"Chapters" is a double album compilation by Swedish progressive rock band Anekdoten, released in May 2009. The first disc contains the band's favourite tracks from their 3 latest albums, "From Within", "Gravity" and "A Time of Day". It also features the newly recorded track "When I Turn", a track originally written for the From Within album. The second disc focuses on the band's earlier years, including the very first Anekdoten track "Sad Rain", which previously only was available as bonus track on the Japanese version of "Vemod", and demo versions of songs from "Nucleus" and "A Time of Day".
In the early 90s a wave of King Crimson inspired new progrock bands emerged in Scandinavia. One of the first was four piece formation Anekdoten from Sweden. From Within (1999). After a long silence, Anekdoten reemerges into the darkness with a record that is both more mature than their debut, Vemod, and yet somewhat less polished than 1995's Nucleus. From Within feels like it was produced on a tighter budget, and the production can have a rehearsal-room feel - although to be sitting in Anekdoten's rehearsal room is no small privilege. The opening title track is a band tour de force of crunching bass, swooping Mellotron, and clattering snare drums…
This CD EP contains some very nice live material from Anekdoten 1990's era. For example the version of "Karelia" is here extraordinary powerful, much better than on the "Vemod" album. It's mellotron coda really reaches the dramatic genius of human experience. "A Way of Life" sounds as an improvisation, and there are some kind of frippertonics used on this piece, strengthening the band's fascination with King Crimson as an innovator. Two other tracks are good also. Not probably the best record as first introduction to the band, but warmly recommended for those who like Anekdoten.
"Until All The Ghosts Are Gone" is the long awaited album from Anekdoten, a wait of eight years since the excellent "A Time Of Day" (2007). Fortunately it's been worth the wait as it's as good as and sometimes better than most of their back catalogue. It's clearly recognisably Anekdoten with no great leaps in style. The haunting and melancholic melodies, the dynamic rhythm section and of course the ever present Mellotron. "Until All The Ghosts Are Gone" is a crowning achievement for Anekdoten, one of the absolute standout progressive rock albums of 2015.
Japanese papersleeve mini vinyl replica CD with a bonus disc that contains alternative mixes by Hans Fredriksson of "Shooting Star", "If It All Comes Down To You" & "Our Days Are Numbered".
Essential: a masterpiece of progressive rock music
As a “Tronmaniac” it was inevitable that one day I would stumble upon the album 10.000 Anos Depois Entre Vénus E Marte by singer and keyboard player José Cid, this is Mellotron Heaven on Earth! Then I discovered that José Cid once joined the Portuguese five piece band Quarteto 1111 and from that moment I was very determined to get an album. Thanks to a Portuguese PA friend (you know who you are) I got a copy and was finally able to listen to this highly acclaimed and most progressive Portuguese progrock effort.
Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
Essential: A masterpiece of psych-rock music collection.
Vanilla Fudge are a pioneering psychedelic band with a superb lineup and are famous for psyching up well known cover versions. Their debut albums features some of their best and most popular material such as the stunning' You Keep Me Hanging On', 'Eleanor Rigby' and 'She's Not There'.
Despite some growth from their King Crimson roots, this album shows Anekdoten still sounding remarkably like Red. "Harvest," opening with a creepily distorted Rhodes piano, establishes the band's somewhat overused pattern of alternating metallic verses clotted with bass, guitar and hi-hat with gorgeously soaring choruses of Mellotron, cello, and ride cymbals. "Here" gives the guitar theatrics a rest and allows Liljestrom's melancholy vocals and the group's delicate playing to come to the foreground. Its mournful lyrics and pensive strings are played over a wheezing pump organ - listen for Nicholas Berg's feet pumping away at the bellows in the background…
"Ewen Carruthers „One red shoe“ erscheint zunächst als ein weiteres, sehr exzellent aufgenommenes, sehr entspanntes, überaus ruhiges, aber vielleicht geradezu harmloses Album. Denn seinen wahren Inhalt offenbart es nur all jenen, die genauer hinhören, und sich nicht von der mitunter sehr sanftmütigen, warmen Stimme des Künstlers dazu verleiten lassen, dieses Album einfach nur oberflächlich und beiläufig wahrzunehmen. Der Kontrast aus zumeist sanft vorgetragenen Folk-Klängen und sehr tiefgründigen, reflektierten Gleichnissen in den Texten ist es, der dieses Album so spannend und hörenswert macht. Denn die ausgefeilten, zumeist als Gleichnisse verfassten Texte drücken viel aus und lassen dem Zuhörer Platz für eigene Assoziationen." ~sempre-audio
In the early 90s a wave of King Crimson inspired new progrock bands emerged in Scandinavia. One of the first was four piece formation Anekdoten from Sweden. Gravity is the fourth studio album from this progressive rock act. The music on Gravity continues in the emotional style that was started on From Within but adds an alternative rock touch and a bit more commercial appeal to the overall sound. The dark mood and the famous extensive use of mellotron are still trademarks in Anekdoten´s sound on Gravity. The vocal melodies have become slightly more memorable, but they are still far from commercial rock melodies.