…Fine motets by Stradella and Bassani make this disc worth investigation. …violinist Patrick Cohën-Akenine with his excellent bad Les Folies Françoises play with resonant warmth, particularly in two dynamically charged Corelli sonatas.(Gramophone Magazine)
Italy's foremost female rock singer, Gianna Nannini, was born in Siena on June 14, 1956, to a family that included a renowned industrialist and Siena Football Club president father and a Formula One pilot brother. Often described as the creative rebel in the family, Nannini attended the Lucca Conservatory throughout her entire adolescence, where she was trained as a pianist…
The Great Classics series from Naxos is the perfect introduction to myriad genres of classical music. Comprising both complete and compiled selections from the greatest works in the repertoire, the boxes are bursting with wonderful pieces of music, both recognizable and unfamiliar. The boxes take the listener on a thrilling tour of some of the worlds most dramatic musical media, encompassing music from six centuries and featuring sensational performers.
Marking the 40th anniversary of Maria Callas’ death (16th September 1977), Maria Callas Live captures the legendary soprano in action on the stages of the world’s great opera houses and concert halls. Thanks to new audio remastering from the best available sources, this set reveals Callas’ compelling genius as a singing actress with a new truthfulness and immediacy. Containing 20 complete operas – including 12 works she never recorded in the studio – and five complete filmed recitals (with two different stagings of Act 2 of Tosca) on Blu-ray, Maria Callas Live is the indispensable complement to Callas Remastered, Warner Classics’ landmark collection of her studio recordings.
This studio recording was made in 1989 coinciding with a memorable production from the Metropolitan Opera, later captured on DVD. It's a delightful performance, and a wonderful highlight of Pavarotti's later career. Kathleen Battle's sparkling soprano is a brilliant accompaniment to Pavarotti's still-ringing tone.
"Pavarotti's voice was still beautiful and pliable, his phrasing exquisite. And he loved the role of Nemorino and always seemed happy with both its comedy and pathos–he steals every scene he's in, and no one minds…Kathleen Battle sings Adina with perfect, pearl-like tone, absolute fluency and commitment, and a trill to die for…Enzo Dara is an ideal Dulcamara, just the right combination of huckster and sentimentalist, with ease in every register and with fast music."
– Robert Levine, ClassicsToday.com