the title track, while "It Could Have Been a Brilliant Career" summarizes his effortless gift for elegant melancholia. Such small, precious gems are what Belle & Sebastian are all about, and The Boy With the Arab Strap offers another round of timeless, endlessly fascinating folk-pop treasures.
The Arab Orchestra of Barcelona was born in the late twentieth century in Barcelona and up musicians from different backgrounds, such Chefchaoen, Tangiers or Thessaloniki. Its founding members are Mohamed Soulimane (director and violin) and Mohamed Ayoub Bout (voice).
Called by some kawkab al-sharq (star of the East) and by others 'empress of Arab tunes,' Oum Kalthoum, with a voice powerful and clear, can still be heard daily on radio stations in the multitudes of coffee shops and taxis all over the Arab world. Even though she died over two decades ago, her love lyrics, national odes and religious chants continue to affect millions of people. Her audience, as if on cue, hums along or cries in despair in reaction to her range of pitch, filled with nostalgia and yearning, touching the very Arab soul.
After prison, after first shocking, then disappointing, and perhaps ultimately (and grimly) amusing the jazz world with enough dope-related hijinks to fill a book (as in Straight Life), alto saxist Art Pepper made a triumphant mid-1970s comeback. This 1979 session is rich with the fruits of Pepper's return, a depth of playing that shows itself constantly throughout the New York Album's five tunes.
The debut album by the Chieftains, recorded when they were still a semi-professional outfit, is more restrained than their subsequent efforts. The opening number introduces each of the bandmembers, Paddy Moloney and Sean Potts on pipes, followed by Michael Tubridy on flute and David Fallon on bodhran, Martin Fay on the fiddle, and then Tubridy on the concertina. The group would later acquire what can only be called a more soulful approach, but the playing here was a revelation at the time, if only for its stripped-down authenticity.