The two albums enclosed in At Town Hall/The Amazing Nina Simone bookend the remarkable summer of 1959 in the career of Nina Simone, when she recorded a studio session, The Amazing Nina Simone, in May, and in September appeared At Town Hall in a superlative performance that was recorded and soon issued. Just 26, Simone displayed great assurance, especially on the live date, casting off the cloak of the vocal jazz/standards singer and performing with her own trio featuring her lively piano. The studio date features an orchestra, but it too finds her early on in her recording career stamping her voice on standards "Willow Weep for Me" and "Blue Prelude".
Nina Simone Sings the Blues, issued in 1967, was her RCA label debut, and was a brave departure from the material she had been recording for Phillips. Indeed, her final album for that label, High Priestess of Soul, featured the singer, pianist, and songwriter fronting a virtual orchestra. Here, Simone is backed by a pair of guitarists (Eric Gale and Rudy Stevenson), bassist (Bob Bushnell), drummer (Bernard "Pretty" Purdie), organist (Ernie Hayes), and harmonica player who doubled on saxophone (Buddy Lucas). Simone handled the piano chores. The song selection is key here. Because for all intents and purposes this is perhaps the rawest record Simone ever cut. It opens with the sultry, nocturnal, slow-burning original "Do I Move You," which doesn't beg the question but demands an answer: "Do I move you?/Are you willin'?/Do I groove you?/Is it thrillin'?/Do I soothe you?/Tell the truth now?/Do I move you?/Are you loose now?/The answer better be yeah…It pleases me…." As the guitarists slip and slide around her husky vocal, a harmonica wails in the space between, and Simone's piano is the authority, hard and purposely slow.
If this is blues, it's blues in the Billie Holiday sense, not the Muddy Waters one. This is one of Nina Simone's more subdued mid-'60s LPs, putting the emphasis on her piano rather than band arrangements. It's rather slanted toward torch-blues ballads like "Strange Fruit," "Trouble in Mind," Billie Holiday's own composition "Tell Me More and More and Then Some," and "Nobody Knows You When You're Down and Out." Simone's then-husband, Andy Stroud, wrote "Be My Husband," an effective adaptation of a traditional blues chant. By far the most impressive track is her frantic ten-minute rendition of the traditional "Sinnerman," an explosive tour de force that dwarfs everything else on the album.
2009 UK 5-CD album set comprised of the best selling and critically acclaimed album releases 'Nuff Said', 'To Love Somebody', 'Black Gold', 'It Is Finished' and 'Nina Simone And Piano!', each album is housed in a mini LP-style card picture sleeve with the complete set presented in a card slipcase.
To Be Free: The Nina Simone Story is a 3 CD Career Retrospective (1957-1993) including her work for Bethlehem, Colpix, Philips, RCA, CTI and Elektra, PLUS a DVD featuring the 1970 Emmy-nominated never-before-released documentary. This package includes 54 songs, 8 previously unreleased tracks, including some never recorded elsewhere. The box includes all chart hits (U.S. and U.K.) and her most famous signature songs. An added bonus are liner notes which include track-by-track commentary from Simone biographer, David Nathan, and introduction by Ed Ward, NPR's "rock & roll historian", and never-before-seen photos from her family archives, recording sessions and performances.
This collection of 25 tracks recorded by legendary blues singer Nina Simone includes some of her best material including "Black Is The Color Of My True Love's Hair." UK compilation featuring 25 tracks from the late jazz-soul diva. Includes 20 page booklet with rare photographs.