Alma Matrigna

Rossella Calabrò - Di matrigna ce n'è una sola  eBooks & eLearning

Posted by SSCN1926 at Aug. 21, 2014
Rossella Calabrò - Di matrigna ce n'è una sola

Rossella Calabrò - Di matrigna ce n'è una sola
Italian | Sonzogno | 2011 | PDF/EPUB | Pages 100 | ISBN: 8845423220 | 4.95 Mb

Alma - Octubre 2013  Magazines

Posted by Mendose at Dec. 1, 2013
Alma - Octubre 2013

Alma - Octubre 2013
Spanish | PDF | 100 pages | 109 MB

Alma - Febrero 2013  Magazines

Posted by Mendose at March 19, 2013
Alma - Febrero 2013

Alma - Febrero 2013
Spanish | PDF | 100 pages | 101 MB

ALMA Magazine - Nº 57 Mayo 2011  Magazines

Posted by guasman at May 31, 2011
ALMA Magazine - Nº 57 Mayo 2011

ALMA Magazine - Nº 57 Mayo 2011
PDF | Spanish | 116 pages | 23,3 mb

Discovery Firm Alma Flamenco ACID WAV REX  Software

Posted by orientazure at Jan. 22, 2011
Discovery Firm Alma Flamenco ACID WAV REX

Discovery Firm Alma Flamenco ACID WAV REX | 292 Mb

If you're looking to bring flamenco fire to your productions, Alma Flamenco can light the flame with authentic-sounding materials. The guitar accompaniment tracks offer the most articulations. There's arpeggios, muted strumming, quick picado single-string runs, rasqueo and rasguido strumming patterns, falseta phrases, and more. The tracks sound authentic. Flamenco performances, particularly guitars, aren't squeaky clean. It's part of the style to hear string buzzes, creaks, and scrapes. Having these in the tracks only increases the realism.

Malevolent Muse: The Life of Alma Mahler  eBooks & eLearning

Posted by thingska at May 10, 2017
Malevolent Muse: The Life of Alma Mahler

Malevolent Muse: The Life of Alma Mahler by Oliver Hilmes
English | 2015 | ISBN: 1555537898, 9781555537890, B00VSANH1A | 348 Pages | PDF | 3.87 MB
Julie Boulianne - Alma Oppressa - Vivaldi & Handel: Arias (2017) [Official Digital Download]

Julie Boulianne - Alma Oppressa - Vivaldi & Handel: Arias
Classical | FLAC (tracks) 24-bit/192 kHz | 58:45 min | 2.13 GB | Digital booklet
Label: Analekta | Tracks: 16 | Rls.date: 2017

The characters brought to life in the Baroque-era operas of great composers such as Handel and Vivaldi – protagonists whose passions, loves, misfortunes, hopes, and longings unfold before us on stage – are, in reality, musical depictions of the myriad journeys experienced by the human soul.
Franz Halász & Débora Halász - Gnattali: Alma brasileira (2014) [TR24][OF]

Franz Halász & Débora Halász - Gnattali: Alma brasileira
Classical | FLAC (tracks) 24-bit/96 kHz | 72:52 min | 1.27 GB | Digital booklet
Label: BIS | Tracks: 23 | Rls.date: 2014

His parents, Italian immigrants to Brazil, named Radam?s Gnattali after the male lead in Verdi’s Aida, and his mother began to teach him the piano at the age of six. But even though he did become a highly skilled pianist, performing Tchaikovsky’s piano concerto in B flat at Rio de Janeiro’s Teatro Municipal at the age of 23, it was as a composer (and arranger) of music of a distinctly Brazilian cast that he would make his name.
D'Alma - D'Alma (A Quem Interessar Possa) (1979, 1986, in-akustik # inak 8620 CD) [RE-UP]

D'Alma - D'Alma (A Quem Interessar Possa)
EAC+LOG+CUE | FLAC: 201 MB | Full Artwork | 5% Recovery Info
in-akustik "compact disc reference edition" # inak 8620 CD | Germany 1979, 1986
Genre: Jazz | Style: Contemporary Jazz, Brazil Jazz

Alma Quartet - Schulhoff: Complete String Quartets (2016)  Music

Posted by Pisulik at Jan. 4, 2017
Alma Quartet - Schulhoff: Complete String Quartets (2016)

Alma Quartet - Schulhoff: Complete String Quartets (2016)
EAC Rip | FLAC (Tracks) +cue, log, artworks - 573 MB | MP3 CBR 320 kbps - 254 MB | 01:50:14
Classical | Label: Gutman Records | Release Year: 2016

Of all the composers that fall under the term "Degenerate Music" Erwin Schulhoff the most complex. Unlike several anthologies tell us Schulhoff never been in Theresienstadt. He was not killed in Auschwitz. Hybrid Czech composer who had fit into any box was just unlucky. By him applied for Russian citizenship arrived two days late, making it rather ended up in the Soviet Union in the Wülzburg concentration camp, where he died of tuberculosis in 1942. From his early youth Schulhoff was fascinated by everything that was new. Thank he embraced dada and jazz, had a particular preference for the grotesque. His music had boundaries and genres, sometimes even of a "decency" cross.