Allman Brothers Band Beginnings

The Allman Brothers Band - Beginnings (1973) [2014, Universal Music Japan, UICY-40073]

The Allman Brothers Band - Beginnings (1973)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Universal Music Japan, UICY-40073 | ~ 439 or 166 Mb | Scans(png) -> 260 Mb
Blues Rock / Classic Rock

This is where the group's CD release history gets complicated. Beginnings was originally put together by Atco as a double LP to encourage new fans who'd missed them to buy the group's first two albums, and proved so successful that it was kept in print on CD by Polydor when it acquired the group's catalog…
The Allman Brothers Band - Beginnings (1973) [Japanese SHM-SACD 2014] PS3 ISO + Hi-Res FLAC {RE-UP}

The Allman Brothers Band - Beginnings (1973) [Japanese SHM-SACD 2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 69:46 minutes | Scans included | 2,13 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,45 GB

Allman Brothers Band - Beginnings 1973  Music

Posted by micaus11 at Oct. 26, 2008
Allman Brothers Band - Beginnings  1973

Allman Brothers Band - Beginnings 1973
MP3 @ 320 | 157 MB | Cover
Genre: Rock

Includes the first record was originally released as the album "The Allman Brothers Band". and the second record, originally released as the album "Idlewild South"
The Allman Brothers Band – At Fillmore East Promo Box (9 Albums 1969-1979) 9 CD Set [1998 Japanese Cardboard Sleeve] Repost

The Allman Brothers Band – At Fillmore East Promo Box (9 Albums 1969-1979) 9 CD Set
1998 Japanese Cardboard Sleeve [Repost]

EAC | FLAC | Tracks (Cue&Log) ~ 3.11 Gb (incl 5%) | Mp3 (CBR320/Stereo) ~ 1.22 Gb (incl 5%) | Scans included
Genre: Classic Rock, Blues Rock, Southern Rock, Hard Rock | Label: PolyGram/Capricorn | # PHCR-94001-94009 | Time: 07:44:39

Japanese Box 1998 contains studio and live albums and a compilation of the legendary rock band The Allman Brothers Band for the period from 1969 to 1979.

The Allman Brothers Band - Hittin The Note (2003)  Music

Posted by popsakov at Nov. 14, 2017
The Allman Brothers Band - Hittin The Note (2003)

The Allman Brothers Band - Hittin The Note (2003)
EAC Rip | FLAC (Img) + Cue + Log ~ 544 Mb | MP3 CBR320 ~ 180 Mb
Full Scans (PNG, 300 dpi) ~ 61 Mb | RAR 5% Recovery
Blues Rock, Southern Rock | Peach Records / Sanctuary Records #06076-84599-2

Hittin' the Note is the twelfth and final studio album by the American Southern rock group the Allman Brothers Band. Released through Sanctuary Records, it was their first studio album to include lead slide guitar player Derek Trucks and bass player Oteil Burbridge and marked the full-time return of guitar player Warren Haynes to the band. It was also their first (and only) studio album not to include original guitarist Dickey Betts. The CD was recorded live in the studio in New Jersey in December 2001 with lead vocal and minor overdubs recorded in early 2002. It was the first Allman recording co-produced by bandmember Haynes and Michael Barbiero.
The Allman Brothers Band - Super Stars Best Collection (198?) {Japan}

The Allman Brothers Band - Super Stars Best Collection (198?) {Japan}
EAC Rip | WV (Img) + Cue + Log ~ 370 Mb | MP3 CBR320 ~ 135 Mb
Scans (PNG, 762 dpi) ~ 60 Mb | RAR 5% Recovery
Southern Rock | Buena Suerte Industrias Musicales Inc. #BS-023

The Allman Brothers Band compilation album, released on the Japanese label Buena Suerte, is part of the Super Stars Best Collection series. Partially unofficial release.
The Allman Brothers Band - Brothers And Sisters (1973) [MFSL Remastered 2014] Audio CD Layer

The Allman Brothers Band - Brothers And Sisters (1973) [MFSL Remastered 2014]
EAC | FLAC | Tracks (Cue&Log) ~ 259 Mb | Mp3 (CBR320) ~ 103 Mb | Scans included | Time: 00:38:33
Classic Rock, Southern Rock, Blues Rock | Label: Mobile Fidelity Sound Lab | # UDSACD 2103

Brothers and Sisters is significant for myriad reasons. It’s the first album the Allman Brothers Band made in its entirety after Duane Allman’s death. It also came after bassist Berry Oakley’s spookily similar passing, yet he appears on two of the songs. The 1973 set also marks the emergence of guitarist Dickey Betts as the collective’s leader. And pianist Chuck Leavell’s arrival. But more than anything else, the record remains noteworthy for its incredible soulfulness and completeness. Having stayed at the top of the Billboard charts for five consecutive weeks, Brothers and Sisters constitutes the Allman Brothers Band’s biggest commercial triumph. Given the circumstances surrounding its creation, such an accomplishment hardly seemed possible. Fresh from licking their wounds over Duane’s tragic motorcycle accident, the group experienced déjà vu when Oakley met the same fate just blocks away from where his mate was killed. Rather than collapse, the Allman Brothers Band tightened up and mellowed out, inviting Leavell to join instead of recruiting another guitarist.
The Allman Brothers Band – Idlewild South (1970) ATCO/SD 33-342 – Original US Presswell Pressing - LP/FLAC In 24bit/96kHz

The Allman Brothers Band – Idlewild South
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: ATCO Records/SD 33-342 | Released: 1970 | Genre: Southern-Rock

If you’re going to listen to the Allman Brothers, make sure you have the first four records. The band made The Allman Brothers Band, Idlewild South, At Fillmore East, and three-fourths of Eat a Peach with its original lineup, before Duane Allman’s fatal motorcycle accident in 1971. The Tom Dowd-produced Idlewild South, their second album, comes off with a little less ferocity than their debut — which is perhaps the result of reaching for new sounds the second time around. “Revival,” the album’s opener, introduces Dickey Betts as a composer.
The Allman Brothers Band - Live At Ludlow Garage 1970 (1991) 2CDs [Re-Up]

The Allman Brothers Band - Live At Ludlow Garage 1970 (1991) 2CDs
EAC | APE | Image (Cue&Log) ~ 275 Mb | Mp3 (CBR320) ~ 225 Mb | Scans included | 01:31:11
Southern Rock, Blues Rock, Hard Rock, Slide Guitar Blues | Label: Polydor | # 843260-2

Live at Ludlow Garage 1970 features 91 minutes of the Allman Brothers Band in concert at a Cincinnati venue that they loved, nearly a year before their legendary Fillmore shows. The acoustics are good, though a little shaky – the tape was made at seven-and-a-half IPS, the bare minimum professional standard, which leaves more hiss than one might like and a bit less clarity than a fully professional live album might show. On the other hand, the group's sound imparts its own punch and clarity, and it was done in stereo, and if not for the existence of the Fillmore tapes, and the fact that the albums they yielded sold a kajillion copies, this show might well have been released in the 1970s. It isn't as intense as the Fillmore shows, but it does capture the group as a little-known working band with but a single album out and building a reputation – and with Dickey Betts yet to emerge as either a singer or composer and their sound still being worked out ("Statesboro Blues" gets a startlingly subdued performance, anticipating the acoustic version of "In Memory of Elizabeth Reed" from the '90s recording An Evening with the Allman Brothers Band: 2nd Set).
The Allman Brothers Band - An Evening with The Allman Brothers Band: 2nd Set (1995) [Re-Up]

The Allman Brothers Band - An Evening with The Allman Brothers Band: 2nd Set (1995)
EAC | FLAC | Tracks (Cue&Log) ~ 518 Mb | Mp3 (CBR320) ~ 181 Mb | Scans included | 01:11:55
Southern Rock, Blues Rock, Hard Rock, Boogie Rock | Label: Epic | # EK 66795

The Allman Brothers Band's fifth live release in 25 years, cut during 1994 in Raleigh, NC, and at the Garden State Arts Center in New Jersey, is a high-water mark in their Epic Records catalog. If anything, they're even better here than they were on the earlier Evening with the Allman Brothers Band, the old material getting fresh new approaches – the band was on for both nights, and presented sets, including an acoustic version of "In Memory of Elizabeth Reed" and "Jessica" (which won a Grammy Award), that soared and flowed, especially Dickey Betts and Warren Haynes' guitars. What's more, the clarity of the recording and the volume at which it was recorded make this a most rewarding 70 minutes of live music on a purely technical level – you can practically hear the action on the guitars during the acoustic set. It won't replace Live at Fillmore East or the live portions of Eat a Peach, but it deserves a place on the shelf not very far from them.