Brazilian musicians and studios are fond of backup arrangements quite as mushy as anything the U.S. industry can provide, so live albums of Brazilian performers tend to be a lot more satisfying than studio gigs. That's certainly true of this release compared with his earlier Braziloid album. A punchy backup band does wonders for his attractively laidback style.
Recorded live at the Montreux Casino, in the 12th Montreaux International Jazz Festival, in 14th of July 1978, Switzerland. This live disc contains a spirited live performace that touches on the funkier side of Gil and Brasilian music in general. Especially memorable is the second tune, Chororo, which has a kind of joyous tropical feel to it which is counter balanced by a musical bridge which appears several times that puts the major chords of the vocals against the minor chords of the band, creating an interesting 'tense' section in an otherwise upbeat song. The cover of Tropicalia favorite Bat Macumba is terrific as well, very extended and different than the Os Mutantes version. This disc is a great addition to any MPB collection, and might also be enjoyed by the jam band set due to Gil's band's funky and frenetic back up work.
Poet and musician, the true soul of cultural Brazil: this is Caetano Veloso. This live set features him in two delicious duets with fellow musician Lulu Santos, and also contains great reworkings of some little heard Jobim tunes. Most interestingly, it includes a lot of material from Veloso's 'Tropicalia' era, with many songs in Portuguese.
Yamandu Costa (Passo Fundo, January 24, 1980), sometimes misspelled Yamandú, is a Brazilian guitarist and composer. His main instrument is the violão de 7 cordas, the Brazilian seven-stringed nylon guitar. Yamandu began to study guitar at age seven with his father, Algacir Costa, leader of the group Os Fronteiriços (The Frontiersmen) and mastered the instrument after studying with Lúcio Yanel, an Argentine virtuoso who lived in Brazil.