Arab Flac

Nicki Parrott - Can't Take My Eyes Off You (2011) [Japan 2016] SACD ISO + Hi-Res FLAC

Nicki Parrott - Can't Take My Eyes Off You (2011) [Japan 2016]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 58:13 minutes | Front/Rear Covers | 1,94 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,27 GB

One of the most popular jazz musicians in Japan today, Nicki Parrott's latest release from Venus Records is a gorgeous collection of romantic standards. The star-studded band includes her frequent collaborators–Harry Allen on tenor sax, her sister Lisa on alto sax, John Di Martino on piano–and, this time, Chuck Redd on vibraphone who adds a distinctive tonal color to the collective sound.
Alexis Cole & Bucky Pizzarelli - A Beautiful Friendship (2015) [Japan] SACD ISO + Hi-Res FLAC

Alexis Cole & Bucky Pizzarelli - A Beautiful Friendship (2015) [Venus Japan # VHGD-84]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 54:27 minutes | Front/Rear Covers | 1,78 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,13 GB
Guem Et Zaka Percussion – Percussions (1978) LDX 74674 – 1st FR Pressing - LP/FLAC In 24bit/96kHz - NEW 2017 RIP!

Guem Et Zaka Percussion ‎- Percussions
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Le Chant Du Monde/LDX 74674 | Release: 1978 | Genre: African-Roots/Percussion

Born to Nigerian parents brought to Algeria, percussionist Guem grew up playing traditional music and trance rhythms from an early age. His family soon initiated him into the secrets of the diwan–ceremonies where many of the participants enter a state of trance.

New York Trio - Thou Swell (2007) [Japan 2016] SACD ISO + Hi-Res FLAC  Vinyl & HR

Posted by HDAtall at Oct. 18, 2017
New York Trio - Thou Swell (2007) [Japan 2016] SACD ISO + Hi-Res FLAC

New York Trio - Thou Swell (2007) [Japan 2016]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 55:02 minutes | Front/Rear Covers | 1,68 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,11 GB
Guitar Shorty - My Way Or The Highway (1991) [Reissue 2004] PS3 ISO + Hi-Res FLAC

Guitar Shorty - My Way Or The Highway (1991) [Reissue 2004]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 57:30 minutes | Scans included | 4,25 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,32 GB
Features Stereo & Multichannel Surround Sound

Here we have a team; Shorty with his prodigious talents was the perfect centerpiece, Otis Grand with his guitar playing and production and band leading skills is simply beyond 'world class'. Add a superb band and a really good studio and you're in business. The album won a Handy Award. Further JSP collaborations with Otis Grand followed, resulting in stone classic albums with Phillip Walker, Joe Louis Walker and Joe Houston.
New York Trio and Ken Peplowski - Stardust (2009) [Japan 2015] SACD ISO + Hi-Res FLAC

New York Trio & Ken Peplowski - Stardust (2009)
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 66:05 minutes | Front/Rear Covers | 2,1 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,39 GB

A wonderful gift for jazz fans has arrived from Venus Records! Nobody argues that Bill Charlap is one of the most preeminent jazz pianists of his generation. His encyclopedic knowledge of the American Songbook is second to none, and his beautiful touch, amazing skills and imagination make it a pleasure to listen to him at all times. Ken Peplowski, on the other hand, is without a doubt one of the best clarinet and tenor sax players in the swing tradition.
New York Trio - Stairway To The Stars (2005) [Japan 2015] SACD ISO + Hi-Res FLAC

New York Trio - Stairway To The Stars (2005) [Japan 2015]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 57:48 minutes | Front/Rear Covers | 1,76 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,16 GB

Consisting of Bill Charlap, Jay Leonhart and Bill Stewart, the New York Trio is a studio-only group that specializes in classic standards performed in a straightforward post-bop style. On this release, the trio focuses on selections from the Great American Songbook.
New York Trio - Begin The Beguine (2006) [Japan 2015] SACD ISO + Hi-Res FLAC

New York Trio - Begin The Beguine (2006) [Japan 2015]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 57:54 minutes | Front/Rear Covers | 1,78 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,23 GB

For their fifth album on Venus Records, Bill Charlap and his New York Trio took on another songbook. This time it was Cole Porter's. Begin the Beguine is part of Charlap's songbook series. Previous entries include that of Leonard Bernstein, George Gershwin, and Duke Ellington. When you mix the divine melodies and romantic nature of Cole Porter with this great piano trio that has played together for five years…well, the results are extraordinary. The album begins with the lively "You'd Be So Nice To Come Home To", then goes through the lovely "So In Love", the surprisingly unhurried "Begin the Beguine", and ends with the heart-rending "Every Time We Say Goodbye".
Ken Peplowski Gypsy Jazz Band - Gypsy Lament (2008) [Japan 2015] SACD ISO + Hi-Res FLAC

Ken Peplowski Gypsy Jazz Band - Gypsy Lament (2008) [Japan 2015]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 59:25 minutes | Front/Rear Covers | 1,9 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,28 GB
The Hollies – Another Night (1975) Polydor/2442-128 – 1st UK Pressing - LP/FLAC In 24bit/96kHz

The Hollies – Another Night
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Polydor/2442-128 | Released: 1975 | Genre: Classic-Rock

Another Night was a wholly unexpected album at the time of its release in February of 1975.
The Hollies’ 15th official album, it also marked the return of Allan Clarke to the lineup for the first time since Distant Light in 1971 — and it was, apart from one number, comprised entirely of group originals, a feat of songwriting acumen that the Hollies had not achieved since 1969’s Hollies Sing Hollies (which was sort of a “ringer” in that regard); and just as much to the point, all of the songs and recordings were pretty much first-rate, ranging widely from lyrical pop/rock to harder, edgier, album-oriented sides, with a couple of classic performances among them.